Ernest Rouart

The Feline and the Ox - Original Pencil Drawing by Ernest Rouart - Early 1900

1900

The Donkey is an artwok realized by the French Artist Paul Emile Colin . Pencil Drawing on paper. Signed on plate "Atelier P.E. Colin" on the right corner. ...

The Horse Rider In The Meadow is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil. Good conditions. The artwork is re...

The Feline is an original pencil drawing on paper realized by Ernest Rouart by the turn of the XX century. This drawing is hand-signed by the artist in red pen on the lower left. In...

Dead Rat is an original Contemporary pencil drawing realized in 1971 by Leo Guida. Original Drawing on paper. Dimensions: cm 28 x 33. Hand-signed and dated on the lower right corn...

The Crow is an original Contemporary artwork realized in 1972 by the italian artist Leo Guida. Hand-signed and dated in pencil on the lower right corner: Leo Guida '72. Original P...

Lemur is an original drawing in pencil realized by Leo Guida in 1971. Good condition. Hand-signed. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements and hi...

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Mixed media surrealistic, fantasy drawing by Polish artist Małgorzata Kwiecińska PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative fo...

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Panthère dans les bambous, 1926 Gouache, or et traits de crayon sur papier Signé et daté en bas à droite 15 x 15 cm (sujet) Panther in the bamboos, 1926 Gouache, pencil and gold on paper Signed and dated to the lower right Provenance Collection particulière, France - Private collection, France Bibliographie/Literature : Emmanuel Bréon "Gaston Suisse, splendeur du laque art déco", Somogy Editions d'art, Paris 2013, oeuvre décrite et reproduite page 104. (l’oeuvre décrite et reproduite est la lithographie tirée d'après l’oeuvre originale que nous présentons.) Nous présentons ici l'oeuvre originale à la gouache, or et crayon de la panthère noire. L’artiste en réalisa une gravure sur bois dont il tira lui-même une vingtaine d’épreuve. Ces épreuves ne furent pas commercialisées telles quelles, Gaston Suisse reprit chacune des épreuves en utilisant des lavis d’encre de Chine et des ors de différentes couleurs, afin d’obtenir des effets différents pour chaque épreuve, qui sont donc des œuvres originales uniques. We present here the original work in gouache, gold and pencil of the black panther. From this original, the artist made a wood engraving of which he made about twenty prints himself. These proofs were not marketed as they were, Gaston Suisse reworked each of the proofs using Indian ink washes and golds of different colors, in order to obtain different effects for each proof, which are thus unique original works. Born in 1896 in a family of artists, his father Georges was a close friend of Siegfried Bing and a great lover of Japanese art and a bibliophile. He passed his taste for art to his son whom he often took to draw at the Botanic Garden . Around 1910, Gaston Suisse, who hasn't entered yet the artistic school, met Paul Jouve, then 18 years his elder, who was already famous. In 1911, at the age of 17, he entered the National School of Decorative Art where he followed the teachings of Paul Renouard. Thanks to his knowledge and taste for the Japanese art, he chose lacquer painting as his specialty. His practice of this noble and demanding subject were so much appreciated that he was awarded with two gold medals in 1913 and 1914. Mobilized during the war , he joined the army and go in Salonika where he found his friend Jouve. In 1918, he finished his studies at the School of Applied Arts in order to perfect his training. He learned in particular the techniques of gilding and oxidation of metals. The first productions of Gaston Suisse, furniture and objects in lacquer with geometrical patterns, were an instant success and Suisse was appointed as member of Salon d'Automne in 1924, the very year of his first exhibition. Considered as an artist-decorator, his sincere and deep friendship with Jouve linked him in parallel with the groups of the animaliers of the Jardin des Plantes and became a close friend of Edouard-Marcel Sandoz. When travelling to Maghreb and Middle-East between 1923 and 1925, he produced numerous drawings representing antelopes, apes and fennec foxes...

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