Huntz Liu

Downward - Abstract colorful textural hand cut paper

2016

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Huntz Liu Layered hand cut paper 18" x 24" 2016 Huntz Liu hand carved and layered paper artworks somehow look like colorful archeological digs or exposed complex systems. He w...

Huntz Liu Layered hand cut paper 20" x 20" 2016 frame in white Huntz Liu hand carved and layered paper artworks somehow look like colorful archeological digs or exposed compl...

Steven L. Anderson 46 Years, 2015 marker and pen on paper 9.5 x 7.5 inches The Tree Rings artworks are made on paper which is torn and reassembled, scratche...

Steven L. Anderson 36 Years, 2015 marker and pen on paper 8 x 8 inches The Tree Rings artworks are made on paper which is torn and reassembled, scratched, a...

Steven L. Anderson 63 Years, 2015 marker and pen on paper 16 x 16 inches The Tree Rings artworks are made on paper which is torn and reassembled, scratched,...

Warm & Golden (2020), surreal abstract dream-like landscape, skyscape, garden, rainbow, flowers "Warm & Golden" by Shamona Stokes portrays a playful, ...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years ...