Antony Squizzato

Once Upon a Valley, Large Blue, Yellow, Red and Black Watercolors and Ink

2017

This item is not framed. Antony Squizzato is a talented French artist who likes to experiment with different styles and techniques.

Jazzy colored buildings, and there lead secret doors… This item is not framed. Antony Squizzato is a talented French artist who likes to experiment wi...

Antony Squizzato describes most of his works as Neue Constructivism. In this piece, the term is a double entendre : the artwork litteraly figures a construction (Squizzato is also f...

This item is not framed. Antony Squizzato is a talented French artist who likes to experiment with different styles and techniques.

Béatrice Bescond says about this series : "The tree proposes an organic complexity and growth processes which have been mathematically modeled with fractals. Playing with the princi...

Béatrice Bescond says about this series : "The tree proposes an organic complexity and growth processes which have been mathematically modeled with...

Views of Hotel Well I, from Moving Focus series (T. 280; DH. 67). Lithograph printed in colors on TGL handmade paper. Hand signed, dated and numbered by the artist. original Artist's...

NYC Watercolor Drawing American Modern 20th Century Modernism Mid-Century WPA. David Fredenthal (1914-1958) "View of New York from New Jersey,"7 x 10 inches. Watercolor on Paper, c....

A painting by Alexander Calder. "Zigzag Sun and Crags" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, and blues by artist Alexander Calder....

Benjamin Wilson (1721-1788) Portrait of Henry Pye, standing full-length before a landscape Oil on canvas Canvas Size - 36 x 28 in (91.4 x 71.1 cm) Provenance The sitter and thence by descent until; Sale, Christie's, London, 26 March 1976, lot 61 (bt. Agnews); with Agnews, London; where purchased by the present owner Exhibited On loan to Southampton Art Gallery (loan no. L96) Benjamin Wilson was born at Boar Lane, Mill Hill, Leeds, Yorkshire, the fourteenth and youngest child of Major Wilson, a wealthy clothier, and his wife, Elizabeth, née Yates. He was baptised at St Peter's Church, Leeds, on 20 July 1721 and educated briefly at Leeds grammar school, but after a disagreement between his father and the headmaster he was removed to a smaller school in the neighbourhood. He developed an early interest in painting when his father employed the French artist Jacques Parmentier to decorate his Leeds mansion, and he subsequently received instruction from another French artist, named Longueville, while the latter was engaged in executing historical paintings for Thomas Lister of Gisburn Park in Craven, Lancashire. Subsequently his father's reduced circumstances obliged the young Benjamin to seek a livelihood in London, where a relative provided him with a new suit of clothes and 2 guineas for food. He lived frugally for a year and then gained employment as a clerk in the registry of the prerogative court in Doctors' Commons, where he saved two-thirds of his salary of 3 half-crowns a week. When he had amassed £50 he obtained a more lucrative post as clerk to the registrar of the Charterhouse, which enabled him to resume his artistic studies under the guidance of the master of the Charterhouse, Samuel Berdmore, and the painter Thomas Hudson. He became acquainted with William Hogarth, George Lambert, and other leading painters. In August 1746 he visited Dublin, returning to Ireland in the spring of 1748 to paint some portraits for which he had received commissions. He remained there until 1750, when he acquired Sir Godfrey Kneller's former residence in Great Queen Street, Lincoln's Inn Fields, London, to which he later added the adjoining house, formerly the residence of the physician John Radcliffe. Among his first sitters there were Martin Folkes, Lord Orrery, Lord Chesterfield, David Garrick, Samuel Foote, and John Hadley, the physician. His reputation as a portrait painter soon earned him an income of £1500 a year, and about 1756 or 1757 he declined a partnership with Hogarth.

Wilson's most celebrated portraits include those of the physician and antiquary James Parsons (National Portrait Gallery, London), the poet Thomas Gray (Pembroke College, Cambridge), Lord Lyttelton, Lord Mexbrough, Sir Francis Delaval, Lord Scarbrough, Lord Clive, the marquess of Rockingham, and Sir George Savile...

Bold landscape by American artist Joseph A. Atchison (1895-1967). Dark blue pine trees frame the scene on either side, with a lake in the center. Beyond the lake, a group of mountains rise from the horizon to mingle with the cloudy sky. Signed in the lower right corner. Joseph Anthony Atchison...

DIANA THORNE (1895-1963) ROUGHY’S CHRISTMAS c. 1936 Original pen & ink illustration on board. Signed in ink lower right. Image 19 1/4 x 14 ½”. Diana Thorne is well known for her depiction and illustrations of dogs. Her dog etchings are highly collectable. Please see the Diana Thorne etching listing below also on 1stdibs sold by this dealer LU411310493262 "At Your Service" The following biography is by Frank J. Leskovitz ©1995-2022 Diana Thorne was born Ann Woursell on October 7, 1895 in Odessa, Russia. (Some evidence indicates that she may have actually been born in 1894.) In her youth, Thorne spent time in Winnipeg, Canada and later on a farm in Calgary, Canada. She was to eventually become one of America's most recognized canine artists. Thorne began drawing all her favorite four-legged creatures as a young child. She was the oldest child in a Jewish family of four girls and two boys. Her siblings were Abraham, Paula, Judith, Samuel, and Katherine. Thorne's parents were Chaim and Rose Woursell. During this period, Jews in Russia were experiencing severe oppression and physical attacks. The situation seemed hopeless. Canada opened its doors to immigrants fleeing Russia, offering free homestead land in the West. The family left Canada for Germany around 1912 where Thorne took her first formal art studies at the Imperial Academy in Munich and Charlottenburg Technical College in Berlin. The First World War began two years later and Thorne and her family were subsequently detained by the German government. They managed to escape to England, where Thorne was said to have supported herself as a reporter, librarian, writer, bicycle shop owner, and typewriter repair person. At this time she began her first experiments in both illustration and etching and was said to have studied with artist William Strang. On September 27, 1920, Thorne and several of her family members arrived in the United States. Her first published etching, titled "Rollin' Home", was well received in 1926. From this point on, she became an established artist. Thorne began commercial artwork in New York City in 1929. In her private life, she was known as Mrs. Arthur North, claiming to reside at times in Boston, Massachusetts, Philadelphia, Pennsylvania or Connecticut. (The pseudonym Thorne originated from an anagram of the name North.) There is evidence that Arthur North was actually an alias of artist Carton Moore-Park (1877-1956). This ruse allowed Thorne and Moore-Park to present themselves as a married couple, even though Moore-Park was already married. Frequently, biographies of the artist are filled with inaccuracies supplied by Thorne herself, such as referring to her father as a Scotsman or claiming to be Canadian born, which served to conceal the true details of her past. The author-illustrator of more than forty books and illustrator of more than fifty, Thorne's main reason for success was a total dedication to her drawing and a deep love for her subject matter. A sportswoman and owner of dogs herself, Thorne illustrated (and often authored) children's books dealing with dogs and animal life. Thorne's longtime publisher was the Saalfield Publishing Company of Akron, Ohio, once a leading publisher of children's literature and paper novelties. In her etchings of dogs, Thorne had the ability to show motion and action. A combination of whirling lines with solid lines and light and dark tones brings to the viewer's eyes the dog in motion. Thorne’s dog etchings are admired because they capture the humor and energy transpired by man and dog. In addition to dog etchings, she is also known for a series of socially sensitive etchings published in a 1928 portfolio, "The Human Comedy". Thorne also executed a series of popular sports etchings featuring topics such as skiing and boxing which were characterized by multiple images engraved on the same plate. Very much in demand as an animal portrait painter, Thorne illustrated some of the most famous dogs in America, including Franklin D. Roosevelt's Scottie "Fala" and Admiral Richard E. Byrd's "Igloo", the terrier who accompanied him on his famous Antarctic Expedition. Diana Thorne was most active between the 1920s and 1940s. Sadly, she was diagnosed as mentally ill and committed to New York City's Belleville Hospital in September 1962. Thorne died in July 196 Diana Thorne's work appeared in numerous magazines and newspapers including The American Magazine, The Literary Digest, Liberty, The Woman's Home Companion, The Household Magazine, Maclean's, Home Arts, Nature Magazine, National Home Monthly, This Week Magazine, The American Kennel Gazette, The New York Times, The Boston Post, and The New York Herald Tribune. Throughout the 1940s she was a regular contributer of artwork and written articles to the Christian Science Monitor. Thorne was widely known in New York and London for her artwork. Noted galleries such as Kennedy & Company and the Schwartz Galleries of New York City, the Gage Gallery of Cleveland, and the Hudson Galleries of Detroit carried many of her etchings, which were produced in editions ranging from fifty to one hundred signed impressions. Her print, "Pan of Puck Hill", was featured in England's Fine Prints of the Year and was also selected as one of the Graphic Arts Society's Fifty Best Prints of the Year by the Chicago Society of Etchers. Thorne received widespread acclaim for her unique etchings, sketches, watercolors, sculpture, lithography, and paintings, which were exhibited in the principal cities of the United States and England. She had her first New York City showing in April 1929 at the Schwartz Galleries in an exhibition titled, "Drypoints and Drawings by Diana Thorne". In 1930, her work was presented at three solo exhibitions. The first took place at the Vose Galleries of Boston. This was followed by additional exhibitions in New York City at Milch Galleries and the Fifty-Sixth Street...

FruhlingsErwachen is an original modern rare book written by Benjamin Franklin Wedekind (1864 – 1918) and illustrated by Willi Geiger (Landshut, 1878 - Munich, 1971) in 1920. Ori...

Ltd ed archival pigment print., ed 50 Original art was created as part of Marano's"American-Dream-Land," Coney Island series and later translated to an edition. Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare,” as Ann Aptaker describes, through the prints and cut-paper collage in her “American Dream-land” series (1979-). These colorful, graphic style works evoke the energy and amusement of Coney Island through depictions of the rides, the boardwalk, clowns, and food vendors. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher. Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960). The Funeral Contege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C. His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan. His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin. In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover, Edmond...

Miriam Sommerburg (American female artist, born Germany, Hamburg, 1900–1980 New York) Modernist Wood Carved Sculpture, Carving depic...

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thoughts, one head" series. The...

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size framed (gold) with a styrene face on a double mat b...

Interior design paintings. The work was done with ink and watercolor in turquoise blue color on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thought...

Interior design paintings. The work was done with ink and watercolor in black and red color on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thoughts...

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size framed (gold with a styrene face on a double mat bo...

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size framed (black) with a styrene face on a double mat ...