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DaumNancyFrance ArtDeco Signed Glass Applications LeadCrystal Sculptural Vase

About the Item

Art glass vase sign: Daum Nancy France. Evidenced by this Daum sculptural colorless blown and hot-shaped lead-crystal heavy vessel vase, the finest irreproducible artistic works in the history of the French glass maker featured ornamental thick glass applications, while its most in-demand ArtDeco-period pieces were made between 1925 and 1935 with very few major pieces remaining in private hands and even less without damage. As a significant gift acquired from Don Jacques Daum in 1950, a similarly shaped, constructed and sized circa-1925 vase with "stylized foliage" motif is in the collection of the French Museum of Decorative Arts in Paris as Inventory #36309. A later-produced vase with a similar application-motif at the rim, but in a "Champagne" bubbled style, is in the published book about the Leo and Irina Esterkin acquisitions from 1910-1940 titled Daum Art Deco Glass--A Private Collection. On our prime-condition antique vase, applied transparent glass is styled in high relief into a flowing undulating motif that evolved from Daum's Art Nouveau foliage designs. The angular and curvilinear shapes of this vessel epitomize the bold vases, bowls and sculptures for which Daum is best known. Its tiny pencil-etched signature on the side near the bottom reads "Daum (plus the Lorraine-cross symbol) Nancy France", which resembles some published signatures since 1925. Revealing how ahead of its time this particular design was--after WWII in 1945 coinciding with the revitalization of the French glass industry--Daum used such progressive high-quality pieces for inspiration to excel during its "crystal era" in making primarily colorless lead crystal vessels and figures until 1970, when it reintroduced its pate-de-verre since the Art Nouveau period. Weighing 6.4 pounds, our polished clear vessel has a high lead content, which replaces the calcium of ordinary green-tone glass, to give it extraordinary clarity, hardness and weight, while increasing the perception of depth and distortion among its highly-refractive surfaces. This dramatic yet understated piece was made by a French artist under the direction of Paul Daum to compete with emerging sculptural glass--such as by Rene Lalique (1860-1945), Charles Schneider (1881-1953) or Carlo Scarpa (1906-1978), who were concurrent leaders in modernist decorative art who likewise explored minimalism and organic shapes that helped define the Art Deco style. A French family-operated glassworks company since 1878 in Nancy, Daum Et Cie transitioned from commercial drinking glasses to art glass after the Eiffel Tower was built in Paris for the 1889 Universal Exposition where the Art Nouveau style was introduced to international audiences. Whereafter, it became Daum Frere in reference to when the brothers Auguste and Antonin took over the business. Each major stylistic change in glass design during the 20th century reflected a new generation of the family leaving their mark on Daum history as tastes evolved.
  • Creator:
  • Stone:
  • Stone Cut:
  • Weight:
    6.4 pounds
  • Dimensions:
    Height: 7.5 in (190.5 mm)Diameter: 7.5 in (190.5 mm)
  • Style:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    c.1925
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU3244219016072
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