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Size: Large
Trotting Horses Harnessed to a Lightweight Fly. Cecil Aldin. Original Drawing.
Located in Sutton Poyntz, Dorset
Cecil Charles Windsor Aldin. English ( b.1870 - d.1935 ). Trotting Horses Harnessed to a Lightweight Fly. Chalk on Paper. Signed. Image size 19.3 inches x 27.8 inches ( 49cm x 70.5c...
Category

Early 20th Century Art Nouveau Animal Drawings and Watercolors

Materials

Paper, Chalk

Driving Sheep.Plaisters Lane, Sutton Poyntz, Dorset. Jurassic Coast Village.1918
Located in Sutton Poyntz, Dorset
Henry Charles Fox. English ( b.1855 - d.1929 ). Driving Sheep. Plaisters Lane, Sutton Poyntz, Dorset 1918. Watercolor. Signed & Dated 1918. Image size 18.9 inches x 28.3 inches ( 48...
Category

Early 20th Century Victorian Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Freedom Ride II - Charcoal Drawing with Watercolor on Paper of Horses
Located in Columbus, OH
This piece is a charcoal sketch with a light lyrical addition of watercolor. The artist captures the delicate sensitivity of horses standing still and in motion. Artist bio: Cecil K...
Category

2010s Contemporary Animal Drawings and Watercolors

Materials

Charcoal, Watercolor

A Tight Finish. 1970.Race Horses. Final Furlong. Equine.Jockeys.Horse Racing.
Located in Sutton Poyntz, Dorset
John Rattenbury Skeaping. English ( b.1901 - d.1990 ). A Tight Finish, 1970. Gouache and Watercolor. Signed & Dated Lower Right. Image size 21.5 inches x 29.1 inches ( 54.5cm x 7...
Category

Mid-20th Century Modern Animal Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Purple Perkins Over St. Croix - Octopus on Nautical Map, Gyotaku Style Print
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on a nautical chart, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Purple Perkins over St. Croix sumi ink and colored pencil on nautical chart 30h x 33.50w in 76.20h x 85.09w cm JEC110 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Watercolor, Sumi Ink, Color Pencil

Creeping Blue Ring - Gyotaku Style Sumi Ink Painting of an Octopus
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Sumi Ink, Watercolor, Mulberry Paper, Color Pencil

Dame Elisabeth Frink. Hawk, 1969. Watercolor. A Representation of Destruction.
Located in Sutton Poyntz, Dorset
Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale is this original painting by Dame Elisabeth Frink which is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...
Category

Mid-20th Century Modern Animal Paintings

Materials

Paper, Watercolor

Blue Boy of the North Atlantic - Octopus on Antique Nautical Chart Gyotako Style
Located in Chicago, IL
A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on a nautical chart, in this case a pilot chart of the Northern Atlantic Ocean from 1945, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Blue Boy of the North Atlantic sumi ink and colored pencil on mulberry paper 23h x 37w in 58.42h x 93.98w cm JEC111 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Watercolor, Sumi Ink, Mulberry Paper, Color Pencil

Dutch landscape with grazing cows near the forest, watercolor, impressionist
By Arnold Marc Gorter
Located in DEVENTER, NL
Watercolor on paper depicting a Dutch landscape (East of The Netherlands) with grazing cows at the edge of a forest, by A. M. Gorter (1866 - 1933). Dimensions incl. frame: 60 x 72 cm...
Category

Late 19th Century Impressionist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"Leopard on Rietveld Chair" framed contemporary surrealist watercolor painting
Located in New York, NY
40”x29.5” watercolor on paper, signed on reverse framed (presented in a black finish, shadowbox frame) In this original watercolor painting, a leopard sits on a Red Blue Rietveld de...
Category

2010s Contemporary Animal Drawings and Watercolors

Materials

Watercolor, Archival Paper

On the Gallops. 1976.Race Horses. Equine.Jockeys.Horse Racing. Racetrack.
Located in Sutton Poyntz, Dorset
John Rattenbury Skeaping. English ( b.1901 - d.1990 ). On the Gallops, 1976. Gouache and Watercolor. Signed & Dated Lower Right. Image size 18.5 inches x 26.8 inches ( 47cm x 68cm )...
Category

Mid-20th Century Modern Animal Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Landscape with cattle in watercolor
Located in DEVENTER, NL
This beautifully excecuted landscape with cattle in watercolor was made by Abraham Hendrik Winter (1800-1861). Winter was born in Utrecht (the Netherlands) in 1800 and was a teacher ...
Category

Mid-19th Century Romantic Landscape Drawings and Watercolors

Materials

Watercolor, Paper

Wilton Riding Club Horse Event
Located in New York, NY
An award winning artist for her watercolors, Davis was a beloved Connecticut artist. A rare subject done in a contemporary and fresh way. She was a member of this club and enjoyed t...
Category

1970s American Realist Animal Drawings and Watercolors

Materials

Watercolor

The Thief. Original Drawing.Welsh Artist. Magpie.Late 20th Century.Black & White
Located in Sutton Poyntz, Dorset
Julian Ruddock. British ( b.1965 ). The Thief. Pastel on Paper. Signed. Image size 29.1 inches x 21.3 inches ( 74cm x 54cm ). Frame size 38.4 inches x 29.9 inches ( 97.5cm x 76cm )....
Category

Late 20th Century Expressionist Animal Drawings and Watercolors

Materials

Paper, Pastel

Colorful Goat, Multicolor Pointilist Pastel
Located in Soquel, CA
Charming pastel of a brightly colored goat, composed in the pointilist style with thousands of tiny multicolor dots, by Karen Druker (American, 1945). Signed "K. Druker" on verso. Pr...
Category

21st Century and Contemporary Pointillist Animal Drawings and Watercolors

Materials

Pastel, Paper

Mary Browning - 1972 Pastel, Jessie The Lurcher
Located in Corsham, GB
A characterful animal portrait, showing a black lurcher named Jessie. The artist has captured Jessie's personality with big dark eyes and floppy ears. The artist has signed and dated...
Category

Mid-20th Century Animal Drawings and Watercolors

Materials

Pastel

Early Naturalistic Wildlife Animal Rendering of a Possible Capuchin Monkey
Located in Houston, TX
Early naturalistic wildlife rendering by the English artist Peter Paillou. The work features a delicately rendered depiction of a possible capuchin monkey from an 18th century specim...
Category

Mid-18th Century Naturalistic Animal Drawings and Watercolors

Materials

Gouache

Pelican 1974 - Expressionist animal art watercolour/gouache bird painting
Located in London, GB
This beautiful large vibrant animal painting is by Aubrey Williams, Guyanese artist. It is a watercolour/gouache painting of a magnificent Pelican and painted in 1974. Williams has r...
Category

1970s Expressionist Animal Drawings and Watercolors

Materials

Watercolor

Jonathan Kingdom - Framed 20th Century Charcoal Drawing, Pelican
Located in Corsham, GB
This bold study of a pelican is well presented in a simple wood frame. Tib Lane Gallery label to the reverse dated 1994 and inscribed with the artist's name. On wove.
Category

21st Century and Contemporary Animal Drawings and Watercolors

Materials

Charcoal

Colored Drawing with Ceramics and Horse Pop Folk Art 1980s
Located in Surfside, FL
Michael Lucero (born 1953) is an American sculptor. His work has been exhibited in the Carnegie Museum of Art and the Mint Museum. Lucero works with multiple mediums and usually work...
Category

1980s Contemporary Figurative Drawings and Watercolors

Materials

Oil Crayon, Wax Crayon

S.O.S.
Located in Milford, NH
A fine limited edition color etching of a rooster titled “S.O.S.” by American artist Jamie Wyeth (b. 1946). Wyeth was born in Wilmington, DE and grew up in Chadd’s Ford, PA, the son of Andrew Wyeth, one of America’s most well known artists, and a grandson of the illustrator Newell Convers Wyeth. Wyeth studied under his aunt, Carolyn Wyeth, and apprenticed three years with his father before going to New York City to launch his own art career. During the 1960s and 70s, his portrait work included a posthumous President John F. Kennedy, Andy Warhol, and President Elect Jimmy Carter. Wyeth was commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, and he even painted Christmas cards of the White House for President Ronald Reagan. He summered on Monhegan Island and became closely linked to the Monhegan art...
Category

1980s Realist Animal Prints

Materials

Paper, Etching

Original 70's Hand Painted Textile Design Gouache Yellow & Black Color on Paper
Located in ALCOY/ALCOI, ES
Birds design. Sealed on the back with the design studio name and number 98 We offer a small number of these original illustration designs by this design studio based in Alcoy (Spain)...
Category

1970s Modern Animal Drawings and Watercolors

Materials

Gouache, Paper

Richard Parker - The Aquatic Life at Sea / Life of Pi
Located in Burlingame, CA
Bengal Tiger watercolor inspired by the novel The Life of Pi's, whose main character, Richard Parker — the tiger who is the epitome of beauty, power, an...
Category

21st Century and Contemporary Contemporary Still-life Drawings and Water...

Materials

Watercolor, Handmade Paper

Chanel Quilted Black Caviar Ray - Sumi Ink on Mulberry Paper, Gyotaku Original
Located in Chicago, IL
Designers have an wide reach through out the world but have yet to reach the depths of the ocean. Artist Jeff Conroy has created this Gyotaku print of large ray entitled simply "Channel Quilted Black Caviar Ray" to fill that void. To achieve this remarkable painting, the artist applies sumi ink to a sting ray he caught himself on Florida's Gulf Coast, then "prints" it onto Marbled Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Chanel Quilted Black Caviar Ray sumi ink and watercolor on mulberry paper 37h x 25w in 93.98h x 63.50w cm JEC083 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Sumi Ink, Watercolor, Mulberry Paper

Kikusui - Japanese Gyotaku Painting of Orange Koi on Marbled Mulberry Paper
Located in Chicago, IL
In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman...
Category

21st Century and Contemporary Contemporary Animal Paintings

Materials

Sumi Ink, Watercolor, Mulberry Paper

Multicolor Allover Snoopies 2
Located in New York, NY
This is a unique work on paper, 26 x 40 inches, created in 2020. The ongoing "snoopies" series continues to hold my interest after more than 20 years of my celebrating this celebri...
Category

2010s Contemporary Abstract Paintings

Materials

Ink, Acrylic, Watercolor, Gouache, Archival Paper

the egg farmer, fantasy man among ostriches
Located in Brooklyn, NY
*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...
Category

2010s Surrealist Animal Drawings and Watercolors

Materials

Pastel, Archival Paper

rare birds, man with hands raised, colorful pastel humor
Located in Brooklyn, NY
Pastel on paper, anthropomorphic variety of birds
Category

2010s American Modern Animal Drawings and Watercolors

Materials

Paper, Pastel

Lilac Fish, Contemporary Watercolor
Located in Brecon, Powys
A framed watercolour by Walshe. Known more for his works in other mediums this is a bit of a departure for Walshe, but still displays his unique style and concern for the environment. Lilac Fish is an intricate work showing happy little reef fish...
Category

Early 2000s Outsider Art Figurative Drawings and Watercolors

Materials

Watercolor

Let the soft animal of your body love what it loves
Located in Denver, CO
David B. Smith Gallery is proud to present Cosmos, by Laura Ball, the artist’s fourth solo exhibition with the gallery. Featuring 18 new watercolor paintings, Ball’s deep connection ...
Category

2010s Contemporary Paintings

Materials

Ink, Acrylic, Watercolor, Gouache, Graphite

A Spark and a Rush
Located in Denver, CO
David B. Smith Gallery is proud to present Cosmos, by Laura Ball, the artist’s fourth solo exhibition with the gallery. Featuring 18 new watercolor paintings, Ball’s deep connection ...
Category

2010s Contemporary Paintings

Materials

Ink, Acrylic, Watercolor, Gouache, Graphite

Big Turquoise Bug - Gyotaku Lobster Painting in Blue on Marbled Mulberry Paper
Located in Chicago, IL
Locals know them as "bugs". A small bug is a one pound lobster. Artist Jeff Conroy was able to print this "bug" - a behemoth weighing in at almost 8 pounds aptly named "Big Bug". ...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Paper, Acrylic

The Burning One (Leopard Gates)
Located in Denver, CO
David B. Smith Gallery is proud to present Cosmos, by Laura Ball, the artist’s fourth solo exhibition with the gallery. Featuring 18 new watercolor paintings, Ball’s deep connection ...
Category

2010s Contemporary Paintings

Materials

Ink, Acrylic, Watercolor, Gouache, Graphite

Gateway to the Caverns of Universal Knowledge (Seraph Mandala)
Located in Denver, CO
David B. Smith Gallery is proud to present Cosmos, by Laura Ball, the artist’s fourth solo exhibition with the gallery. Featuring 18 new watercolor paintings, Ball’s deep connection ...
Category

2010s Contemporary Paintings

Materials

Ink, Acrylic, Watercolor, Gouache, Graphite

Sleestak Ray - Gyotaku Style Print of a Sting Ray, Enhanced with Bright Greens
Located in Chicago, IL
From the mind of the artist comes "Sleestak Ray", taken from the extra-dimensional race of reptilian bipedal humanoid species native to the "Land of the Lost". He has combined a childhood favorite television show with a current favorite - fishing. The artist has master the Japanese art of Gyo-Taku printing using sumi ink and then highlights the piece with watercolors. The artist uses Mulberry...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Paper, Sumi Ink, Color Pencil

UNTITLED (GIRAFFE)
Located in Aventura, FL
Original crayon and pencil drawing on cut-out paper mounted on board. Hand signed with artist's initials CA. Executed in 1966, this work is registered in the archives of the Calder...
Category

1960s Surrealist Animal Drawings and Watercolors

Materials

Paper, Crayon, Pencil

Black Bird Tours Around the World (Chalk Drawing over Collaged Sheet Music)
Located in Hudson, NY
Figurative chalk drawing of grey, black, and teal clouds and birds silhouetted on collaged vintage music pages 'Black Bird Tours Around the World ' by Louise Laplante in 2022 silhouettes made with chalk on vintage collaged music pages 24 x 30 inches unframed, 27.5 x 33.5 inches in natural light wood frame with non-glare plexi Louise Laplante bridges the past and present with mixed media drawings made with figurative charcoal silhouettes juxtaposed on collaged sheets of vintage paper. Finding beauty in forgotten or discarded sheets of ephemera, Laplante uses it as a guide for playful compositions of stenciled birds in mid-flight, drifting feathers, or taxidermized deer heads in rich pastel. A final burst of wistful linework glides over the pastel forms, accentuating her subject’s movement while adding another layer of texture. In this particular work, the artist using a palette of black, grey and shades of blue and teal to compose a balanced graphic of fluffy clouds extending above a single black bird. In certain segments the stenciled images are delicately brushed over with a thin wisp of chalk which adds a delicate textured effect to the drawing. The drawing is framed with a light wood frame and has non-glare plexi glass galzing. About the artist: Interested in blending the old world with the new, mixed media artist Louise Laplante combines her original images with ephemera of the past, enticing a conversation about it’s “relevancy to the present.” Her compositions begin with vintage book pages, personal handwritten letters, sheet music, or instruction from old guides on etiquette or science. While the text itself is weighted with reference to a particular subject, the visual of the typed or handwritten words and printed illustrations establish a unique pattern. These layered backgrounds are superimposed with opaque charcoal drawings that are inspired by the themes read between the lines. Most recently, the artist has opted for larger scale work, combining multiple sheets of vintage paper to expand her unique motifs. Laplante exhibits across the Northeast and has shown with Carrie Haddad for more than ten years. Artist Statement: My work connects the texts, and ideas, in the vintage book, music or correspondence pages, with images those words evoke to comment on how the past still resonates, whether we are aware of it or not. It is informed by my love for old paper, letters, books and images, both as reminders of the past and as bits of pattern, tone, line and shape. The text on them acts as both content and visual device. With each work, I select, arrange and collage these pieces creating both a support and pattern building on it with motifs that are suggested by words on the papers. Although I often start with an agenda I always allow each work to build its own image. Artist Resume: Education MA in Fine Art, State University of New York at Albany, New York BFA, College of New Rochelle, New Rochelle, New York Studied, Art Institute of Boston, Boston, Massachusetts Exhibitions 2019 Mediums of Exchange, Lehman College Art Gallery, Lehman College, CUNY, Bronx, New York 2018 Figures We Fancy, Carrie Haddad Gallery, Hudson, New York Shelter, A.P.E. Gallery, Northampton, Massachusetts Material Flow: Rhythm in Collage and Sculpture, Pratt Gallery, Goddard College, Plainfield, Vermont 2017 Abstractions in Black and White, Gallery 175 Pawtucket, Rhode Island Blanche Ames National, Borderlands, North Easton, Massachusetts Five Points Biennial, Five Points Gallery, Torrington, Connecticut A Declaration of Sentiments: Reflections on the Centennial of Women’s Right to Vote in NYS, Athens Cultural Center, Athens, New York 2016 Winter Exhibit, Carrie Haddad Gallery, Hudson, New York 2015 Boston Biennial 4, Atlantic Gallery, Boston, Massachusetts Drawing, Carrie Haddad Gallery, Hudson, New York Taking Root: Caniskek and the Meeting of Two Worlds, Athens Cultural Center, Athens, New York North Northeast, Brattleboro Museum and Art Center, Brattleboro, Vermont NBMMA 45th Exhibition, New Britain Museum of American Art, New Britain, Connecticut 2014 New Directions ’14, Barrett Art Center, Poughkeepsie, New York Connecticut Women Artists – 85th National, Slater Memorial Museum, Norwich, Connecticut New England Collective V, Galatea Fine Art, Boston, Massachusetts Boston Biennial 3, Atlantic Works Gallery, Boston, Massachusetts 2013 Storytellers and Conjurers, Carrie Haddad Gallery, Hudson, New York 2012 Works on Paper, Carrie Haddad Gallery, Hudson, New York Drawing, b.j. spoke gallery, Huntington, New York Strange Glue, Thompson Gallery, Weston, Massachusetts Silhouette, A.P.E., Northampton, Massachusetts The Cadence of Familiarity, Krauss Gallery, Providence, Rhode Island 2011 20th Anniversary Exhibition, Carrie Haddad Gallery, Hudson, New York Paperworks, Paper City Studios, Holyoke, Massachusetts Small Works, Towne Gallery, Wheelock College, Boston, Massachusetts 2010 Text/Context, McCoy Gallery, Merrimack College, North Andover, Massachusetts A Community of Artists, Danforth Museum of Art, Framingham, Massachusetts Here and Gone: Presence, Absence, Memory and Time, Amy H. Carberry Fine Art Gallery, Springfield Technical Community College, Springfield, Massachusetts 2009 Dreamscape, Carrie Haddad Gallery, Hudson, New York 2008 Small ’08, Wunderarts Gallery, Amherst, Massachusetts Interaction: Louise Laplante and Liz Chalfin, Wunderarts Gallery, Amherst Massachusetts Artists and Books, Art Complex Museum, Duxbury, Massachusetts One Night, Pivot Gallery, Florence, Massachusetts 2007 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Biennial 2007, New Hampshire Art Institute, Manchester, New Hampshire Salon, Clark Gallery, Lincoln, Massachusetts 2006 Small: 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Salon, Clark Gallery, Lincoln, Massachusetts 2004 On Paper, Carrie Haddad Gallery, Hudson, New York Encaustics, Carrie Haddad Gallery, Hudson, New York New Acquisitions, University Gallery, University of Massachusetts, Amherst, Massachusetts 2003 Hart Gallery...
Category

2010s Contemporary Animal Drawings and Watercolors

Materials

Paper, Chalk

Spirit (Jaguar)
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...
Category

2010s Contemporary Animal Drawings and Watercolors

Materials

Oil, Wood Panel

Savanna (Zebras)
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...
Category

2010s Contemporary Animal Drawings and Watercolors

Materials

Oil, Wood Panel

Water Color on paper, Red, Yellow by Mid Career Pratul Dash Artist "In Stock"
Located in Kolkata, West Bengal
Pratul Dash - Untitled - 30 X 40 inches (unframed size) Mixed Media on Acid free paper Will be shipped flat. Pratul’s watercolours reflects his concerns about the environment as ...
Category

Early 2000s Contemporary Still-life Paintings

Materials

Watercolor, Paper

Approach (Horse)
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...
Category

2010s Contemporary Animal Drawings and Watercolors

Materials

Oil, Wood Panel

Sumatran 1 (Tiger)
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...
Category

2010s Contemporary Animal Drawings and Watercolors

Materials

Wood Panel, Oil

Original Pastel Drawing of Horse Race at Royal Ascot 2002 with Golan & Nayef
Located in Preston, GB
Original Pastel Drawing on Paper of Horse Race at Royal Ascot 2002 with Golan & Nayef Art measures 25 x 18 inches Frame measures 33 x 26 inches Nayef was pipped by Golan in the 2...
Category

Late 20th Century Contemporary Animal Drawings and Watercolors

Materials

Oil Pastel, Paper, Pastel

Sumatran 2 (Tiger)
Located in Hudson, NY
This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...
Category

2010s Contemporary Animal Drawings and Watercolors

Materials

Oil, Wood Panel

Gucci Ray - Sumi Ink on Mulberry Paper, Original Artwork, Gyotaku Style
Located in Chicago, IL
Designers have an wide reach through out the world but have yet to reach the depths of the ocean. Artist Jeff Conroy has created this Gyotaku print of large ray entitled simply "Gucci Ray" to fill that void. To achieve this remarkable painting, the artist applies sumi ink to a sting ray he caught himself on Florida's Gulf Coast, then "prints" it onto Marbled Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Gucci Ray sumi ink and watercolor on mulberry paper 37h x 25w in 93.98h x 63.50w cm JEC088 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Watercolor, Mulberry Paper, Sumi Ink

Cheetahpus - Gyotaku Style Japanese Sumi Ink Painting, Cheetah Patterned Octopus
Located in Chicago, IL
A newly discovered sea creature?? No, just an imaginative artist creating a Gyo-Tako print of large octopus by Jeff Conroy entitled "Cheetahpus". To achieve this remarkable painting, the artist inks the octopus using traditional sumi ink then "prints" it onto Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Cheetahpus sumi ink and watercolor on archival kraft paper 25h x 36.50w in 63.50h x 92.71w cm JEC080 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Sumi Ink, Watercolor, Mulberry Paper

Big Red Bug - Gyotaku Red Lobster Painting on Marbled Mulberry Paper
Located in Chicago, IL
Locals know them as "bugs". A small bug is a one pound lobster. Artist Jeff Conroy was able to print this "bug" - a behemoth weighing in at almost 8 pounds aptly named "Big Bug". The artist uses a style of gyotaku printing which uses various inks directly on a fish (or in this case, a lobster) and then "prints" it to paper. Here he has used acrylic to print this monster on mulberry paper. This work is unframed. Please contact the gallery for framing options. Jeff Conroy Big Red Bug...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Acrylic, Paper

Hawk black & white pencil drawing, Italian contemporary painter
Located in Milan, IT
Giorgia Oldano is a young Italian artist specialized in wildlife. She masters drawing and monotype. In order to construct her paintings, the artist travels a lot around Italy and the...
Category

2010s Contemporary Animal Drawings and Watercolors

Materials

Paper, Graphite

Two Black Drums - Japanese Style Gyotaku Painting on Mulberry Paper of Two Fish
Located in Chicago, IL
Artist Jeff Conroy is an avid fisherman. He is also an accomplished artist. He brought these two disciplines together by learning the art of Gyotaku Painting. After having caught ...
Category

21st Century and Contemporary Contemporary Animal Paintings

Materials

Sumi Ink, Watercolor, Mulberry Paper

Black and white pencil drawing of rare brazilian birds by master italian painter
Located in Milan, IT
Giorgia Oldano is a young Italian artist specialized in wildlife and avian drawings. She is regularly invited to exhibit at Bird in Art, Leigh Yawkey Woodson Art Museum (Winsconsin)...
Category

2010s Realist Animal Drawings and Watercolors

Materials

Paper, Graphite

Six Goats, Modernist Goat Animal Portrait Series
Located in Soquel, CA
Playful portraits of six goats, a series arranged in panels, by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in an off-white mat. No frame. Ima...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Watercolor, Pencil, Color Pencil, Paper

Big Mack Attack - Striped Bass Eating a Mackerel, Watercolor on Mulberry Paper
Located in Chicago, IL
A large striped bass is about to devour two small mackerel in Jeff Conroy's watercolor entitled "Big Mack Attack". The fish are painted with the preci...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Watercolor, Paper

Grape of Wrath - Gyotaku Style Japanese Sumi Ink Painting, Large Purple Octopus
Located in Chicago, IL
A Gyo-Tako print of large octopus is seen here in Jeff Conroy's work entitled "Grapes of Wrath". To achieve this remarkable painting, the artist inks...
Category

21st Century and Contemporary Contemporary Animal Drawings and Watercolors

Materials

Sumi Ink, Watercolor, Mulberry Paper

'Quail and Sophie' Watercolour By Andrea Clarkson
Located in Bristol, CT
Art Sz: 21"H x 28 1/4"W Frame Sz: 29 1/2"H x 36 1/4"W Signed 'Andrea Clarkson' l.l., watercolour
Category

20th Century Animal Drawings and Watercolors

Materials

Watercolor

William Taunton (1834-1907) - 1969 Watercolour, Drover and Cattle
Located in Corsham, GB
A fine watercolour depiction of a cattle drover on horseback moving a herd of cows along a woodland path. Signed to the lower right. On wove.
Category

20th Century Animal Drawings and Watercolors

Materials

Watercolor

Early 20th Century Gouache - Birds Among Blossom
Located in Corsham, GB
A very pretty and highly decorative scene in gouache on silk. The gouache retains its natural matte brightness. Japanese birds flit around the flowers in pairs, appearing to be court...
Category

20th Century Animal Drawings and Watercolors

Materials

Gouache

Antilope by Jean Poulain
Located in Pasadena, CA
Jean Poulain 1884-1967 Jean Poulain was born in 1884 in Katanga (formerly Belgian Congo). The self-taught artist from an early age, he will be in search of all the emotions and beau...
Category

1940s Other Art Style Figurative Drawings and Watercolors

Materials

Carbon Pencil

Lily and Bird
Located in New York, NY
Silverpoint and colored pencil on paper, 29 x 23 in. Signed (at lower right): Joseph Stella Executed about 1919 EXHIBITED: Hirschl & Adler Galleries, New York, November 23, 1985–January 4, 1986, American Masterworks on Paper: Drawings, Watercolors, and Prints, pp. 6, 46 no. 47 illus. // (probably) Richard York Gallery, New York, October 5–November 17, 1990, Joseph Stella: 100 Works on Paper, no. 36 EX COLL.: [Dudensing Galleries, New York]; sale, Christie’s, New York, December 7, 1984, lot 324; [Hirschl & Adler Galleries, New York, 1984]; to private collection, 2006 until the present An independent-minded artist who adhered to the credo “Rules don’t exist,” Joseph Stella explored a range of styles, media, and themes, willfully ignoring the “barricades erected by ... [the] self-appointed dictators” of the art establishment (Joseph Stella, “On Painting,” Broom 11 [December 1921], pp. 122–23; Joseph Stella, “Discovery of America: Autobiographical Notes,” Art News 59 [November 1960], p. 41). By doing so, he produced a diverse and highly eclectic body of work, ranging from realist figure subjects, pulsating Futurist cityscapes, and modernist religious...
Category

Early 20th Century American Modern Animal Drawings and Watercolors

Materials

Color Pencil, Paper

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