Art

Anthony Thieme, Netherlands (1888-1954). Titled: 'Mackerel Fleet' oil on canvas, Circa 1930 Signed lower right A, Thieme and on verso Anthony Thieme / 1803B Mackerel Fleet. Mounted ...

Il disegno in questione rappresenta una figura figura femminile nuda in piedi con le braccia alzate, in una posa solenne come fiero è il suo sguardo, ai cui piedi sta sdraiata una fi...

FERNAND LEGER (1881–1955) Gouache paint on paper, signed with the artist's initials F.L and dated 1938.

Signed and dated "Vytlacil 32" lower right Provenance: Estate of the artist #1584; Martin Diamond Fine Art Exhibitions: 1990 Graham Gallery, NYC (label verso) About this artist: B...

Aaron Bohrod, 1907-1992 Barbecue Stand, circa 1935 Gouache on board Signed Lower left: “Aaron Bohrod” Inscribed and signed on verso Bohrod-1 Provenance: Private estate, Rhode Island...

Etching on paper, signed bottom left Image size: 9 x 4 3/4 inches (22.75 x 12 cm) Framed

Signed Center Right by Artist Collier's Magazine Cover, December 23 1916

Study for "The Guardians" (1931) charcoal on paper, 98 x 124 cm Signed and dated lower right 'G. Ceracchini 1931'. On the back is the study for the painting On the River (II Quadriennale di Roma, 1935) Notes: Preparatory study for The Guardians, a painting exhibited at the 18th Venice...

Signed in pencil on mount. the image date is 1936, printed 1980

Marguerite Zorach, 1887-1968 The Card Game, 1912 Ink on paper 9 ¼ x 12 inches Signed and inscribed (on verso): Marguerite Zorach Playing Cards/Calif./1912.” ZoraM-02

Japanese Woman’s haori. Meisen (warp-dyed) silk with gold metallic threads in the weft, shibori (tie-dyed) silk lining, unique purple color, with an abstraction of the battleship Mikasa, 42 x 48”, circa 1934. Almost perfect condition. The rarest type of propaganda kimono. Japanese propaganda...

Paul Schürch (Swiss, ∗ 14.2.1886 Wangen b. Olten, † 11.12.1939 Bern) Romantic Landscape in area of Solothurn, Switzerland • Charcoal/Pencil drawing delicately heightened in various...

Medium: Oil on Canvas Signature: Initialed Lower Left Cover Illustration for American Boy Magazine, May 1934. Includes copy of the magazine.

Jim’s of Lambertville is proud to offer this artwork by: Ramstonev Co-operative Project (1937 - 1939) In the late 1930s, Charles Ramsey became close friends with Charles Evans and ...

'Ice Cavern' Archival Pigment print V&A Portfolio Scott’s Last Expedition, A Cavern in an Iceberg, British Antarctic Expedition, South Pole, Herbert George Ponting (1870-1935), 1910...

Date: 1932 Medium: Oil on Canvas Dimensions: 18.00" x 20.00" Signature: Signed Lower Right A New Year's themed cover painting by Leslie Thrasher for the January 9, 1932 edition of L...

Date: 1931 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, October 17, 1931

Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benjamin sustained an active career for over seven decades. D...

Jim’s of Lambertville is proud to offer this artwork by: Charles Hargens (1893 - 1997) Carversville, Bucks County, Pennsylvania artist and illustrator Charles was born in Hot Springs, South Dakota. As a young boy he loved to draw cowboys, Indians and ranch buildings. By age ten, he was “a commercial success” selling drawings of neighbors’ barns and houses for $25. When he grew older, his parents consented to enroll him at the Pennsylvania Academy (1913-20) where he studied with Daniel Garber, Hugh Breckenridge, Henry McCarter, and William Merritt Chase. At Garber’s invitation, Hargens occasionally came to visit his Lumberville studio to paint with him. A lifelong friendship resulted. In 1915, the Pennsylvania Academy awarded Hargens its Cresson Traveling Scholarship and he went to Paris to study at the Academie Julian and the Academie Colarossi. Hargens was a fellow of the Pennsylvania Academy and a member of the Society of Illustrators, the National Cowboy Hall of Fame and the Philadelphia Sketch Club. He exhibited at the Art Institute of Chicago (1923 awards) and at the Pennsylvania Academy of Fine Arts (1915 prize, 1917 prize, 1918 award). By the early 1920s, he began to produce illustrations for book jackets, books, magazines and advertisements. His career took off and soon his illustrations of cowboys, Indians, Western life, Revolutionary War action and boy scout themes appeared in, or adorned the covers of The Saturday Evening Post, Collier’s, Liberty, McCall’s, Boy’s Life and Gentlemen’s Quarterly. His work also appeared on billboards and advertisements for Stetson hats and Coca-cola. It was conditioned by Hargens that all of his original art was returned to him after being published. His entire body work remained in his studio until his death in 1997; this is largely the reason his paintings have not yet commanded the high prices of his contemporary Saturday Evening Post illustrators (i.e. Rockwell, Leyendecker and N.C. Wyeth). At first he and his wife worked from their studio in Philadelphia. In 1940, they purchased a property at the intersection of Aquetong and Sawmill roads in Carversville. They commuted to Philadelphia regularly and stayed in South Dakota every summer. Eventually, he set up a studio next to his Carversville home. After moving to Carversville, Hargens began a lifelong friendship with George Sotter. Hargens’ Carversville home was the subject of many of George Sotter’s paintings long before and during the time Hargens lived there. Hargens also studied with Henry Rand...

Medium: Pen and Ink on Board Signature: Signed Lower Left Story Illustration- Life Magazine ca. 1915 Seated Man in dressing gown pulling on maid's apron

Daniel Content painted in the grand tradition of the Golden Age of Illustration, in the style of Dean Cornwell, N.C. Wyeth, J.C Leyendecker ...

Medium: Ink, Watercolor, Gouache on Paper laid to Paperboad Signature: Inscribed Collier's Cover Weekly/Sept. 1914/Belgian Automobile Troops/Fighting German Dragoons (on the reverse)...

ALEXEJ VON JAWLENSKY 1864-1941 Torzhok 1864 - 1941 Wiesbaden (Russian/German) Title: Seated nude with Face in Profile Sitzender Akt mit Gesicht im Profil, 1912 Technique: Signed Pencil Drawing on Wove Paper Paper size: 50 x 40 cm. / 19.7 x 15.7 in. Additional Information: This drawing is signed in pencil by the artist “A v Jawlensky” at the lower right image. It is dated in pencil “1912”, at the lower left image. Provenance: Galerie Rosenbach, Hanover Sotheby's London, 28 June 1978. Lot 176. Jacqueline Kohler-Krotoschin, Zurich Beurret & Bailly, Basel, 20 June 2018. Lot 107. Exhibited: “Zwischen Tradition und Moderne”. Galerie Rosenbach, Hanover. 1975. Recorded as no. 222, cat. 14 (Illustrated). Literature: 1. Weiler,C. (1970) Alexej Jawlensky...

Date: 1918 Medium: Oil on Board Dimensions: 24.00" x 18.00" Signature: Signed Lower Right American Art Works Calendar Illustration

Weltevreden, Kebon Sirih, & Vlucht voor de bui (Fleeing the rain) Executed between February 20 and March 2, 1918 Double sided drawing in graphite pencil on paper Images: c. 33 x 5...

Beautifully rendered in Krolls signature academic style. Unframed - Signed lower right, unframed

Medium: Oil on Canvas Signature: Signed Twice and Dated Lower Left: Harvey / Dunn 1932 Harvey Dunn's Dawn, Dawn, Dawn is a truly exceptional illustration that captures a key moment of American History. In the present work, Dunn skillfully depicts colonial soldiers...

Medium: Oil on Canvas Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s which ...

Medium: Oil on Canvas Signature: Signed Lower Center August 8, 1931 Saturday Evening Post Cover

Graphite on paper Image size: 10 1/2 x 14 1/4 inches (26.5 x 36 cm) Mounted A fine pencil drawing and a stunning example of a 1930s Art Deco portrait.

Medium: Oil on Canvas Signature: Signed Lower Right Cover Illustration for ''Motor'' Magazine, February 1931 Depicting a Duryea Automobile Driving by a Blacksmith Shop

Jim’s of Lambertville is proud to offer this artwork by: Arthur B. Carles (1882-1952) Born in Philadelphia, Pennsylvania, Arthur Carles was a painter whose work went through phases...

Medium: Oil on Board Signature: Unsigned Edmund F. Ward estate stamp on verso

Medium: Oil on Canvas Signature: Unsigned Study for the July 7, 1917 cover of Collier's National Weekly (the title story was "Why I'd Let My Boy Go To War").

Medium: Oil on Canvas Signature: Signed Lower Left

Signature: Signed Lower Right Illustration, 1917

Medium: Oil on Canvas Signature: Signed, Dated, and Dedicated Lower Left

Part of the ring-wall of the Taj Mahal, Agra, India, 1914 Signed with initials and dated bottom right Black chalk on paper, 45.5 x 53 cm Literature: Ernst Braches en J.F. Heijbro...

Date: 1939 Medium: Oil on Canvas Dimensions: 33.00" x 27.00" Signature: Signed Lower Right Cover of Liberty Magazine, January 14, 1939

Medium: Oil Painting Signature: Signed Lower Left

ABEL PANN 1883-1963 Latvia 1883-1963 Jerusalem (Russian/Lithuanian /Israeli) Title: Soldiers in World War I, 1913 Technique: Original Signed Pastel Draw...

Date: 1914 Medium: Oil on Canvas Dimensions: 29.00" x 19.00" Signature: Signed and Dated Lower Right

Date: 1919 Medium: Charcoal on Board Signature: Signed Lower Left Dimensions: 15.20" x 18.50" "The Vanishing Men," November 29, 1919.

Date: 1991 Medium: Oil on Canvas Dimensions: 36.00" x 24.00" Signature: Signed Lower Left DEAN MORRISSEY (American, 20th Century) The Illegal Rebirth of Billy the Kid...

Charming portait with Modernest colors. Provenance: Christie's Mercedes Matter, daughter of the artist, Salander-O'Reilly Galleries, New York. Private Collection. Sale: Skinner, Inc...

Medium: Gouache on Board Signature: Signed Lower Left Hearth And Home Magazine Cover, March 1931

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Nudes and Horses, 1911 Technique: Original Hand Signed Pastel on paper size: 63 x 94.5 cm / 24.8 x 37.2 in Additional I...

Medium: Charcoal on Board, Framed Under Glass Signature: Signed and Dated on the Back Sight Size 30.50" x 20.50," Framed 35.50" x 26.50" Great condition, bad glare from glass in thi...

Life Magazine Story Illustration Dec 31,1910s signed lower left He moved from Chicago to New York in 1893. Known for the richness of his work in pen and ink, he drew, in 1898, ...

MEDIUM: Limited Edition Cel on Giclée background SIZE: 10.5" x 12.5" EDITION SIZE: 137 ARTIST: Bob Clampett SKU: CC1252 ABOUT THE IMAGE: The Daffy Giclée print is a reproduction of a vintage drawing borrowed from the Bob Clampett archives. Drawn by Clampett, it appeared in the 1937 classic, “Porky’s Duck Hunt,” which was Daffy’s first cartoon and initial pairing with Porky Pig. With Warner Brothers' attempt to supplant the popularity of Disney’s Donald Duck, Warner Bros. Director, Tex Avery...

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: A Couple in Architectural Cityscape, circa 1930's Technique: Original Signed Ink Drawing on paper size: 29.5 x 2...

Medium: Oil on Canvas Laid on Panel Signature: Signed and Dated Lower Left: Chris. A. MacLellan - 34 Sight Size 30.00" x 24.80", Framed 37.00" x 32.00" The Saturday Evening Post cov...

Date: 1910 Medium: Charcoal on Board Dimensions: 25.00" x 35.50" Signature: Signed Lower Right John Newton Howitt (1885-1958), a graduate of the Art Students League (other gra...

Medium: Watercolor, Gouache and Ink on Paper Signature: Signed Lower Right Magazine Advertisement Young woman in blue and black lace dress holding and looking at flowers.

Medium: Oil on Board Signature: Signed Lower Right Vogue magazine cover 3/15/13

Signature: Signed Lower Left: Monte / Crews Cover of The Saturday Evening Post, January 11th, 1936

Medium: Oil on Board Signature: Signed Lower Right Maclean's Magazine Cover, September 15th, 1930

Medium: Watercolor & Acrylic on Board Signature: Signed May 20, 1939 Saturday Evening Post Cover John LaGatta - Women on a Rainy Day Painting Original Art (c. 1940). LaGatta's work...