Sol LeWitt "Curvy Brushstrokes I"
View Similar Items
Sol LeWittSol LeWitt "Curvy Brushstrokes I"1997
1997
About the Item
- Creator:Sol LeWitt (1928 - 2007, American)
- Creation Year:1997
- Dimensions:Height: 14.97 in (38 cm)Width: 11.23 in (28.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Geneva, CH
- Reference Number:1stDibs: LU68832736351
Sol LeWitt
While New York City’s art scene in the 1950s and ’60s revolved around Abstract Expressionism, multidisciplinary artist Sol LeWitt paved an alternative path, creating a prolific output of work in the genres of minimalism and, later, Conceptual art.
While LeWitt is perhaps best known for his immense “wall drawings,” he created work in a wide range of media, including drawing, painting, printmaking and sculpture. (However, in a characteristic rebuttal of canonical art history, he referred to these pieces as “structures.”) He also produced several texts, including the seminal Sentences on Conceptual Art (1969).
Born in Hartford, Connecticut, in 1928, LeWitt received a BFA from Syracuse University before going to work as a graphic designer for the renowned architect I.M. Pei. He would later work at the book counter at the Museum of Modern Art, where his colleagues included fellow artists. LeWitt’s early exposure to architecture may well have had outsize influence on his subsequent career: He was known for the geometric nature of his work, specifically his fastidious, near-obsessive treatment of the cube, which he rendered repeatedly in various ways throughout his paintings, structures and wall drawings.
In the 1960s, LeWitt showed in several group exhibitions throughout New York and also began to experiment with three-dimensional structures, most modular riffs on the cube shape. His work was included in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” curated by Mel Bochner, another leading exponent of Conceptualism.
Later, LeWitt debuted his now-iconic wall drawings, creating work directly on the walls of galleries and show spaces, beginning with pioneering gallerist Paula Cooper’s inaugural show in 1968. The wall drawings became a prime example of LeWitt’s philosophical approach to art, with their installation often carried out by museum staff or curators following precise instructions from the artist.
“The idea,” the artist once said, “becomes a machine that makes the art.” LeWitt continued to produce work until his death in 2007.
Find a collection of original Sol LeWitt art on 1stDibs.
- My 80's Heart "Token 7" 2019, gouache, acrylic, graphite, panel, blue, orangeBy Catherine HartLocated in Jersey City, NJMy 80's Heart "Token 7" 2019, gouache, acrylic, graphite, panel, blue, wood, orangeCategory
2010s Contemporary Abstract Paintings
MaterialsAcrylic, Gouache, Panel, Wood Panel, Illustration Board, Graphite
- Lágrima de Nube. The memory of narcissus series Watercolor PaintingLocated in Miami Beach, FLLágrima de Nube, 2018 by James Bonachea From The Series The memory of narcissus Watercolor on cardboard Image size: 100 cm H x 70 cm W Unframed This series of works stems from the ...Category
2010s Abstract Abstract Drawings and Watercolors
MaterialsWatercolor, Cardboard
- Untitled 4 - Contemporary Abstract Painting, Textile Lightness, Lively ColorsBy Tomasz PrymonLocated in Salzburg, ATAbout Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...Category
2010s Contemporary Abstract Paintings
MaterialsAcrylic, Cardboard
- Untitled 10 - Contemporary Abstract Painting, Textile Lightness, Warm ColorsBy Tomasz PrymonLocated in Salzburg, ATAbout Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love and happiness. Why is this organic che...Category
2010s Contemporary Abstract Paintings
MaterialsAcrylic, Cardboard
- Italian Abstract Work on Paper Color Field Non-Objective European Mid-CenturyBy Piero DorazioLocated in New York, NYItalian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage" Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stipend by the French government and admission to the Academy Beaux Arts. There he met George Braque who became great friends but also an influence on Dorazio, of which "Gonage" is a living testament. "Gonage" actual size of the drawing measures 12 x 9 1/2 inches. It is signed on the lower right. The work is affixed to a 19 x 15 inch board which includes the artist's signature and date. There is a torn table on the lower left entitling the piece "Gonage". Provenance follows this piece as a gift in 1950 to the artist-colleague Luigi Lucioni, who then gifted it in 1955 to his friend, the uncle of the current owner who has owned the work since 1988. Bio Born in Italy, Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy. During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko...Category
1940s Abstract Abstract Drawings and Watercolors
MaterialsGouache, Board
- Abstract Painting Green Dots, Gold Leaf and Blue Royal Society of Arts AfricaBy Anthony BenjaminLocated in Norfolk, GBAnthony Benjamin, 'Green Dots', acrylic and gouache on gold leaf board, image size 9" x 12", signed and dated 1999. Artist Estate Stamp on verso Provenance: From the Artist Estate A...Category
1990s Abstract Abstract Paintings
MaterialsGold Leaf