Sunil Das

Figurative, Ink on Paper by Modern Indian Artist Sunil Das "In Stock"

Somnath Hore - Reclining Woman - 8.5 x 12 inches ( unframed size) Watercolour on paper Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipp...

Sunil Das - Penographic II - 17 x 13 inches (unframed size) Penographic Series. Single Edition 1 / 1 (each). ( Unframed & Delivered ) Sunil Das (1939-2015) was a Master Modern India...

Sunil Das - Penographic III - 17 x 13 inches (unframed size) Penographic Series. Single Edition 1 / 1 (each). ( Unframed & Delivered ) Sunil Das (1939-2015) was a Master Modern Indi...

Jogen Chowdhury - Untitled - 12 x 16 inches (unframed size) Ink on Paper, 2022 Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

Indra Dugar - Untitled - 8 x 10.5 inches (unframed size) & 16 x 18.5 inches ( framed size ) This is a two sided works, Recto & Verso. Set of 5 art works. Ink on Paper. Inclusive of shipment in framed form. Style : Dugar was known for his paintings of rustic scenes en plein air, painted in a non-academic style, yet retaining colour harmony to reflect the tranquillity of his subject matter. He learnt how to structure his landscapes from Nirode Mazumdar and Rathin Moitra, and from his father, he inherited the tradition of painting on silk. Watercolour and tempera were his preferred media. Dugar's earlier works leaned heavily on his observations, but he gradually began paring down detail. Dugar soon outgrew the Bengal School...

Indra Dugar - Untitled - 8 x 10.5 inches (unframed size) & 16 x 18.5 inches ( framed size ) This is a two sided works, Recto & Verso. Set of 4 art works. Ink on Paper. Inclusive of shipment in framed form. Style : Dugar was known for his paintings of rustic scenes en plein air, painted in a non-academic style, yet retaining colour harmony to reflect the tranquillity of his subject matter. He learnt how to structure his landscapes from Nirode Mazumdar and Rathin Moitra, and from his father, he inherited the tradition of painting on silk. Watercolour and tempera were his preferred media. Dugar's earlier works leaned heavily on his observations, but he gradually began paring down detail. Dugar soon outgrew the Bengal School...

Signed lower right, 'Bonorat' and painted circa 1980 An elegant, modernist figural painting and early work by this Sydney-based Mexican artist who studied at the National School of Fine Arts in Mexico City (1982-84) and, subsequently, at the Museum of Modern Art in Sao Paulo, Brazil (1986). STUDIES 1982-1984 Painting and Drawing Ateliers – National School of Fine Arts, Mexico City 1985-1986 Artistic Experimentation – Carrillo Hill Museum, Mexico City 1986 Metal Engraving – Museum of Modern Art Sao Paulo Brazil SOLO EXHIBITIONS 1986 Art Gallery of Santos Municipal Cultural Centre, Sao Paulo, Brazil 1988 Art Gallery of Porto Alegre Municipal centre, R.S. Brazil 1991 Gallery Casa de la Cultura, Morelia Mexico 1994 The Beatty Gallery, Sydney 1996 The Beatty Gallery, Sydney 1996 Michael Burke Gallery, Brisbane 1997 The Beatty Gallery, Sydney 2019 ‘Golden Trinity’, Thienny Lee Gallery, Sydney 2019 ‘Continuous Thread, GAFFA Gallery, Sydney GROUP EXHIBITIONS 1985 Mail Art Network Kyoto City Museum, Kyoto Japan 1987 Banespa Cultural Centre, Sao Paulo Brazil 1988 IV National Contest of Fine Arts, Cubatao Brazil 1992 NCA Gallery, Sydney 1994 The Beatty Gallery, Sydney 1994/5/6 Selected for the “Fisher’s Ghost” Art...

Framed Size: approx 17 3/4 x 20 3/4 inches Fred Conway (1900-1973) "Golf Bags, Caddy with Golf Bag on His Back" Pen/Ink/Watercolor on Paper Site Size: approx. 10 x 13 inches Framed Size: approx. 17 3/4 x 20 3/4 inches A member of the faculty of the Washington University Art School from 1929 to 1970, Frederick Conway...

Alexander Calder Handwritten, signed letter, 1956 Ink on paper: 2 page handwritten and hand signed letter Hand signed by Calder at the end of the letter on the second page. Unique 11...

Drawing on paper, signed up left.

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Paris (Ecole de Paris) Moshe Bagelferyches was born on June 29 , 1908 in Vilnius, (Vilna, Poland) then part of the Russian Empire. He took up painting from at an early age, later going on to work as an apprentice at a local vocational school in Vilno while taking classes at the Vilnius Academy of Arts. Bagelferyches also joined Yungvilno, a group formed by young Jewish artists, poets and writers in the city, who hosted exhibitions. In 1927, he left for Germany where he joined the Bauhaus arts and architecture school in Dessau. From 1928 to 1932, he studied under Joost Schmidt, Paul Klee, Lyonel Feininger, and Wassily Kandinsky. His painting was close to pure abstract art. He maintained close bonds with former students of the Bauhaus school who lived in Paris, Joseph Weinfeld, Jean Leppien...

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Paris (Ecole de Paris) Moshe Bagelferyches was born on June 29 , 1908 in Vilnius, (Vilna, Poland) then part of the Russian Empire. He took up painting from at an early age, later going on to work as an apprentice at a local vocational school in Vilno while taking classes at the Vilnius Academy of Arts. Bagelferyches also joined Yungvilno, a group formed by young Jewish artists, poets and writers in the city, who hosted exhibitions. In 1927, he left for Germany where he joined the Bauhaus arts and architecture school in Dessau. From 1928 to 1932, he studied under Joost Schmidt, Paul Klee, Lyonel Feininger, and Wassily Kandinsky. His painting was close to pure abstract art. He maintained close bonds with former students of the Bauhaus school who lived in Paris, Joseph Weinfeld, Jean Leppien...