Art

Horst P Horst (1906-1999) (Black and White Photography) Lisa on Silk, New York, 1940 Signed on reverse Silver gelatin print 14 x 11 inches Horst was a perfectionist who raised the s...

Horst P Horst (1906-1999) Mainbocher Corset, Paris, 1939 Signed on reverse Silver gelatin print 14 x 11 inches Round the Clock is endowed with fastidious precision and the enigmatic ambiance of a characteristic Horst image. The chiaroscuro befalling the legs from ankle to suspender compounds a sense of drama instantly recognisable to those familiar with the artist’s fashion...

Medium: original etching and drypoint. Catalogue reference: Delteil 10. Published in Paris in 1899 by H. Floury for Auguste Rodin "Statuaire" by Lon Maillard. This impression is prin...

Petite tête de l'Homme au nez cassé Small head of the Man with the broken nose by Auguste RODIN (1840-1917) Sketch for the Gates of Hell Variant with symmetric neck Bronze with blac...

ARTISTE: after Auguste RODIN TITLE : Dante & Virgilus MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" INFOR...

Photo from Horst's book Horst: Sixty Years of Photography. Paper measures 14 x 11 image is 11.5 x 9.

Horst P Horst (1906-1999) (Black and White Photography) Lisa With Harp, 1939 Signed on reverse Silver gelatin print 20 x 16 inches Horst was a perfectionist who raised the standards...

Auguste RODIN (1840-1917) Seated Nude, Cambodian Dancer c. 1898 - 1900 Pencil and watercolour 11.5 x 9.3 inches; 25 x 20.5 inches, inc. frame Provenance: Christie's South Kensington: Wednesday, November 28, 2007 "It's very simple. My drawings are the key of my art." Rodin was an extraordinary creative artist and a prolific worker. After attending the “Petite École”, he worked in the studio of the ornamentalist Albert-Ernest Carrier-Belleuse, first in Paris, then in Brussels, where his skill in handling decorative subjects fashionable in the 18th century became apparent. His discovery of Michelangelo, during a visit to Italy in 1875-76, was a decisive moment in his career. Rodin would, in turn, break new ground in sculpture, paving the way for 20th-century art, by introducing methods and techniques that were central to his own artistic aesthetics. In 1906, King Sisowath of Cambodia visited France on an official state visit. It was on this visit that Rodin discovered the dancers of the Cambodian Royal Ballet and was inspired to draw and paint them over 150 times. They made a deep impression on the artist, as he confided to Georges Bourdon, in an article for the newspaper Le Figaro on 1 August 1906: “There is an extraordinary beauty, a perfect beauty, about these slow, monotonous dances, which follow the pulsating rhythm of the music… [The Cambodians] have taught me movements I had never come across anywhere before…” Originally seeing them in Paris he left everything suddenly to follow the dancers of the royal ballet to Marseille, from where they would embark on their return to Cambodia. In just one week, he made about one hundred and fifty drawings, re-transcribing or interpreting the ballet poses, with an obvious fascination for the arms and hands of the dancers. These drawings were later highlighted with watercolour, creating coloured harmonies of a rare refinement. The first performance of the Cambodian Royal Ballet took place in the context of the Colonial Exhibition in Marseille. Sisowath 1st had just been crowned King of Cambodia when he undertook the first trip ever to be made by a Cambodian sovereign to France, which had controlled Cambodia since June 1884. This official visit occurred at the height of French colonial expansion. Previously, the Universal Exhibition of 1900 had attracted 48 million visitors! The organisers realised what a tremendous impact this event made on the public, and it was soon adopted as the main tool for colonial propaganda. At the exhibition in Marseilles, the area devoted to Indochina was the largest of the seven sections. When Auguste Rodin met the troupe of dancers for the first time in July 1906, during their brief visit to Paris for an exceptional performance at the Pré Catalan...

Artist: ​Horst P. Horst (1906-1999) Title: Coco Chanel, Paris, 1937 Year: 1937 Medium: Silver Gelatin Print Size: 14 x 11 inches Condition: Excellent Inscripti...

Iris little study, Auguste Rodin, Bronze, Sculpture, Modern Art, 1970's, Nudes Petite etude pour Iris, douzième épreuve Ed. 12/12 pcs 1973 Bronze with brown and black patina Marked...

Auguste Rodin French, 1840-1917 "Main Droite Feminine, doigts semi replies, annulaire leve" Feminine Right Hand, semi-folded fingers, raised ring finger Conceived circa 1890-1900; cast circa 1930-1940 Signed "A Rodin" on the right side of the wrist and with the foundry mark "Alexis Rudier...

In Zoli Models, Horst pays homage to an earlier composition, Movement Study 1924, by Rudolph Kooptiz (1884-1936) one of the leading proponents of art photography in Europe between th...

Round The Clock I, New York - Horst P. Horst (Black and White Photography) Stamped on reverse Silver gelatin print 14 x 11 inches Round the Clock is endowed with fastidious precision and the enigmatic ambiance of a characteristic Horst image. The chiaroscuro befalling the legs from ankle to suspender compounds a sense of drama instantly recognisable to those familiar with the artist’s fashion...

Horst began his photography career in 1931 working for Paris Vogue. Shortly after he succeeded his friend and mentor, George Hoyningen-Huene, as head photographer of Vogue's photo studios. It was during the 1930's that Horst established his trademark style, which incorporated dramatic lighting and an unparalleled eye for grace that enabled Horst to create images that portray his subjects as emblems of elegance. In his portrait of Coco Chanel, one of his most famous images, he captures a woman who was rarely photographed, and creates a striking composition with her regal profile and the exquisite chair. 
For sixty years, Horst photographed...

Signed by the photographer on the recto and verso

Signed by the photographer on the recto and verso

Horst P. Horst 1906-1999 Body Sweater by Tina Leser, 1950 Signed, titled and dated in pencil on verso Platinum/Palladium Print Image: 9-1/2" x 7-1/2", Paper: 14" x 11", Mat: 20" x 16"

Horst P. Horst 1906-1999 Helen Bennett, Hair/Lace, 1935 Signed in pencil on recto; Signed, titled and dated in pencil on verso Platinum/Palladium Print Image: 9" x 7-1/2", Paper: 14"...

Horst P. Horst 1906-1999 Balenciaga Checkered Suit, Jean Patchett, 1949 Signed, titled and dated in pencil on verso Platinum/Palladium Print Image: 9-1/2" x 7-1/2", Paper: 14" x 11",...

Horst P. Horst 1906-1999 Park Ave Fashion, 1962 Signed, titled, dated, stamped and numbered in pencil on verso; Blind stamp on recto Platinum/Palladium Print Image: 9-1/2" x 7" , Pap...

Horst P. Horst 1906-1999 CoCo Chanel, Paris, 1937 Signed, titled, dated in pencil and stamped on verso; Blind Stamp on recto Gelatin Silver Print Image: 9-1/2" x 9", Paper: 14" x 11"...

Auguste Rodin (French, 1840 - 1917) Tête Tragique 6 ½ high x 4 x 4 1/2 inches 9 ½ inches high with base Bronze, inscribed in three places: Near top of head signed “Rodin” “No 4” Inscribed with foundry mark “Georges Rudier...

Signed by the photographer

Signed by the photographer

Signed by the photographer Edition 9/10

Although credited by their married names at the time of publication, both subjects would re-marry and became better known as Babe Paley, the stylish socialite and “swan” of Truman Ca...

Photographer’s stamp on the verso From the collection of and signed by Horst

From the collection of and signed by Horst

Signed by the photographer

Platinum Palladium Print

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Vintage Print

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Photographer’s stamp on the verso

Signed by the photographer

Photographer’s stamp on the verso

Photographer’s stamp on the verso

Signed by the photographer

Photographer’s stamp on the verso

Photographer’s stamp on the verso

Photographer’s stamp on the verso

Photographer’s stamp on the verso

Photographer’s stamp on the verso