Art

René Magritte Décalcomanie Skateboard Decks, 2018 7-ply Canadian Maplewood with screen-print (Set of 2) 31 1/2 × 8 in 80 × 40.3 cm Edition of 250 Part of a limited edition set Inclu...

René Magritte Le Retour Skateboard Decks, 2018 7-ply Canadian Maplewood with screen-print (Set of 3) 31 × 23 3/5 in 78.7 × 60 cm Edition of 250 Part of a limited edition set Include...

Monroe Throws the First Pitch 1958 Frank Worth Marilyn Monroe with Ralph Edwards on a baseball diamond, throwing the first pitch to start a game in 1958. Marilyn Monroe was an Am...

Artist: René Magritte Medium: Lithograph, Ed of 150, 1950 Dimensions: 28.25 x 22.25 in, 71.8 x 56.5 cm This original surrealist lithograph was printed from an edition on 150 at t...

"La Reconnaissance Infinie (The Infinite Recognition)" is a color lithograph after the 1963 painting by Rene Magritte. Two of Magritte's bourgeois "littl...

René Magritte L'Empire des Lumières, 2018 Screenprint on maple wood 31 1/2 × 7 9/10 × 3/10 in | 80 × 20 × 0.7 cm Edition of 250

"La Peine Perdue (Wasted Effort)" (sky Bird) is a limited edition 74/275 fine art lithograph of Belgian surrealist artist René Magritte on BFK Rives hand-made paper. It depicts in h...

James Dean Behind Fence in Giant 1955 by Frank Worth James Dean in thought seated behind a barbed wire fence for his role in the film 'Giant', 1955. James Byron Dean was an Ameri...

Monroe Throws the First Pitch 1958 Frank Worth Marilyn Monroe with Ralph Edwards on a baseball diamond, throwing the first pitch to start a game in 1958. Marilyn Monroe was an Am...

Magritte's original poster for the 1965 Salon de Mai is an iconic piece of art that reflects the ingenuity and surrealist aesthetic of renowned Belgian artist René Magritte. Created ...

This etching and aquatint is hand signed by the artist “Magritte” in the lower right margin. It is also numbered in pencil from the edition of 77, at the lower left margin. This wo...

Untitled is an artwork realized by René Magritte, in 1968. Etching in black and white. Illustration for the volume "Le Lien de Paille", by Louis Scutenaire. Stamp Signed lower ri...

"Le Retour (Return)" is a color lithograph after the original 1940 painting by Rene Magritte. A bird which is really just the sky in the day and clouds. A nest bellow the bird has th...

"Every Day" is a limited edition (31/100) fine art lithograph from Belgian surrealist artist René Magritte's work of the same name. It depicts in his typical surrealist style a mou...

"Le Bouquet tout fait (The Ready-made Bouquet)" is a color lithograph after a 1954 original painting by Rene Magritte. A bourgeois "little man" faces away from the viewer looking towards a fall forest. Flora, the goddess of flowers and season of spring, from Sandro Botticelli's "Primavera" is painted on the back of the man. This juxtaposes fall and spring. Art: 12 x 9.75 in Frame: 22.38 x 20.38 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed a contract with the Brussels Art Gallery, which allowed him to quit his other jobs and focus completely on creating art. A year later he had his first solo show at the Galerie la Centaurie in Brussels. At this show Magritte exhibited what is today thought of as his first surrealist piece, The Lost Jockey, painted in 1926. In this work a jockey and his steed run across a theater stage, curtains parted on either side. Throughout the scene, there are trees with trunks shaped somewhat like chess pawns with musical scores running vertically up their sides and branches sticking out from all angles. Critics did not enjoy this style of art; it was new, different, and took critical thought to understand, but The Lost Jockey was only the first of many surrealist artworks Magritte would paint. Because of the bad press in Brussels, René and Georgette moved to Paris in 1927, with the hope that this center of avant-garde art would bring him success and recognition. In Paris, he was able to become friends with many other surrealists, including André Breton and Paul Éluard. They were able to learn from and inspire one another, pushing the Surrealist movement further forward. It was also in Paris that Magritte decided to add text to some of his pieces, which was one of the elements that made his artwork stand out. In 1929, he painted one of his most famous oil works: The Treachery of Images. This is the eye-catching piece centered on a pipe. Below the pipe is written “Ceci n’est pas un pipe,” which translates to “This is not a pipe.” This simple sentence upset many critics of the time, for of course it was a pipe. Magritte replied that it was not a pipe, but a representation of a pipe. One could not use this oil on canvas as a pipe, to fill it with tobacco and smoke it. Thus, it was not a pipe. In 1930, Magritte and Georgette moved back to Brussels. Though they would travel to his exhibitions elsewhere, their home going forward would always be in Brussels. Magritte had his first American exhibition at the Julien Levy Gallery in New York City in 1936 and his first show in England two years later in 1938 at The London...

René MAGRITTE Les bijoux indiscrets (Indiscrete jewels), 1975 Original lithograph (Printed in Mourlot Workshop) Printed signature in the plate Unnumbered as usual (limited edition o...

Les Chants de Maldoror is an original modern rare book written by Comte de Lautréamont, pseudonym of Isidore Lucien Ducasse (Montevideo, 1846 — Paris, 1870) and illustrated by René ...

Rene Magritte Le fils de l'homme, 2018 7-Ply Grade A Canadian Maplewood 31 × 8 inches Edition 35/250 Authorized artist's signature on the deck; hand numbered. along with separate hand signed COA by The Skateroom...

"La Reconnaissance Infinie (The Infinite Recognition)" is a color lithograph after the 1963 painting by Rene Magritte. Two of Magritte's bourgeois "little men" stand in the sky. Both look away from the viewer talking to each other in the typical outfit of Magritte's men, black trench coats and bowler hats. Art: 15 x 18.25 in Frame: 26.25 x 29.88 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed a contract with the Brussels Art Gallery, which allowed him to quit his other jobs and focus completely on creating art. A year later he had his first solo show at the Galerie la Centaurie in Brussels. At this show Magritte exhibited what is today thought of as his first surrealist piece, The Lost Jockey, painted in 1926. In this work a jockey and his steed run across a theater stage, curtains parted on either side. Throughout the scene, there are trees with trunks shaped somewhat like chess pawns with musical scores running vertically up their sides and branches sticking out from all angles. Critics did not enjoy this style of art; it was new, different, and took critical thought to understand, but The Lost Jockey was only the first of many surrealist artworks Magritte would paint. Because of the bad press in Brussels, René and Georgette moved to Paris in 1927, with the hope that this center of avant-garde art would bring him success and recognition. In Paris, he was able to become friends with many other surrealists, including André Breton and Paul Éluard. They were able to learn from and inspire one another, pushing the Surrealist movement further forward. It was also in Paris that Magritte decided to add text to some of his pieces, which was one of the elements that made his artwork stand out. In 1929, he painted one of his most famous oil works: The Treachery of Images. This is the eye-catching piece centered on a pipe. Below the pipe is written “Ceci n’est pas un pipe,” which translates to “This is not a pipe.” This simple sentence upset many critics of the time, for of course it was a pipe. Magritte replied that it was not a pipe, but a representation of a pipe. One could not use this oil on canvas as a pipe, to fill it with tobacco and smoke it. Thus, it was not a pipe. In 1930, Magritte and Georgette moved back to Brussels. Though they would travel to his exhibitions elsewhere, their home going forward would always be in Brussels. Magritte had his first American exhibition at the Julien Levy Gallery in New York City in 1936 and his first show in England two years later in 1938 at The London Gallery...

"L'Entree en scene (The Emergence)" is a color lithograph after a 1961 original piece by Rene Magritte. A transparent bird flies over the ocean. The body of this bird shows through it a clean light sky with fluffy clouds. The view around the bird is instead the dark night, stars shine at the top of the scene. Clouds blow by and the waves are turbulent. Art: 20.25 x 14.25 in Frame: 31.38 x 25.38 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed a contract with the Brussels Art Gallery, which allowed him to quit his other jobs and focus completely on creating art. A year later he had his first solo show at the Galerie la Centaurie in Brussels. At this show Magritte exhibited what is today thought of as his first surrealist piece, The Lost Jockey, painted in 1926. In this work a jockey and his steed run across a theater stage, curtains parted on either side. Throughout the scene, there are trees with trunks shaped somewhat like chess pawns with musical scores running vertically up their sides and branches sticking out from all angles. Critics did not enjoy this style of art; it was new, different, and took critical thought to understand, but The Lost Jockey was only the first of many surrealist artworks Magritte would paint. Because of the bad press in Brussels, René and Georgette moved to Paris in 1927, with the hope that this center of avant-garde art would bring him success and recognition. In Paris, he was able to become friends with many other surrealists, including André Breton and Paul Éluard. They were able to learn from and inspire one another, pushing the Surrealist movement further forward. It was also in Paris that Magritte decided to add text to some of his pieces, which was one of the elements that made his artwork stand out. In 1929, he painted one of his most famous oil works: The Treachery of Images. This is the eye-catching piece centered on a pipe. Below the pipe is written “Ceci n’est pas un pipe,” which translates to “This is not a pipe.” This simple sentence upset many critics of the time, for of course it was a pipe. Magritte replied that it was not a pipe, but a representation of a pipe. One could not use this oil on canvas as a pipe, to fill it with tobacco and smoke it. Thus, it was not a pipe. In 1930, Magritte and Georgette moved back to Brussels. Though they would travel to his exhibitions elsewhere, their home going forward would always be in Brussels. Magritte had his first American exhibition at the Julien Levy Gallery in New York City in 1936 and his first show in England two years later in 1938 at The London Gallery...

"La Grande Guerre (The Great War)" is a color lithograph after the 1964 painting by Rene Magritte. A Victorian lady stands in white facing the viewer. A bouq...

"L'Entree en scene (The Emergence)" is a color lithograph after a 1961 original piece by Rene Magritte. A transparent bird flies over the ocean. The body of this bird shows through it a clean light sky with fluffy clouds. The view around the bird is instead the dark night, stars shine at the top of the scene. Clouds blow by and the waves are turbulent. Art: 12.13 x 9.75 in Frame: 22.75 x 20.38 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed a contract with the Brussels Art Gallery, which allowed him to quit his other jobs and focus completely on creating art. A year later he had his first solo show at the Galerie la Centaurie in Brussels. At this show Magritte exhibited what is today thought of as his first surrealist piece, The Lost Jockey, painted in 1926. In this work a jockey and his steed run across a theater stage, curtains parted on either side. Throughout the scene, there are trees with trunks shaped somewhat like chess pawns with musical scores running vertically up their sides and branches sticking out from all angles. Critics did not enjoy this style of art; it was new, different, and took critical thought to understand, but The Lost Jockey was only the first of many surrealist artworks Magritte would paint. Because of the bad press in Brussels, René and Georgette moved to Paris in 1927, with the hope that this center of avant-garde art would bring him success and recognition. In Paris, he was able to become friends with many other surrealists, including André Breton and Paul Éluard. They were able to learn from and inspire one another, pushing the Surrealist movement further forward. It was also in Paris that Magritte decided to add text to some of his pieces, which was one of the elements that made his artwork stand out. In 1929, he painted one of his most famous oil works: The Treachery of Images. This is the eye-catching piece centered on a pipe. Below the pipe is written “Ceci n’est pas un pipe,” which translates to “This is not a pipe.” This simple sentence upset many critics of the time, for of course it was a pipe. Magritte replied that it was not a pipe, but a representation of a pipe. One could not use this oil on canvas as a pipe, to fill it with tobacco and smoke it. Thus, it was not a pipe. In 1930, Magritte and Georgette moved back to Brussels. Though they would travel to his exhibitions elsewhere, their home going forward would always be in Brussels. Magritte had his first American exhibition at the Julien Levy Gallery in New York City in 1936 and his first show in England two years later in 1938 at The London Gallery...

"La Bataille de l'Argonne (The Battle of Argonne)" is a color lithograph after the original 1959 painting by Rene Magritte. The landscape is shrouded by ...

This color lithograph printed in 2011, Magie noire (Black Magic), by the Surrealist artist, René Magritte, is number 16 in an edition of 275. Facsimile sig...

Les Bijoux Indiscrets (The Indiscreet Jewels) Color lithograph, 1962-3 As published in XXeme Siecle, 1963 From the edition issued by San Lazarro unsigned for the album XXeme Siècle No.22. Printed from the same stones and at the same date as the signed edition of 75 impressions. Printed at the studio of Mourlot, Paris 1963. Signed in the stone (see photo) Titled in the stone (See photo) Edition c. 2000 Reference: Kaplan and Baum: Magritte Graphic Work no 3. Kaplan, Surrealist Prints, Figure 80, page 103 Image size: 9 3/16 x 11 7/8 inches "Executed in 1963, Les bijoux indiscrets (pen and ink drawing) is a work which shows a hand which has a face, its eyes closed, on its wrist. Magritte had originally intended to call the oil version of this work, which he conceived of in 1962 but only finally painted during the following year, the same this work on paper was created, La divine comédie, but according to the catalogue raisonné changed his mind following the suggestion of his friend Paul Scutenaire. Instead of the Dante reference, it was replaced by one to Denis Diderot's first novel, a satire in which a monarch had a magic ring able to make the genitals of women speak. In an old English translation, the bijoux were the 'toys', or genitals, of the women, making the play on the notion of transformative and elusive jewels evoked by Magritte's picture all the more complex. For here, in place of a bracelet, is a human face: this is, indeed, an indiscreet jewel; however, in the eighteenth-century novel the indiscretion was shared by the ring which was able to gain such voluble responses from the women of the fictitious Congo of which the main protagonist was sultan and by those women's no-longer-private parts themselves. This title therefore adds an extra layer of Surrealism to the work, paying homage to one of the movement's predecessors. Les bijoux indiscrets is a preparatory work for a lithograph that Magritte created for XXe Siècle, which was published at Christmas the same year. Clearly, the artist was returning to and embellishing his original composition, which had shown a simple landscape as a backdrop to the articulate hand...

Very nice poster of René Magritte entitled Les Fleurs du Mal published by the collection of the Jardin de l'Infante. René François Ghislain Magritte was a Belgian surrealist artist, ...

Black and white photographic painting of Georgette and René Magritte, an autonomous work that treating the theme of the "hidden-invisible". Photography Silver gelatin print from est...

"La Fleche de Zenon (Zeno's Arrow)" is a color lithograph after the original 1964 painting by Rene Magritte. A gigantic rock levitates over the sea. Waves crash bellow and a crescent moon hangs above. Art: 9.75 x 11.75 in Frame: 20.38 x 22.38 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed...

"La race blanche (The White Race)" is a color lithograph after the original 1937 painting by Rene Magritte. A female figure is made out of a mix of body parts. An eye sits on top of an ear, which is on top of a mouth, then two noses. Two breasts lying on a stomach; two arms come from the breasts. Legs are tucked under the stomach. This figure is on a sand dune next to the ocean. Art: 26.5 x 19.63 in Frame: 40.88 x 33.88 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed...

"La Bataille de l'Argonne (The Battle of Argonne)" is a color lithograph after the original 1959 painting by Rene Magritte. The landscape is shrouded by the mist of twilight. A cresc...

"La Page Blanche," or in English "The White Page," is an original color lithograph executed after the original painting from 1967 by the Belgian Surrealist...

Color lithograph after the 1954 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Magritte...

"La Peine Perdue (The Wasted Effort)" is a color lithograph after original 1962 painting by Rene Magritte. Two blue curtains are parted on either side. Two curtain shaped mirrors show a sky and clouds. A ball sits right to the left of the mirrors. Art: 12 x 9.75 in Frame: 22.75 x 20.38 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed...

Created by Frank Worth in 1953, this absolutely stunning and glamorous image of Marilyn Monroe on the set of How to Marry a Millionaire is a...

Paper Size: 14 x 20 inches ( 35.56 x 50.8 cm ) Image Size: 11.75 x 17.75 inches ( 29.845 x 45.085 cm ) Framed: Yes Condition: A: Mint Additional Details: Signed by Fernand Mour...

Les Chants de Maldoror is an original modern rare book written by Comte de Lautréamont, pseudonym of Isidore Lucien Ducasse (Montevideo, 1846 — ...

Paper Size: 8.5 x 1 inches ( 21.59 x 2.54 cm ) Image Size: 8.5 x 1 inches ( 21.59 x 2.54 cm ) Framed: No Condition: A: Mint Additional Details: This watch was produced by the ...

"Les valeurs personnelles (Personal Values)" is a color lithograph after the original 1952 painting by Rene Magritte. This interior scene has objects of various sizes. A comb, match, brush, and glass are bigger than typically larger objects like a queen bed and chest of drawers. The walls are a bright cloudy sky. Art: 19.63 x 4.75 in Frame: 34.13 x 38.88 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed...

"Le Dernier Cri (The Last Word)" is a color lithograph after original 1967 painting by Rene Magritte. A huge leaf levitates in the middle of a mountain view. A fully grown tree is pa...

A modern lithograph of a photograph by Frank Worth. Produced by the Worth Estate (stamp verso). Image Size: 10.5 x 11 inches Paper Size: 17.75 x 12 inches

The "La Comtesse de Monte Christo" is from "Aube à l'Antipode", a book with poems by Alain Jouffroy and reproductions of seven drawings by Magritte. This etching has been part of the...

With a blind stamp Edition of 125

With a blind stamp Edition of 75

With a blind stamp Edition of 24

With a blind stamp Edition of 16

With a blind stamp Edition of 24

With a blind stamp Edition of 24

With a blind stamp Edition of 24

René Magritte 1898-1967 Belgian Le carnaval du sage (The Sage’s Carnival) Signed “Magritte” (lower right); titled and dated "Le carnaval du sage 1947" (en verso) Oil on canvas The enigmatic paintings of René Magritte have become some of the most familiar and celebrated of the Surrealist movement. Among the most influential of the Surrealist painters of the 20th century, Magritte is an artist of international renown, as beloved for his popular appeal as he is for the psychological intensity of his works. The present oil on canvas, entitled Le carnaval du sage, was executed in 1947 at the height of his career, and it is a tour-de-force example of the haunting, mysterious scenes that comprise his oeuvre. Painted in the years following the Second World War, Le carnaval du sage showcases several recurring themes from Magritte’s oeuvre. Chiefly, a juxtaposition between the visible and the hidden is keenly felt. Throughout his career, Magritte explores the psychological obsession with revealing what is hidden, particularly with regard to the human face. In his Le fils de l’homme, he obscures the face of a man in a bowler hat with an apple, while his Les amants (Metropolitan Museum of Art) conceals the faces of two lovers with white sheets. In Le carnaval du sage, Magritte juxtaposes the blatant nudity of his central figure by masking her face, simultaneously revealing and concealing her from the viewer. The work also incorporates two of Magritte’s most common tropes – the glass of water and the baguette. Lending the scene a strange sense of domesticity, they appear infinitely familiar and distinctly out of place, and thus heighten the uncanny effect of Magritte’s composition. In the background hovers a ghost obscured by a sheet, a figure which was of particular fascination to Magritte beginning in 1946. He once wrote to his fellow Surrealist Paul Nougé: "I saw in a dream an answer to the problem of the ghost: the traditional ghost draped...

An instantly recognizable image by Rene Magritte, La Valse Hesitation, printed in 1971, is an original color etching signed by the artist in the etching plate, and hand-signed by the artist’s wife, Georgette Magritte, in pencil, and numbered. Measuring 22 ½ x 30 inches (56.5 x 76.3 cm), unframed, the artwork is from the numbered edition of 150, printed by Jacques David...

René Magritte - Indiscrete Jewelry - Original Lithograph Dimensions: 32 x 24 cm XXe siècle Reference: Kaplan, Gilbert E. and Timothy Baum, 'The Graphic ...

Color lithograph after the 1954 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Magritte...

An iconic image by the master of Surrealism, Rene Magritte. L ‘Art de Vivre, created as an original etching and aquatint in colors in 1968, is stamp-signed and hand-numbered in penc...

Frank Sinatra and Lauren Bacall at Musso & Frank Grill, 1957