Art

Signed Center Right by Artist Collier's Magazine Cover, December 23 1916

"The Final Judgment." Illustration for the same-titled story published in The Saturday Evening Post, with their stamp on verso, circa 1960. Signed in image, lower left (disguised as ...

Initialed Lower Left

Signed (on verso): AF/2021

Oil on canvas

Medium: Mixed Media on Paperboard Signature: Unsigned This piece was an advertisement for Lowney's Crest Chocolates. Edward Nudelman, Jessie Willcox Smith expert and biographer describes Merry Christmas: Two Children Before the Fireplace, “A wonderful mixed media painting by Jessie Willcox Smith, published as an advertisement for Lowney's Crest Chocolates, reminiscent of her paintings for Twas the Night...

A mixed media piece by Richard Artschwager. "Diving Boy II" is a mixed media wall sculpture, acrylic and rubberized hair on masonite in a black palette by American Pop Artsit Richard...

Leon Kossoff Head 4 1984 Etching, Edition of 25 23 x 17 cms (9 1/16 x 6 11/16 ins) (paper size) 5 x 3.7 cms (1 15/16 x 1 7/16 ins) (plate size)

A sculpture by Felipe Castaneda. Mujer con Guitarra"" is a figurative sculpture, white and gray marble by Mexican contemporary artist Felipe Castaneda. The artwork is unsigned. Felip...

In Anastasia Samoylova's "Breakfast With" series, photo books are splayed open and the iconic images therein mingle with the first meal of the day, reading as affectionate homages to...

Medium: Oil on Canvas Signature: Signed Front of Canvas and Pencilled on Back Stretcher Possibly original magazine illustration for the Saturday Evening Post.

Medium: Oil on Canvas Signature: Signed Lower Center August 8, 1931 Saturday Evening Post Cover

A painting by Gregory Sumida. “Tree Study, Whittier, CA” is a landscape painting, watercolor on watercolor board in an earth-tone palette by American artist...

Joe Goode Grey Folded Clouds - II Blue and white (blue paper sky) 1971 Lithograph, Edition of 50 41 x 61 cms (16 x 24 ins)

An abstract oil on canvas by Brazilian contemporary artist Christian Rosa. This large format, untitled oil is executed in bright yellow, black, red and blue in a subdued, neutral pal...

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...

A set of four (4) photographs by Andy Warhol. “Donald Baechler” is a set of four Polaroids, Polacolors by American Pop Artist Andy Warhol. The artwork is numbered FA05.00957, FA05.00...

Pigeon, by Gustave Miklos, Animals, Drawing, Work on paper, Sculpture study Pigeon Circa 1957 Pencil, watercolor and gouache on paper 26 x 38.5 cm / 60...

Date: 1970 Medium: Oil on Canvas Dimensions: 25.00" x 22.00" Signature: Signed Lower Right Fawcett book cover. Robert Berran has been a prolific romance and historical book cover il...

Medium: Oil on Canvas Dimensions: 16.00" x 24.00" Signature: Unsigned

Medium: Oil on Canvas Signature: Signed Lower Right This illustration dates circa 1950.

Edition of 25 Colour soap ground and spit bite aquatints with photogravure and roulette on Somerset Satin paper Published by Crown Point Press 87.6 x 64.8 cms (34 1/2 x 25 1/2 ins)

Date: 1927 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, November 12, 1927 "The Cave Man or the Cave Max?"

Medium: Oil on Canvas Dimensions: 20.00" x 29.00" Signature: Signed Lower Right

Meraud Guinness, 1930s - Cecil Beaton (Fashion Portrait Photography) Inkwash signature on mount Stamped with Sotheby's Cecil Beaton studio ink stamp on reverse Silver gelatin print m...

Mrs Daisy Fellows, c.1930s - Cecil Beaton (Portrait Photography) Inscribed 'Mrs Reginald Fellowes' in unknown hand and stamped with Sotheby's Cecil Beat...

A set of four. photographs by Andy Warhol. "Julian Schnabel 4 Polaroids" is a set of four Polaroids, Polacolor by pop artist Andy Warhol. The work is numbered FA05.01027, FA05.01022,...

Signature: Signed Lower Right Medium: Gouache on Board

Medium: Oil on Canvas Signature: Signed Lower Right

Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...

Signed (at lower right): Louisa Chase

Medium: Pen and Ink on Board Signature: Signed Lower Left Story Illustration- Life Magazine ca. 1915 Seated Man in dressing gown pulling on maid's apron

Oil on canvas Canvas size: 6 x 12 inches Framed size: 13.5 x 17.5 inches Signed

This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the verso by the Estate of the A...

Omaha Sketchbook: Dog on Hill (Sunrise), Omaha, NE - Contemporary Photography Signed on reverse Digital chromogenic print 22 x 18 inches From a limited edition of 7 prints For the l...

Signed & Dated Lower Right

Date: 1928 Medium: Oil on Canvas Dimensions: 16.00" x 22.00" Signature: Signed Lower Right Interior setting with people standing around.

Date: 1880 Medium: Oil on Board Dimensions: 18.20" x 24.00" Signature: Signed Lower Right

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

Painting for a Woodstock film's poster.

Date: 1932 Medium: Oil on Canvas Dimensions: 18.00" x 20.00" Signature: Signed Lower Right A New Year's themed cover painting by Leslie Thrasher for the January 9, 1932 edition of L...

Medium: Oil on Canvas Dimensions: 21.00" x 28.00" Signature: Signed Lower Left Book cover, The Old Couple.

Date: 1930 Medium: Oil on Canvasboard Dimensions: 27.00" x 21.00" Signature: Signed Lower Right Cover for Turf and Sport Digest, probably late 1930s

Date: 1944 Medium: Oil on Board Dimensions: 19.00" x 13.00" Signature: Signed Upper Left Advertisement for Gulf Oil, 1944.

Medium: Watercolor and Graphite on Illustration Board Signature: Unsigned, Christies Stamp Verso. In silver molded frame, french-lined mat, glazed. OS: 18 1/2" x 22", SS: 11" x 15". Shinn took over from Joseph Urban as the Art Director on the William Randolph Hearst's Cosmopolitan Pictures film, shot in New York City and Tarrytown, NY. Directed by E. Mason Hopper, starring Marion Davies...

Etching, Edition of 25 45 x 45 cms (17.5 x 17.5 ins)

Medium: Watercolor and Ink on Paper Dimensions: 28.00" x 19.50" Signature: Signed Center

Date: 1976 Medium: Oil on Canvas Dimensions: 29.00" x 22.00" Signature: Faintly Signed "Marchetti" Lower Right Cover art for the companion book to the 1976 film starring Bruce Dern and Madeline Kahn.

Medium: Oil on Board Signature: Signed Lower Right Maclean's Magazine Cover, September 15th, 1930

Medium: Oil on Canvas Signature: Signed Lower Right Collier's Magazine Cover, March 24, 1923

From the Estate of John McLaughlin. Signed center left. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...

#mandala #spiritualart #introspecction #sculpture #nature #landscape #information #outdoors #contemporaryart #clay #sun #energy #moon #female JUANA MARTÍNEZ (Tlalpujajua, Michoac...

Medium: Oil on Canvas Dimensions: 28.00" x 22.00" Signature: Signed Lower Right

Life Magazine Story Illustration Dec 31,1910s signed lower left He moved from Chicago to New York in 1893. Known for the richness of his work in pen and ink, he drew, in 1898, ...

Date: 1910 Medium: Charcoal on Board Dimensions: 25.00" x 35.50" Signature: Signed Lower Right John Newton Howitt (1885-1958), a graduate of the Art Students League (other gra...

Medium: Oil on Canvas Sight Size 12.00" x 10.00", Framed 20.00" x 18.00" Signature: Signed Lower Left June 1933 Cappers Farmer Magazine Cover.

Medium: Oil on Canvas Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s which ...

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...