1940s Animal Drawings and Watercolors

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon ​​​​ HORSES 1947 Gouache on paper 31 X 40 cm. Signed and dated: lower left ‘Quirijn van Tiel 47’. Provena...

Jean Poulain 1884-1967 Jean Poulain was born in 1884 in Katanga (formerly Belgian Congo). The self-taught artist from an early age, he will be in search of all the emotions and beau...

Exquisitely done profile of a cat done with graphite, watercolor and brushed wash by the Norwegian born artist, Charles Hermansen. Signed lower middle. Circa 1940. Condition is very...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon HAAN MET PAARD 1948 Gouache on paper 54 x 40 cm. Signed: lower left Provenance: Private collection, The...

André Masson ( 1896-1987) Pencil study with annotations on the right side, acquired by the previous owner from Luis Masson son of Andrè Masson

Animal Icon Pigment on cloth, c. 1940 Diameter 10" Condition: Cracking to pigment in upper left (see photos) Provenance: Cleveland Museum of Art (57.517) De-Accessed 2013 Made i...

Pedro Pruna Ocerans (1904-1977) - Three drawings - Ink drawing Three framed drawings, one of them signed and dated. Frame measures 20x26 cm. Pere Pruna Ocerans (Barcelona, ​​1904-1977) was a Catalan figurative painter and illustrator. In 1920, at just 17 years old and with hardly any academic training, he traveled to Paris. Sebastián Sunyer provided her with a letter to introduce herself to Pablo Picasso, who was back to order in his classicist period, a style that Pruna would adopt from then on. Under Picasso's protection, he very soon entered the intellectual and artistic circles of the Parisian avant-garde. In 1924 he exhibited with Apel·les Fenosa at the Percier gallery, prefacing the Max Jacob...

Beautiful mid-century 1940's watercolor of a bucolic farmhouse scene - sunset, undulating clouds, and grazing cows - by Thelma Fike Rodenhorst (Americ...

Horses and Carriage is an original artwork realized by a French artist in 1940s. China ink watercolored drawing on ivory paper. Good conditions.

Devant le Chateau une Carrosse Passait is a modern artwork realized by Salvador Dalì in 1945. China Ink drawing on paper. Signed and dated on the lower right recto. Outstanding dr...

Signed lower left, 'Marguerite Bordet' (French, 1909-2014) and painted circa 1940. Additionally signed, verso, titled, 'La Vanite' and inscribed with artist's Paris address in the 16th arrondissement. From an early age, Marguerite Bordet avidly pursued both drawing and painting. In the late 1930's and early '40s, she attended the Académie de la Grande Chaumière in Paris where she studied with the sculptor, Antoniucci Volti (Italian, 1915-1989). After several years, and feeling increasingly disconnected with the academic atmosphere of the Salon, she left to develop her independent artistic style. Bordet's first public exhibition took place at the Galerie Claude (1947) and, for the next forty years, she continued to exhibit widely with success, both throughout France and internationally, including in Cairo (1955), Geneva (1960) and the United States (1966). A 1962 exhibition of her work showed a thematic rejection of the Academy's influence and the artist's shift to a more personal and spiritually driven style. Bordet continued to take frequent study trips to Italy, especially to Florence, where she was inspired by the Renaissance Masters. She also visited England (1975-76) where the works of J.M.W.Turner and John Martin at the Tate Museum had a pronounced impact on her development. In an interview with Hervé Serane, Marguerite Bordet described her artistic process in these words: "I start my painting with spots. Sometimes I cover it completely and everything is dark. But then it's stronger than me, I can't bear that there isn't an opening. Immediately, I place a Light. I need the shadow to bring out the Light. So I start with the shadow to create this Light. I cannot define why I need this Light so much. It's stronger than me. It's something that dominates me without my being able to explain it intellectually. It is for me an absolute necessity to seek the Light in the darkness.. You have to open like you open a window. You have to reveal. I remove the stains that obscure my painting to find the luminous background of the canvas.... I only paint with transparent colors and I apply several layers of glaze to preserve this light." Partial Exhibition Record: 1947 Paris, Galerie Claude 1951 Paris, Galerie Breteau - Cairo, Galerie Adam - Alexandria, l'Atelier 1954 Paris, Galerie Simone Bdinier 1955 Cairo, l'Atelier 1959 Paris, Galerie A. Weil 1960 Geneva, Galerie Motte 1962 Paris, Marignan Gallery 1964 Paris, Ror Volmar Gallery 1966 San Rafael (U.SA) International Museum 1966 Cagnes-sur-Mer, Castle Gallery...

Pepper Brown (1926-1999) Alpine Artist Image Size: 9 x 13 Frame Size: 16 x 20 Medium: Ink Drawing Dated 1942 "Cheyenne Wyoming Frontier Days" Harry Hart W...

"The Chicken", is ink on paper by Denver artist Edward Marecak (1919-1993) from the 1940's of an abstract depiction of a chicken in black and red. Presented in a custom black frame, outer dimensions measure 23 ¾ x 19 ¾ inches. Image size measures 15 ¾ x 11 ½ inches. Drawing is clean and in very good condition - please contact us for a detailed condition report. Provenance: Estate of the Artist, Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. They arranged for his first one-person show outside of Colorado held two years later at the Martin Lowitz Gallery in Beverly Hills and Palm Springs, California. That same year his work was featured at the Zantman Galleries in Carmel, California. Thereafter he became an infrequent exhibitor after the 1970s so that his work was rarely seen outside his basement studio. In 1980 he, his wife and Mark Zamantakis exhibited at Denver’s Jewish Community Center, and four years later he had a one-person show at the Studio Gallery in Denver. In 1992 he was included in a group show at the Rule Modern and Contemporary Gallery in Denver, and a year later received a large, posthumous retrospective at the Emmanuel...

Lioness is a beautiful pencil original drawing on ivory-colored paper, realized in 1940s by the German artist Wilhelm Lorenz, best know as Willi Lorenz. Signed in pencil on lower rig...

Jean Poulain 1884-1967 Jean Poulain was born in 1884 in Katanga (formerly Belgian Congo). The self-taught artist from an early age, he will be in search of all the emotions and beau...

Pepper Brown (1926-1999) Alpine Artist Image Size: 19 x 15.5 Frame Size: 25.5 x 22 Medium: Ink Drawing Jerry Ambler won National Champion 1946-47; 1947 T...

Naturalistic portrait of a horse in colored pencil on paper. The drawing is framed in a wooden frame with a cream trim. The work is signed and dated by the artist in the bottom right corner. Dimensions Without Frame: H 13.5 in. x W 10.5 in. Artist Biography: William Robert Stevenson was born in 20 May 1925 in Eugene, Oregon. His family moved to Minneapolis, MN but he promptly returned to Oregon and Washington during the Great Depression to work in the Works Progress Administration (WPA). Hoping to study Art, his future was sidetracked when he was drafted into the United States Army at age 17 years old in early 1942. Being a strong swimmer, and having worked at stables as a child, he initially served in the last US Cavalry Corps, and also as a Swimming Instructor for the United States Army. Upon the abolition of the Cavalry Corps, he was trained as a Gunnar and Tank Commander for the M-4 Sherman Tank under General Patton...

Signed lower center, 'by Buk' for Eduard Buk Ulreich (American, 1889-1966), dedicated lower center, 'for Ruth' and painted circa 1945. Additionally signed and titled verso 'Navajo Fa...

Cats is an original etching by Marie Paulette Lagosse (1921-1996) in 1948. Signed on the plate on the lower right. The state of preservation of the artwork is good except for some ...

Lying down Tiger is a beautiful pencil original drawing on ivory-colored, realized by the German artist Wilhelm Lorenz, best know as Willi Lorenz, in 1940s. A tiger is portrayed fr...

A stunning ensemble of fiour original mid century illustrations for Herman Melville's "Moby Dick" . Whilst sharing the modernist, stylis...

"Horses and Jockeys" is an original watercolor drawing on ivory-colorated paper by Antonio Vangelli (1917-2003), in 1948. In very good conditions. Sheet dimension: 34.5 x 49.5 cm...

Signed lower right, in graphite, 'Frances Pratt' (American, 1913-2003) and dated 1947. Born in Glen Ridge, New Jersey, Frances Pratt moved to New York City where she studied at the New York School of Applied Design for Woman (1930-33), and, subsequently, at the Arts Students League (1933-35). She then met her first husband, Christopher Ritter, with whom she opened Laurel Gallery in Greenwich Village and printed the Laurel Folios. Frances Pratt taught drawing and painting at the Ballard School from 1942 into the early 1950's. She also taught mixed media and watercolor techniques at the Parsons...

Pepper Brown (1926-1999) Alpine Artist Image Size: 9 x 13 Frame Size: 15 x 18.75 Medium: Ink Drawing Dated 1942 "Roy Matthews Calf Roping"

Study of Animals is a beautiful pencil original drawing on ivory-colored paper, realized in 1974 by the German artist Wilhelm Lorenz, best know as Willi Lorenz. Signed and dated " Willi Lorenz, München '74" in pencil on lower right margin. This is a preparatory study representing the profiles of a big...

circa 1940s watercolour depicting two racehorses with their jockeys in vivid racing silks Signed JD Reyala (LL) Image Sz: 10"H x 12"W Frame Sz: 15"H x 17"W

Lion is a beautiful charcoal original drawing on ivory-colored paper, realized by the German artist Wilhelm Lorenz, best know as Willi Lorenz (German, 1901–1981), in 1971. Signed and...

Lions is an original drawing in pencil Willy Lorenz in 1947. Hand-signed on the lower left and dated. The State of preservation is very good except for ...

MARINO MARINI 1901-1980 Pistoia, Italy 1901-1980 Viareggio, Italy (Italian) Title: Jugglers and Horse Giocolieri e Cavallo, 1943 Technique: Double-sided Hand Signed and Dated Pencil, Watercolour and Gouache on Thin Card Paper size: 49 x 34.5 cm. / 19.3 x 13.6 in. Additional information: This pencil, watercolour and gouache work is hand signed and dated in pencil by the artist "Locarno 1943 Marino" in the lower left image. It is also signed in ink "Marino" in the lower right image. The drawing was created in Locarno in 1943. Furthermore, there is a sketch of Horse...

Profile of a Lion is a beautiful charcoal original drawing on pink paper, realized by the German artist Wilhelm Lorenz, best know as Willi Lorenz (German, 1901–1981). Signed in penci...

Pepper Brown (1926-1999) Alpine Artist Image Size: 9.5 x 9.25 Frame Size: 15.5 x 19 Medium: Ink Drawing Dated 1942 "Boots Mansfield Calf Roping" Tie- Dow...

Profile of a Tiger is beautiful original charcoal drawing on ivory-colored paper, realized by the German artist Wilhelm Lorenz in 1940s, best know as Willi Lorenz (German, 1901–1981)...

Foreground of a Lion is a beautiful charcoal original drawing on paper, realized by the German artist Wilhelm Lorenz, best know as Willi Lorenz (German, 1901–1981), in 1940s. This wonderful study for a foreground of profile of a lion is accompanied by two rapid sketches of the silhouette and of the muzzle of the feline, is realized with incredible draftsmanship and realism. This modern artwork, in excellent conditions except for the usual stain of the charcoal, is a really perfect decor for your home able to give your furniture a touch of wildness and exotism. Wilhelm (Willi) Lorenz (German, 1901–1981) Wilhelm Lorenz that signed Willi Lorenz, was a German painter specialized in paintings of animals typically hunted as game. His highly detailed oil paintings evoke the texture and movement of animals like boars, foxes, bisons or lions depicted in their natural habitats and attitudes. His artworks...

Roaring Tiger is a beautiful pencil original drawing on ivory-colored paper, realized in 1940s by the German artist Wilhelm Lorenz, best know as Willi Lorenz. Signed in pencil on lower right margin. This is a wonderful study representing a crouched tiger roaring, realized with a fat pencil and with the incredible freshness of line and realism. This modern artwork is in very good conditions, except for some minor pencil stains on lower margin. This is a really perfect artwork for your sophisticated home able to give your furniture a touch of wildness and exotism. Wilhelm (Willi) Lorenz (German, 1901–1981) Wilhelm Lorenz that signed Willi Lorenz, was a German painter specialized in paintings of animals typically hunted as game. His highly detailed oil paintings evoke the texture and movement of animals like boars, foxes, bisons or lions depicted in their natural habitats and attitudes. His artworks bears...

Pepper Brown (1926-1999) Alpine Artist Image Size: 9.5 x 13.25 Frame Size: 15.5 x 19 Medium: Ink Drawing Dated 1942 "Jim Whiteman Riding a Bull"

Study of Felines is an amazing pencil original drawing on ivory-colored paper, realized in 1940s by the German artist Wilhelm Lorenz, best know as Willi Lorenz. This is a preparatory study representing a lion and three lionesses in typical felines postures and attitudes, realized with a fat pencil and with the incredible freshness of line and realism. This modern artwork is in very good conditions, except for a usual yellowing of the paper at the edges. This is a really perfect artwork for your sophisticated home able to give your furniture a touch of wildness and exotism. Wilhelm (Willi) Lorenz (German, 1901–1981) Wilhelm Lorenz that signed Willi Lorenz, was a German painter specialized in paintings of animals typically hunted as game. His highly detailed oil paintings evoke the texture and movement of animals like boars, foxes, bisons or lions depicted in their natural habitats and attitudes. His artworks...

Insetto is an original artwork realized by Ivan Mosca in 1945. Original Drawing. Colored pencils on cardboard. Hand-signed and titled by the artist on the lower right corner. Very good conditions. Very fresh and delicate artwork representing an insect in foreground realized with colored pens. Ivan Mosca (Parma, 1915 - Rome, 2005) was an Italian artist and painter. He moved to Milan where he attended the School of Book and the Istituto Superiore per le Industrie Artistiche in Monza. He was interested by the abstract art and met the artists of the Gallery "Il Milione", such as Osvaldo Licini...

Jean Poulain 1884-1967 Jean Poulain was born in 1884 in Katanga (formerly Belgian Congo). The self-taught artist from an early age, he will be in search of all the emotions and beau...

Pencil drawing of splendid peacocks resting peacefully beside a glistening pond and willow tree. Signed and dated 1942 lower right. Displayed on a white mat with a gold border and ...

Just discovered, a rare, mixed media watercolor painting by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific and exhibited throughout his lifetime, inclu...

This work is accompanied by a letter of opinion from the Milton and Sally Avery Arts Foundation, New York. signed Milton Avery (lower right) Born in Sand...

Pepper Brown (1926-1999) Alpine Artist Image Size: 12.25 x 9.25 Frame Size: 18 x 15.5 Medium: Watercolor Dated 1942 "Bronc Rider" Rodeo

We are proud to present a just arrived series of original pen and ink and ink wash drawings by Austrian/American artist Gustav Rehberger. These works were acquired directly from the ...

We are proud to present a just arrived series of original pen and ink and ink wash drawings by Austrian/American artist Gustav Rehberger. These works were acquired directly from the ...

We are proud to present a just arrived series of original pen and ink and ink wash drawings by Austrian/American artist Gustav Rehberger. These works were acquired directly from the ...

We are proud to present a just arrived series of original pen and ink and ink wash drawings by Austrian/American artist Gustav Rehberger. These works were acquired directly from the ...