Unknown

Foliage Abstract 2

1970

Transfixing and vivid watercolor of abstract striated colors, rolling together like leaves in the wind or waves of sand dunes. Signed lower right by Kejima, 1980. Original artwork o...

Whimsical and bright abstract ink and watercolor painting of a tree surrounded with colorful foliage, circa 1970. Original artwork on paper displayed on a white mat with a gold bor...

Bright and colorful ink and watercolor abstract by French artist Jaquel, circa 1990. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat...

Black and white French pen and ink with ink wash of weaving lines defining abstract complex alignments, circa 1970. Original artwork on paper displayed on a white mat with a gold b...

Pen and ink line abstract with pops of red by French artist Jaquel, circa 1960. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits...

Contrasting black and white abstract style spiral in ink on paper, 2006. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Archival plastic ...

Ed Touchette (b. 1948) is inspired by a love of architecture and public spaces to make paintings which express joyful wonder at our built environment — ol...

Provenance: Marlborough Gallery David McKee, Inc. Manny Silverman Gallery Private collection, Los Angeles

Composition on paper from the 50s from Karl Peter Röhl.

Provenance: Norman Bluhm to current owner Trained as an architect under Mies van der Rohe, Norman Bluhm created paintings with an abiding sense of structure, balance, and compositio...

"Labyrinth" 2021, 23.5" x 21.5" vertical drawing on paper by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional Home, Veranda Magazine, ...

Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...