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Art For Sale
Artist: Marc Chagall
Souvenir de Paris, 1981 (Les Songes #14)
Located in Greenwich, CT
Souvenir de Paris (Remembering Paris) is an etching and aquatint on paper with an image size of 12 x 9 inches, signed 'Marc Chagall' lower right and annotated lower left. From the ed...
Category

20th Century Modern Art

Materials

Aquatint, Etching

Moise, 1981 (Les Songes #18)
Located in Greenwich, CT
Moise (Moses) is an etching and aquatint on paper with an image size of 12 x 9 inches, signed 'Marc Chagall' lower right and annotated lower left. From the edition of 61, numbered VI...
Category

20th Century Modern Art

Materials

Aquatint, Etching

Le Retour de l'Enfant Prodigue, 1981 (Les Songes #3)
Located in Greenwich, CT
Le Retour de l'Enfant Prodigue (The Return of the Prodigal Son) is an etching and aquatint on paper with an image size of 12 x 9 inches, signed 'Marc Chagall' lower right and annotat...
Category

20th Century Modern Art

Materials

Aquatint, Etching

Inspiration, 1981 (Les Songes #8)
Located in Greenwich, CT
Inspiration is an etching and aquatint on paper with an image size of 12 x 9 inches, signed 'Marc Chagall' lower right and annotated lower left. From the edition of 61, numbered VII/...
Category

20th Century Modern Art

Materials

Aquatint, Etching

Marc Chagall 'Jacob Pleurant Joseph (Jacob Weeps for Joseph), 1956
Located in Pembroke Pines, FL
Description Artist: Marc Chagall Title: Jacob Weeps for Joseph Year: 1956 Dimensions: 16.12" W: 12.37" Medium: Etching, Unsigned Condition: Excellent After Chagall completed his etc...
Category

1950s Contemporary Art

Materials

Etching

Marc Chagall 'Hannah Prays to the Lord' 1956 Etching
Located in Pembroke Pines, FL
Artist: Marc Chagall Title: Hannah Prays to The Lord Year: 1956 Dimensions: 16.12" W: 12.37" Medium: Etching, Unsigned Condition: Excellent After Chagall completed his etchings for ...
Category

1950s Contemporary Art

Materials

Etching

Le Clown Blanc (The White Clown)
Located in Fairlawn, OH
Le Clown Blanc (The White Clown) Lithograph, 1964 Unsigned (as issued by DLM) From: Derriere le Miroir Chagall: Dessins et Lavis, Exposition Chagall, Galeries Maeght, No. 146, 1964 E...
Category

1960s French School Art

Materials

Lithograph

Bible Verve, Modern Lithograph by Marc Chagall
Located in Long Island City, NY
A Biblical lithograph by Marc Chagall, printed by Mourlot and published by Éditions de la Revue Verve, Tériade, both in Paris, This piece is nicely framed and features a nude angel b...
Category

1950s Art

Materials

Lithograph

The Bible : The Angel - Original Lithograph
Located in Paris, FR
Marc Chagall (1887-1985) The Bible, The Angel Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) REFERENCE: Catalogue raisonné Chagall Lithographe...
Category

1950s Modern Art

Materials

Lithograph

The Bible : Adam and Eve banished from Paradise - Original Lithograph
Located in Paris, FR
Marc Chagall (1887-1985) The Bible, Adam and Eve banished from Paradise Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the...
Category

Mid-20th Century Modern Art

Materials

Lithograph

The Bible : The Creation - Original Lithograph
Located in Paris, FR
Marc Chagall (1887-1985) The Bible, The Creation Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back, see photo n°7 (M...
Category

Mid-20th Century Modern Art

Materials

Lithograph

The Bible : The Angel of Salvation - Original Lithograph
Located in Paris, FR
Marc Chagall (1887-1985) The Bible, The Angel of Salvation Original lithography (Daeger Workshop) On paper 36 x 26.5 cm (c. 14.5 x 10.2 in) REFERENCE: Catalogue raisonné Chagall...
Category

Mid-20th Century Modern Art

Materials

Lithograph

The Bible : Salomon's Prayer - Original Lithograph
Located in Paris, FR
Marc Chagall (1887-1985) The Bible, Salomon's Prayer Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) A second illustration on the back, see photo...
Category

1950s Modern Art

Materials

Lithograph

The Bible : Daniel the Prophet - Original Lithograph
Located in Paris, FR
Marc Chagall (1887-1985) The Bible, Daniel the Prophet Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) Second illustration on back, see photo no...
Category

1950s Modern Art

Materials

Lithograph

1967 Original poster by Marc Chagall "Oeuvre gravée" at the Galerie Berggruen
Located in PARIS, FR
The original exhibition poster by Marc Chagall, titled "Oeuvre gravée" at the Galerie Berggruen in 1967, stands as a testament to the artist's mastery of printmaking and his enduring...
Category

1960s Art

Materials

Paper, Lithograph

Derriere le Miroir-Double Page (Behind the Looking Glass Double Page)
Located in Fairlawn, OH
Derriere le Miroir-Double Page (Behind the Looking Glass Double Page) Original color llithogragp created by the artist for this ublication, 1964 Unsigned as issued From: Derriere le ...
Category

1960s French School Art

Materials

Lithograph

Marc Chagall -- Death of Dorcon
Located in BRUCE, ACT
Marc Chagall The Death of Dorcon, from Chagall's Daphnis and Chloé suite, 1961 Sheet size: 42 x 64 cm Unsigned From the book edition of 250 (there is also a signed and numbered edit...
Category

1960s Art

Materials

Lithograph

Le Village (The village)
Located in Fairlawn, OH
Le Village (The village) Original lithograph in colors, lsied in the artist's catalog raisonne of his prints, 1977 From: Derriere le Miroir, No. 225, Edition 15,000 as published in ...
Category

1970s French School Art

Materials

Lithograph

Musiciens Sur Fond Multicolore By Marc Chagall
Located in New Orleans, LA
Marc Chagall 1887-1985 Russian Musiciens sur fond multicolore (Musicians on a multicolored background) Signed 'Chag' (on the sleeve of the right figure); stamped with the signature 'Marc Chagall' (lower right) Tempera, gouache, colored ink and India ink and pastel on paper “The fact that I made use of cows, milkmaids, roosters and provincial Russian architecture as my source forms is because they are part of the environment from which I spring and which undoubtedly left the deepest impression on my visual memory of the experiences I have." - Marc Chagall Marc Chagall’s 1981...
Category

20th Century Post-Impressionist Art

Materials

Paper, Pastel, Ink, India Ink, Tempera, Gouache

Ceiling of the Paris Opera House
Located in Boca Raton, FL
Ceiling of the Paris Opera House The value is in the beautiful framing. Please note the shipping cost as the piece is very large (frame is 47" x 47"). In 1960, the Minister of ...
Category

20th Century Romantic Art

Materials

Ink, Paper

“Venice”
Located in Southampton, NY
Description: People have collected autographs of notables for hundreds of years. The desire to have a personal memento from a famous and or important artist drives the collecting field. The top rung of the ladder, in terms of popularity, is a relatively small group of artists called ‘icons’. These are people who’s names and images stay with us, appearing with regularity in our culture. The 20th Century Masters such as Chagall, Picasso, Matisse, Miro, Dali and more recently, Warhol fit this description. The renowned French printer, Fernand Mourlot, printed many of the original posters for the most important artists of the day. In 1959 the studio printed the series Affiches Originales for collectors. They are reduced lithographic versions of the original posters created by the contemporary masters, Picasso, Chagall, Braque, Matisse, Miro, Leger, and Dufy. This announcement was for an Easter exhibition in the city of Vence. This very rare and desirable 1959 Mourlot poster, of which only 1500 were printed and only a handful known to have been signed, has been signed in pencil by the artist, Marc Chagall. The original larger poster...
Category

1950s Modern Art

Materials

Lithograph, Archival Paper

"Ruth Gleaning" original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...
Category

1960s Art

Materials

Lithograph

Marc Chagall-Green Bird Lithograph on Arches
Located in Brooklyn, NY
Reference-MOURLOT 354, printer's proof, unsigned and not numbered. Color lithograph, 1962, on wove paper, published by Maeght, Paris, with full margins. Artwork may be viewed at our...
Category

1960s Modern Art

Materials

Lithograph

1963 Marc Chagall 'Nature Morte Au Bouquet'
Located in Brooklyn, NY
Paper Size: 12.5 x 9.75 inches ( 31.75 x 24.765 cm ) Image Size: 9.75 x 7.5 inches ( 24.765 x 19.05 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...
Category

1960s Modern Art

Materials

Offset

1950 Marc Chagall 'Derriere le Miroir, no. 27-28'
Located in Brooklyn, NY
Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...
Category

1950s Modern Art

Materials

Lithograph

Grandmother, from: My Life Die Grossmutter: Mein Leben - Autobiography
Located in London, GB
This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil from the edition of 110, at t...
Category

1920s Surrealist Art

Materials

Etching

Jacob’s Dream Le songe de Jacob - French Biblical Religious Scene Dream
Located in London, GB
This original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right corner. It is also hand numbered in pencil from the edition of 50, at th...
Category

1970s Art

Materials

Lithograph

Bateau-Mouche au Bouquet (Mourlot 352; Cramer 53), Marc Chagall
Located in Auburn Hills, MI
Original Limited Edition Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: E...
Category

1960s Expressionist Art

Materials

Lithograph

Le Pont Neuf, 1953
Located in Greenwich, CT
Le Pont Neuf is an oil on canvas painted in 1953, dated and signed lower right corner '1953 Chagall Marc' and signed again on the crossbrace verso 'Marc Chagall'. The canvas size is ...
Category

20th Century Modern Art

Materials

Canvas, Oil

Marc Chagall -- La Chasse aux Oiseaux (The Bird Chase), from Daphnis et Chloé
Located in BRUCE, ACT
Marc Chagall Title: La Chasse aux Oiseaux (The Bird Chase), from Daphnis et Chloé, 1961 Color lithograph on Arches paper Folded as issued Size: 64 x 42 cm Unsigned This is an unsign...
Category

1960s Art

Materials

Lithograph

Double Portrait at the Easel, 1976 (M.835)
Located in Greenwich, CT
Double Portrait at the Easel (M.835) is lithograph on paper, signed 'Marc Chagall' lower right and numbered XI/XV lower left, from the edition of 69 (there were also 50 Arabic and 4 ...
Category

20th Century Modern Art

Materials

Paper, Lithograph

The Artist and Biblical Themes, 1974 (M.722)
Located in Greenwich, CT
The Artist and Biblical Themes (M.722) is a lithograph on japon nacre paper, signed 'Marc Chagall' lower right and numbered VIII/X lower left from the edition of 64 (there were also ...
Category

20th Century Modern Art

Materials

Lithograph, Paper

Marc Chagall -- The complete set of 10 lithograp of La Féerie et le Royaume
Located in BRUCE, ACT
MARC CHAGALL Camille Bourniquel, La Féerie et le Royaume, Fernand Mourlot, Paris, 1972 (M. 668-677; C. books 88) The complete set of ten lithographs in colors, 1972 Hors-texte, title...
Category

1970s Art

Materials

Lithograph

Regards sur Paris-The Place de la Concord (Mourlot 353; Cramer 53), Marc Chagall
Located in Auburn Hills, MI
Original Limited Edition Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: E...
Category

1960s Expressionist Art

Materials

Lithograph

The House in My Village, from 1960 Mourlot Lithographe I
Located in Washington, DC
Artist: Marc Chagall Title: The House in My Village Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 21 7/8" x 18 7/8" Image Size: 12 1...
Category

1960s Modern Art

Materials

Lithograph

Marc Chagall - The Candlestick - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
The Candlestick, from Jean Leymarie, Vitraux pour Jérusalem (Jerusalem Windows), André Sauret, Monte Carlo, 1962 (see M. 366-72; see C. books ...
Category

1960s Surrealist Art

Materials

Lithograph

Quai de la Tournelle (Mourlot 351; Cramer 53), Marc Chagall
Located in Auburn Hills, MI
Original Limited Edition Lithograph on Arches paper. Edition: 180, plus proofs. Inscription: unsigned and unnumbered, as issued. Excellent Condition, with centerfold, as issued; neve...
Category

1960s Expressionist Art

Materials

Lithograph

Acrobats at Play, from 1963 Mourlot Lithographe II
Located in Washington, DC
Artist: Marc Chagall Title: Acrobats at Play Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/4" x 9...
Category

1960s Modern Art

Materials

Lithograph

Marc Chagall "Dédicace"
Located in Van Nuys, CA
Marc Chagall (French/Russian, 1887-1985) "Dédicace" 1968 Color lithograph signed and numbered 28/50 in pencil Image: 17 7/8 x 15 1/4 inches. Framed: 38 x 34 1/4 x 2 1/4 inches. ...
Category

Mid-19th Century Surrealist Art

Materials

Lithograph

Woman Juggler, from 1960 Mourlot Lithographe I
Located in Washington, DC
Artist: Marc Chagall Title: Woman Juggler Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 21 7/8" x 18 7/8" Image Size: 12 1/2" x 9 1/...
Category

1960s Modern Art

Materials

Lithograph

Self-Portrait (Frontispiece), from 1960 Mourlot Lithographe I
Located in Washington, DC
Artist: Marc Chagall Title: Self-Portrait (Frontispiece) Portfolio: Mourlot Lithographe I Medium: Lithograph Date: 1960 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: ...
Category

1960s Art

Materials

Lithograph

Adam and Eve - Lithograph by Marc Chagall - 1960
Located in Roma, IT
Adam and Eve is an artwork realized by March Chagall, 1960s.  Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Print...
Category

1960s Surrealist Art

Materials

Lithograph

LE JARDIN DE POMONE
Located in New York, NY
A very good impression of this color lithograph. Signed and numbered 38/50 in pencil by Chagall. Catalogue reference: Mourlot 541
Category

1960s Modern Art

Materials

Color, Lithograph

The Angel, from 1960 Mourlot Lithographe I
Located in Washington, DC
Artist: Marc Chagall Title: The Angel Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 21 7/8" x 18 7/8" Image Size: 12 1/2" x 9 1/2" S...
Category

1960s Modern Art

Materials

Lithograph

Apparition at the Circus, from 1963 Mourlot Lithographe II
Located in Washington, DC
Artist: Marc Chagall Title: Apparition at the Circus Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 ...
Category

1960s Modern Art

Materials

Lithograph

The Circus, from 1960 Mourlot Lithographe I
Located in Washington, DC
Artist: Marc Chagall Title: The Circus Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 21 7/8" x 18 7/8" Image Size: 12 1/2" x 9 1/2" ...
Category

1960s Modern Art

Materials

Lithograph

"Boaz wakes up and sees Ruth at his feet" original lithograph
Located in Henderson, NV
Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...
Category

1960s Art

Materials

Lithograph

Nocturne at Vence, from 1963 Mourlot Lithographe II
Located in Washington, DC
Artist: Marc Chagall Title: Nocturne at Vence Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/4" x ...
Category

1960s Modern Art

Materials

Lithograph

The Clown with Flowers, from 1963 Mourlot Lithographe II
Located in Washington, DC
Artist: Marc Chagall Title: The Clown with Flowers Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/...
Category

1960s Modern Art

Materials

Lithograph

Profile and Red Child, from 1960 Mourlot Lithographe I
Located in Washington, DC
Artist: Marc Chagall Title: Profile and Red Child Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 21 7/8" x 18 7/8" Image Size: 12 1/2...
Category

1960s Modern Art

Materials

Lithograph

Inspiration, from 1963 Mourlot Lithographe II
Located in Washington, DC
Artist: Marc Chagall Title: Inspiration Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/4" x 9 5/8"...
Category

1960s Modern Art

Materials

Lithograph

Marc Chagall - Moses - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category

1950s Modern Art

Materials

Lithograph

The Lovers' Heaven, from 1963 Mourlot Lithographe II
Located in Washington, DC
Artist: Marc Chagall Title: The Lovers' Heaven Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 20 1/2" x 17 1/2" Sheet Size: 12 3/4" x...
Category

1960s Art

Materials

Lithograph

Marc Chagall - Flowered Clown - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm From Chagall Lithograph II Reference: Mourlot 399 Condition : Excellent Unsigned and unumbered as issued
Category

1960s Surrealist Art

Materials

Lithograph

Marc Chagall - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category

1960s Surrealist Art

Materials

Lithograph

Marc Chagall - Inspiration - Original Lithograph from "Chagall Lithographe" v. 2
Located in Collonge Bellerive, Geneve, CH
Marc Chagall Original Lithograph from Chagall Lithographe 1957-1962. VOLUME II. 1963 Dimensions: 32 x 24 cm From the unsigned edition of 10000 copies without margins Reference: Mourlot 398 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category

1960s Surrealist Art

Materials

Lithograph

Marc Chagall - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category

1960s Surrealist Art

Materials

Lithograph

Marc Chagall - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category

1960s Surrealist Art

Materials

Lithograph

Photography, Drawings, Prints, Sculptures and Paintings for Sale

Whether growing your current fine art collection or taking the first steps on that journey, you will find an extensive range of original photography, drawings, prints, sculptures, paintings and more on 1stDibs.

Visual art is among the oldest forms of expression, and it has been evolving for centuries. Beautiful objects can provide a window to the past or insight into our current time. Art collecting enhances daily life through the presence of meaningful work. It displays an appreciation for culture, whether a print by Elizabeth Catlett channeling social change or a narrative quilt by Faith Ringgold.

Contemporary art has lured more initiates to collecting than almost any other category, with notable artists including Yayoi Kusama, Marc Chagall, Kehinde Wiley and Jean-Michel Basquiat. Navigating the waiting lists for the next Marlene Dumas, Jeff Koons or Jasper Johns has become competitive.

When you’re living with art, particularly as people more often work from home and enjoy their spaces, it’s important to choose art that resonates with you. While the richness of art with its many movements, styles and histories can be overwhelming, the key is to identify what is appealing and inspiring. Artwork can play with the surrounding color of a room, creating a layered approach. The dynamic shapes and sizes of sculptures can set different moods, such as a bronze by Miguel Guía on a mantel or an Alexander Calder mobile suspended over a table. A wall of art can evoke emotions in an interior while showing off your tastes and interests. A salon-style wall mixing eclectic pieces like landscape paintings with charcoal drawings is a unique way to transform a space and show off a collection.

For art meditating on the subconscious, investigate Surrealists like Joan Miró and Salvador Dalí. Explore Pop art and its leading artists such as Andy Warhol, Rosalyn Drexler and Keith Haring for bright and bold colors. Not only did these artists question art itself, but also how we perceive society. Similarly, 20th-century photography and abstract painting reconsidered the intent of art.

Abstract Expressionists like Helen Frankenthaler and Lee Krasner and Color Field artists including Sam Gilliam broke from conventional ideas of painting, while Op artists such as Yaacov Agam embraced visual trickery and kinetic movement. Novel visuals are also integral to contemporary work influenced by street art, such as sculptures and prints by KAWS.

Realist portraiture is a global tradition reflecting on what makes us human. This is reflected in the work of Slim Aarons, an American photographer whose images are at once candid and polished and appeared in Holiday magazine and elsewhere. Innovative artists Mickalene Thomas and Kerry James Marshall are now offering new perspectives on the form.

Collecting art is a rewarding, lifelong pursuit that can help connect you with the creative ways historic, modern and contemporary artists have engaged with the world. For more tips on piecing together an art collection, see our guide to buying and displaying art.

A variety of authentic art is available on 1stDibs. Explore art at auction and the 1stDibs NFT art marketplace, too. 

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