Art

Sol LeWitt (American, 1928-2007) Isometric Figures (Plate II), 2002 Medium: Linocut in colors on Somerset Satin Dimensions: 50 × 75 cm (19½ × 29½ in) Edition of 55: Hand-signed and n...

Original color silkscreen, 1998. Edition of 108 signed and numbered impressions on Arches paper. Sol LeWitt was a well-known American Conceptual and Minimal artist. He is famous for ...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

This artwork by Sol Lewitt is offered by CLAMP in New York City. A sphere lit from the top, four sides and all their combinations 2004 Signed and numbered in pencil, verso Archiva...

Edition of 45 Signed, dated and numbered in pencil on mount margin recto. Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in black ink on mo...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Sol Lewitt Benefit Concert (Hand signed by Sol Lewitt, Philip Glass and Meredith Monk), 1978 Offset lithograph 19 1/2 × 21 1/2 inches Limited Edition of 75 Hand signed by Sol Lewitt ...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed.

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed.

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 5/8 inches (203 x 194 mm). Not signed.

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed.

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed.

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 5/8 inches (203 x 194 mm). Not signed.

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed.

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed.

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed.

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed.

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

This artwork titled "Color and Black #3" 1991 is a colors etching with spit bit aquatint on Somerset textured white paper by renown artist Sol (Solomon) Le Witt, 1928-2007. It is and signed and numbered 11/15 in pencil by the artist. Whit the blind stamp of the publisher/printer at the lower right corner. The image size is 22.75 x 22.75 inches, paper sheet is 40.75 x 39.75 inches, Framed size is 43.25 x 42,5 inches. Published by Crown Point Press, San Francisco. Printed by Lawrence Hamin, Lothar Osterburg, Paul Mullowney and Pamela Paulson at Crown Point Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne #1991.07, plate #03. Custom Framed in a wooden black frame, floated on a white backing, with white spacer. It is in excellent condition. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

Thirty Six Birds, Isle of Skye, Scotland by Michael Kenna depicts a flock of birds flying overhead against a bright sky. Sepia toned gelatin silver print Image size: 8 x 7.75 in. Mo...

Medium: Etching with aquatint Framed dimensions: 52 1/2h x 38 1/2w inches

"Ratcliffe Power Station, Study 59, Nottinghamshire, England. 1993" is a limited edition, silver gelatin print and comes matted to 20x16 in. Michael Kenna is a master of contemporar...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures, and minimalist aesthetics, Kenna’s signature style remains highly influential amo...

"Glastonbury Tor, Study 3, Somerset, England. 1990" is a silver gelatin photograph, and is signed and numbered and matted to 20x16 in. Michael Kenna is a master of contemporary phot...

"Hillside Fence, Study 4, Teshikaga, Hokkaido, Japan" is a limited edition, 8x8" toned silver and comes matted to 20x16 in. Michael Kenna is a master of contemporary photography. Kn...

Sol LeWitt Color Grids, All Vertical & Horizontal Combinations of Black, Yellow, Red & Blue Straight, Not-Straight & Broken Lines, 1980 Silkscreen on Arches 88 Paper Hand signed, num...

"Seven Trees, Castello di Canossa, Italy" is a limited edition, silver gelatin print and is signed, numbered, and matted to 20x16 in. Michael Kenna is a master of contemporary phot...

"November Clouds, Mont St. Michel, France. 2000" is a limited edition, silver gelatin print by Michael Kenna. The photograph is hand-made by the artist, signed and numbered, and mat...

"Two Hundred and Seven Sheep, Rakaia Valley, Canterbury, New Zealand" is a limited edition, silver gelatin print. The photograph is signed, numbered, and matted to 20x16 in. Micha...

"Morning Mists, Pyin U Lwin, Myanmar" is a silver gelatin, limited edition photograph by Michael Kenna. Michael Kenna is a master of contemporary photography. Known for clean comp...

"Quixote's Giants, Study 3, Campo de Criptana, La Mancha, Spain" is a silver gelatin, limited edition photograph. The print is signed, numbered, and matted to 20x16 in. Michael Ken...

"Hilltop Trees, Study 4, Teshikaga, Hokkaido, Japan" is a limited edition, silver gelatin print by Michael Kenna. The print is handmade by the artist, signed and numbered, and comes...

"Asparagus Sticks, Study 2, Hokkaido, Japan" is a limited edition, silver gelatin print. The photograph is signed and numbered and comes matted to 20x16" Michael Kenna is a master ...

"Ten Balloons, Albuquerque, New Mexico" is a limited edition, silver gelatin print by Michael Kenna. The photograph is signed and numbered and comes matted to 20x16 in. Michael Ke...

"Hillside Fence, Study 6, Teshikaga, Hokkaido, Japan" is a limited edition silver gelatin print. The photograph is signed, numbered, and matted to 20x16 in. Michael Kenna is a mas...

Trees, Yosemite, California, USA by Michael Kenna presents tall, slender trees against a stark white background. This photograph is listed as a 6 x 8.75 inch sepia toned silver gelat...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

"Spruce Tree and Snow Clouds, Esashi, Hokkaido, Japan. 2023." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print ...

"Reflecting Sticks, Muan-gun, Mokseo-ri, Jeollanam-do, South Korea." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The...

"Sunset Rocks, Mitoyo, Kagawa, Shikoku, Japan. 2022." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matte...

"Kero-ochi Tree Saroma Lake, Hokkaido Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to 20x1...

"Twin Shirakanbas, Sorachi, Hokkaido, Japan. 2023" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted t...

"Pine Tree and Nago Island, Tsuda, Shikoku, Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted t...

"Watchtower, Study 30, Mangyang Beach, Ooljin, Gyeongsanbukdo, South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenn...

"Philosopher’s Tree, Study 7, Biei, Hokkaido, Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted...

"Octopus Nets, Muan-gun, Jeollanam-do, South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted ...

"Sanuki Fuji, Kagawa, Shikoku, Japan. 2022." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to 20x1...

"Kotji Beach Island Study 2 Taean Chungcheongnamdo South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The prin...

Chateau Valrose, Study 4, Nice, Alpes-Maritimes, France by Michael Kenna presents a dramatic scene. Stark white tree trunks and branches contrast against a dark sky. The branches str...

A very good impression of this color screenprint on Fabriano Bütten smooth 300 Gram paper. Signed and numbered 12/100 in pencil by Lewitt. Printed and published by Editions Domberger...

Mountain Tree, Study 1, Danyang, Chungcheongbukdo, South Korea by Michael Kenna presents a sublime scene. A lone tree stands tall, growing out from the side of the mountain. The star...

Chateau Lafite Rothschild, Study 12, Bordeaux, France by Michael Kenna presents a lush, seemingly oversized tree dominating the landscape. Structures in...

With Nine Pointed Stars, the most complex of the “Pointed Star” series executed in 1996, Lewitt employs his trademark systematic use of grids, geometric shapes, and precise mathemati...

"Branch and Berries Tokyo Honshu Japan, 2023 is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to 20x1...

Jura Forest, Dornach, Switzerland by Michael Kenna presents a dramatic forest scene. The dense forest fades into the background, the fog envelopes the trees. The dark trees frame a p...