Katherine Filice

Fragments of Memory V - Textured Contemporary Abstract in Black & White

2020

"Fragments of Memory III" is a new abstract work by award-winning artist Katherine Filice. This piece is sculptural in its form, mounted in a shadow box frame to enhance the ebbs an...

"Calm Before," is a text based contemporary abstraction by artist Vivian Liddell. This piece is built with washes of ink layered up leaving detailed forms through the piece inviting viewers to take it in up close. Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. This piece is currently unframed, but framing options are available. For more works follow our storefront at Gallery 1202. "As a painter, I often work on large, raw canvas. My abstract paintings merge formal painting and “bad” craft to challenge the high-low separation of materials (and related gender hierarchies) that have traditionally been present in the art world. The monotypes are like a calligraphic practice. I use them as a warm up to allow me to feel confident with a gesture before committing it to a larger scale. I work in layers, often sewing or incorporating fabric into the finished piece, and incorporate chance into each stage of my process. The text/titles often come from song lyrics, local radio commercials, and news headlines. I edit these snippets and piece them together to reflect my interpretation of current politics and social norms, especially as they relate to gender. Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. Vivian Liddell is an interdisciplinary artist in Athens, Georgia who works with painting, fiber and craft techniques, sculpture, printmaking, photography, animation and sound. Born in Memphis, Tennessee, she received her BFA from the University of Georgia and her MFA from the Pratt Institute in Brooklyn. Liddell’s work has been featured in solo and curated exhibitions throughout the United States, including at the Wiregrass Museum of Art, the Macon Museum of Arts and Sciences, and Trestle Gallery in Brooklyn. In 2019 she had two solo exhibitions of her “Men” series at the Versa Gallery in Chattanooga and 621 Gallery in Tallahassee, with a review of the Versa exhibition in BURNAWAY and was recently picked by Berlin curator Tina Sauerlaender as a featured artist on Foundwork. Liddell hosts a podcast (Peachy Keen) as an extension of her art practice, interviewing women on art and the South. She is an Assistant Professor of Painting and Drawing at the University of North Georgia...

Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. M...

"Foot of Mountain," is an abstract expressionist landscape painting on paper. This piece is created with mixed media of paint and fabric to create the impression of a landscape. Lidd...

"How Would You Like To Have," is a text based mixed media contemporary abstraction by artist Vivian Liddell. This piece is very gestural with the application of the mediums cohesivel...

“What Fascism Means/Ass of Steel,” is a mixed media work on paper, with ink and textiles. This piece is mixes gestural abstraction and text to create the composition. Liddell often w...

This painting is illustrated in color in the the book, "PAINTINGS BY KAN TAI-KEUNG 1970-1979" page 51. Published by S S Design & Production, Hong Kong, 1980. A copy of this book will accompany the painting. Born in Panyu, Guangdong, in 1942, Kan Tai-Keung was deeply influenced by his grandfather, Yao Sheung, and became passionate about painting from childhood on. He moved to Hong Kong in 1957, and worked as an apprentice tailor there for ten years. In 1964, Kan started to learn watercolour painting and sketching with his uncle Han May-Tin. Later he took a Chinese ink painting course from Lui Shou-kwan and an applied design course from Wucius Wong...

This abstract drawing titled "Around" is an original artwork by Jason Andrew Turner made of sumi ink, gouache, and copic ink on paper. The artist incorporates techniques of painting...

This abstract painting and drawing titled "Spit Out All My Air" is an original artwork by Jason Andrew Turner made of sumi ink, gouache, and copic ink on paper. Incorporating techniq...

Golden Song of Revolution is a drawing realized by Iranian Painter and Poet Parimah Avani in 2023. Sumi, Persian ink, and acrylic on kraft paper. Hand-signed and dated. Excellent ...

Golden Song of Revolution is a drawing realized by Iranian Painter and Poet Parimah Avani in 2023. Sumi, Persian ink, and acrylic on kraft paper. Song of Freedom in Copper Color is...

Songs of Putrefaction is a drawing realized by Iranian Painter and Poet Parimah Avani in 2023. Sumi and Persian ink, and acrylic on traditional Lokta Hymalian paper "Nepali Kagaj". ...