Art

Hunt Slonem - Queen of Bavaria Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and ...

Hunt Slonem - Pale Blue Hutch Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and h...

Oil and acrylic with diamond dust on wood Hand-signed on verso

Oil on wood Hand-signed on verso

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right corner. It is also hand numbered in pencil from the edition of 100, at t...

Since 1977, Hunt Slonem has had more than 350 exhibitions at prestigious galleries and museums internationally. In 2010 there are shows in the Coral Springs Museum, Coral Springs, Fl...

Hunt Slonem Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and has the Artist's St...

Black Outline Multicolored Butterflies, Black Guardians. Multicolored

Jackie, 2022 Oil on Wood Black outline bunny, yellow Frame collected by the artist

Multiple Black Outline Bunnies, Blue

oil on wood

Lithograph

Lithograph

Marc Chagall 1887-1985 Russian Grand bouquet et fruits devant la fenêtre à Paris (Large bouquet and fruits in front of the window in Paris) Stamped with signature “Marc Chagall" (...

"Ocelots Managua" is an oil painting by famed Neo-Expressionist Hunt Slonem. This work is completed with a golden vintage style ornate frame and features a group of playful felines o...

Signed on plate. Edition of 335 prints. Plate n. 67 from the series : “Les Ames Mortes”. Cat. Matignon n.77 p.59 Image Dimensions : 27.6 x 21.3 cm This artwork is shipped from Italy...

Marc Chagall (1887-1985) Le Soleil de l'Atelier, 1971 Lithograph in colors on Arches paper 25-1/2 x 19-3/4 inches (64.8 x 50.2 cm) (sheet) Epreuve d'Artist /Edition of 50 Signed in p...

Hunt Slonem - Thomas Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and has the Ar...

Hunt Slonem "Cardinals" Two Red Birds Two red Cardinal birds sitting on a branch over a gold metallic and blue etched background. Framed in an antique frame. Unframed: 10 x 8 inche...

Hunt Slonem "Finches Purple Whydah" Multicolored Birds on Gold metallic background. Multicolored Finches birds on a metallic gold background. Framed in an antique gold frame. Unfr...

Hunt Slonem "2 East Lake" Hot Pink Bunnies Two black gestured black bunnies on a solid hot pink background. Framed in an antique wooden gold frame. Unframed: 14 x 10 inches Framed: ...

Hunt Slonem's "Tulip" is a vibrant painting featuring a red tulip adorned with yellow accents, set against a lively lime green background. The bold colors create a captivating and en...

Hunt Slonem is a renowned painter known for producing representational imagery and abstract expressionism. Slonem was born in Kittery, York County, ME. He attended Skowhegan School o...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Hunt Slonem - Blue Line Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and has the...

Hunt Slonem - Blue Ascension Cleo Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist a...

Marc Chagall 1887-1985 Russian Les fleurs des amoureux sur fond multicolore (Lovers’ flowers on a multicolored background) Stamped with signature “Marc Chagall" (lower left) Gouac...

Artist: Slonem, Hunt Title: Blue Run Series: Bunnies Date: 2021 Medium: Oil on wood Unframed Dimensions: 8.5" x 6.5" Framed Dimensions: 10.5" x 8.5" x 1.5" Signature: Signed ...

Artist: Slonem, Hunt Title: Red Bunny Date: 2019 Medium: Lithograph Unframed Dimensions: 16" x 24" Signature: Pencil signed & numbered verso Edition: 5/16 Publisher: Poligrafa...

Artist: Hunt Slonem, American (1951 - ) Title: Purple Couch Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 250, HC Image Size: ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Purple Lavender background with thick use of pain...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Marc Chagall Original Lithograph Title: The Green Horse 1973 Dimensions: 33 x 50 cm Reference: This lithograph was created for the portfolio "Chagall Monu...

Artist: Marc Chagall Title: The Accordionist (Derriere le Miroir 99-100) Portfolio: Derriere le Miroir Medium: Original Lithograph Date: 1957 Edition: 2500...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts gestural figure of a red and white Tulip on a forest green background with thick use of paint. In...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Artist: Slonem, Hunt Title: Hare Houston Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Pro...

Artist: Slonem, Hunt Title: Peach Bunnies Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" Signature: Signed...

Artist: Slonem, Hunt Title: Paired Date: 2024 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed Verso Edition: Unique Prove...

Marc Chagall Original Lithograph Frontispiece for the book "Le Plafond de l'Opéra de Paris (The Ceiling of the Paris Opera)" by Jacques Lassaigne (Paris...

In celebration of the Year of the Rabbit, Hunt Slonem’s iconic muse is revisited in timeless powder-coated aluminum. Each edition is signed, numbered, and comes with a certificate of...

Artist: Slonem, Hunt Title: Love Supreme Date: 2023 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16.5" x 14.5" Signature: Signed Verso Edition: Unique ...

Ceiling of the Paris Opera House The value is in the beautiful framing. Please note the shipping cost as the piece is very large (frame is 47" x 47"). In 1960, the Minister of ...

Marc Chagall The Flute Player (M. 197) Lithograph printed in colors, 1957 Signed low right in pencil Numbered 46/90 Published by Maeght, Paris framed image: 250 x 430 mm sheet: 380...

Hunt Slonem "Red Bayou Teche" Landscape Abstract landscape painting featuring shades of red, pink, orange, and blues framed in an antique gold frame. Unframed: 22.5 x 18.5 inches Fr...

Hunt Slonem's "Tulips" presents a captivating depiction of two reddish-purple tulips standing boldly against a serene blue background. The contrast between the vibrant tulips and the...

Hunt Slonem "Toem" Bunny on Multicolored Metallic Single gestured black bunny on a multicolored rainbow background with mixed metallics. Framed in an antique wooden gold frame. Unfr...

Marc Chagall (1887-1985) The Bible, David and Bethsabée in Love Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) A second illustration on the back...

Marc Chagall (1887-1985) The Bible, The Young Lady in the Field Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back, ...

Marc Chagall (1887-1958) Bible : Moses and Aaron with Pharaoh (Moïse et Aaron devant Pharaon), 1939 Original etching Not signed On Montval vellum, 44 x 33.5 cm (c. 17.3 x 13.1 inch)...

Marc Chagall (1887-1958) Bible : Samson overthrows the pillars (Samson renverse les colonnes), 1939 Original etching Printed signature in the plate On Mont...

Marc Chagall (1887-1958) Bible : Canticle of David (Cantique de David), 1939 Original etching Printed signature in the plate On Montval vellum, 44 x 33.5 cm (c. 17.3 x 13.1 inch) I...

Marc Chagall (1887-1985) The Bible, The Lovers, Ruth and Booz Original lithograph (Mourlot Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second lithograph on the back, see p...

Hunt Slonem Original signed & inscribed drawing held in elegant hardback monograph, ca. 2012 Unique marker drawing bound in first front end page of lavishly illustrated hardback mono...

Oil on wood Hand-signed and dated on verso

Oil on wood Hand-signed and dated on verso

Oil on canvas Hand-signed and dated on verso