Mid-20th Century Animal Drawings and Watercolors

Title: Bullfighting Scene Artist: Roberto Domingo Technique: Gouache on paper Dimensions: 7 x 10 in (14 x 17.3 in with frame) Period: 1930s Style: Spanish Impressionism with Post-Impressionist influence Condition: Framed in a classic wooden frame Theme: Bullfighting scene Description of the Artwork "Bullfighting Scene" by Roberto Domingo is a vibrant and dynamic depiction of a typical moment in a bullring. The composition captures the drama and intensity of the moment, with a mounted picador on a striking white horse as the centerpiece, flanked by a matador and assistants preparing for the spectacle. The artwork radiates energy through swift and loose brushstrokes, imbuing the scene with movement and vitality. Domingo’s style emphasizes visual synthesis, focusing on color and form rather than meticulous detail to convey the atmosphere of the bullfighting arena. Warm tones dominate, with vibrant yellows and reds contrasting against the grays and whites of the horse and costumes, creating a captivating chromatic interplay. The classic frame adds sobriety and balance to the piece, further highlighting the expressive power of the gouache. Biography of the Artist Roberto Domingo Fallola (1883-1956), born in Paris, was a renowned painter and illustrator of Spanish descent. The son of the celebrated bullfighting painter Vicente Domingo, he inherited a passion for bullfights and became one of the leading exponents of bullfighting art...

Immerse yourself in the beauty of the American Southwest with this stunning vintage painting by renowned artist Lloyd Moylan (1893–1963). This masterful watercolor and gouache on pap...

Mountain Trail John Wade Hampton, American (1918–1999) Date: 1969 Ink and Watercolor on board, signed lower left Size: 9 x 13.75 in. (22.86 x 34.93 cm)

Devant le Chateau une Carrosse Passait is a modern artwork realized by Salvador Dalì in 1945. China Ink drawing on paper. Signed and dated on the lower right recto. Outstanding dr...

Eve Nethercott, American (1925 - 2015) - Pheasant (P6.21), Year: circa 1958, Medium: Watercolor on Paper, Size: 22 x 29 in. (55.88 x 73.66 cm), Description: A unique watercol...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Signed & Dated Lower Right. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

This is a complicated drawing, even for Morris Graves (1910-2001), known as the Mystical Painter of Nature. Graves tried to be sensitive to the slightest tremor or breeze that a sma...

Mid Century figurative landscape of a cowboy on his horse at sundown titled "Head Em Home" by Stanley M. Long (American, 1892-1972). Signed “Stanley M. Long” in bottom right corner. Displayed in a simple wood frame and off-white mat with glass. Image size: 22.75”H x 30.25”L. Frame is 1.5" deep. Stanley M. Long was a watercolorist who was born in Oakland, CA on May 4, 1892. He spent his childhood on a ranch in Napa where he broke wild horses. He began sketching when quite young and at age 15 enrolled at the San Francisco Institute of Art. He continued at the California College of Arts and Crafts, where he was awarded a scholarship for further study at Académie Julian in Paris. Long served in the camouflage corps in both world wars. Long taught art in San Francisco at Mission High School and for 17 years at Polytechnic High School. His western illustrations were featured in Sunset Magazine and the Los Angeles Times. Having worked with horses all his life, they were to become the main theme of his paintings. Member: Society of Western Artists, Napa Valley Art...

This artwork titled "Brittany Spaniel and Pheasant" c.1950, in a watercolor on paper by Russian/French artist Jean Herblet A.K.A. Boris O'Klein, 1887-1983. It is signed at the lower left corner by the artist. The artwork size is 17.5 x 13.5 inches, framed size is 21.5 x 17.5 inches. Framed in original wood frame, with brown/green velvet liner. It is in excellent condition, The velvet is slightly damaged at the upper left corner, see picture #8. About the artist: Boris O'Klein, born Arthur Boris O'Klein a French artist and cartoonist. An anthropomorphic artist, he is known for his numerous prints and watercolors of dogs getting up to mischief. The prints are generally called "The Naughty Dogs" or "The Dirty Dogs" or "The Dirty Dogs of Paris...

Ricard Opisso - Dogs - Mixed media Drawing measurements 23x28 cm. Frame measurements 35x40 cm. Son of Alfredo Opisso y Viñas, journalist, historian and critic, and of Antonia Sala y Gil, his sister Regina Opisso, was also a writer. He comes from an enlightened family full of artists. His paternal grandfather was Josep Opisso y Roig, journalist and director of the Diari de Tarragona, father of the also writers Antonia Opisso y Viña and Antoni Opisso y Viña. His maternal great-grandfather was the painter Pere Pau Montaña, his maternal grandfather the fabulist Felipe Jacinto Sala and his maternal uncle, the painter Emilio Sala y Francés. His nephew was Arturo Llorens y Opisso, a writer better known under his pseudonym Arturo Llopis. Although he was born in Tarragona, his family moved to Barcelona when Opisso was only two years old. In modernist Barcelona at the end of the 19th century, Opisso worked as an assistant to Antonio Gaudí in the works of the Sagrada Familia in Barcelona since 1892. He was linked to the group Els Quatre Gats, along with Ramón Casas, Manuel Hugué, Isidre Nonell...

This beautiful drawing is hand-signed and dated. Image Dimensions : 14 x 22.5cm

Andre Dunoyer de Segonzac (French, 1884-1974) Pen & Ink "Chickens" c.1930's Original pen and ink by listed French artist Andre Dunoyer de Segonzac. A mother hen with her babies. A ...

André Masson ( 1896-1987) Pencil study with annotations on the right side, acquired by the previous owner from Luis Masson son of Andrè Masson

A stunning ensemble of fiour original mid century illustrations for Herman Melville's "Moby Dick" . Whilst sharing the modernist, stylis...

Signed lower center, 'by Buk' for Eduard Buk Ulreich (American, 1889-1966), dedicated lower center, 'for Ruth' and painted circa 1945. Additionally signed and titled verso 'Navajo Fa...

Morris Graves Offering, 1957 Signed and dated lower right Sumi ink wash and gold leaf on paper 18 x 13 3/8 inches Born in Fox Valley, Oregon in 1910, Morris Graves was a leading proponent of the Northwest School...

'Landscape with Man and Goats', gouache on paper, by Raymond Guerrier (circa 1960s). After the artist moved from Paris to the South of France, he started painting landscapes illumina...

Jean Lurcat,New York, France, 1892-1966 Depicts a highly stylized, expressionist owl bird figure hidden in leaves surrounded by bright, vibrant, vivid blue, yellow, and orange colors...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). A Three Horse Race, 1963. Gouache & Watercolor. Signed & Dated Lower Left. Image size 15.6 inches x 21.5 inches ( 39.5cm x 54...

Indian miniature showing Krishna, cows and the gopis (girls) Watercolour on paper, c mid 20th century Size Mounted: 33 x 22 cm Image Size: 24.2 x 13.4 cm Signed bottom right with a...

Maurice Freed (American, 1911-1981) Dog Walking Watercolor on board, 8 x 12 1/2 inches FRAMED: 14 1/2 x 18 1/2 inches (approx.) Signed at lower left: “MAURICE FREED” Maurice Freed...

A stylized cat named Babette is depicted licking her paw. It is rendered in black and white, which bears the influence of Asian art in its simplicity of line, use of wash, and bleedi...

The Dog is a drawing on paper realized by an anonymous artist in the 1950s. Pen Drawing Good conditions and aged.

PETER BEARD (1938–2020, USA) Elui with World Record Cow Elephant Tusk, 47 lbs., Marsabit Forest, Kenya, 1962/2006 Color print with gelatin silver print collage, watercolor, tempera paint, ink Sheet 141 x 108,6 cm (55 1/2 x 42 3/4 in.) Unique Signed recto and verso in ink Peter Beard (1938–2020) was an American artist who lived and worked in New York and Kenya. In Africa Peter Beard found the central theme of his life, the destruction of the natural animal world by man and civilization. His photographs of Africa, African animals and the journals that often integrate his photographs have been widely shown and published since the 1960s. Inspired by earlier trips to Africa in both 1955 and 1960, Beard traveled to Kenya upon graduation. Working at Tsavo National Park, he photographed and documented the demise of 35,000 elephants and other wildlife, later to become the subject of his iconic book, “The End of the Game...

John Rattenbury Skeaping. English ( b.1901 - d.1990 ). On The Gallops, 1976. Gouache & Watercolor. Signed & Dated Lower Right. Image size 18.5 inches x 26.8 inches ( 47cm x 68cm )....

William Sommer (American, 1867-1949) Tyrannus, c. 1935 Watercolor and pen and ink on paper Signed lower right 7.5 x 9.5 inches 16 x 18 inches, framed William Sommer is seen as a ke...

Blue Swans Scottie Wilson, (1891-1972) Creation Date: circa 1960 Color Pencil on Paper, mounted to board, signed lower right Size: 25.75 x 17.75 in. (65.41 x 45.09 cm) Frame Size: 27...

French artist Etienne Poirier (1919-2002) designed this stunning modernist drawing. This artwork is a proud rooster drawn in charcoal on paper. Because...

Frank Weston Benson (1862-1951) Massachusetts Image Size: 15.5 x 15.5 Frame Size: 23.25 x 27.25 Medium: Charcoal on Paper Dated 1930 "Two Mallards Biography Frank Weston Benson (1862...

From a series of paintings by Clifford Ellis. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - o...

A set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Two are signed by the artist to the bottom righ...

John Teyral (American, 1912-1999) Marrakech, 1937 Watercolor on paper Signed, dated and titled upper right 12 x 14 inches 19 x 21.5 inches, framed John Teyral was one of Cleveland'...

Signed in pencil. Blanche Grambs, whose career started with the WPA, later developed a career in illustration. This drawing, watercolor and ink on trac...

'Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards...

Portrait of Dog is an original pencil drawing realized by an artist of the mid 20th Century. Good condition, no signature. On a white cardboard.

'Bird & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 5 1/4 x 3 1/4 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...

WPA Post Office Mural Study Native American Scene Regionalism Social Realism Louise Emerson Ronnebeck (1901 - 1980) Proposal Sketch for Worland Wyoming Post Office WPA Mural Project Image: 7 x 15 inches Board 14 x 22 inches Watercolor on paper, attached to black/gray cardboard/thick paper c. 1937 Signed lower right Written in Louise's hand on mounting paper in white chalk/pencil: "Sketch for Mural...

Summertime in Martha's Vineyard is drenched in saturated yellows and reds. People in the foreground look out to the sea. Two people on horseback are masterfully rendered in a loose ...

We're pleased to showcase Mexican Master Rufino Tamayo's work on paper. Flying Bird portrays a bird flying over the mountains. Rufino Tamayo created this modernist and minimalist dra...

Lion is a beautiful charcoal original drawing on ivory-colored paper, realized by the German artist Wilhelm Lorenz, best know as Willi Lorenz (German, 1901–1981), in 1971. Signed and...

"Equestrian Horseman" is a mixed media on paper by LeRoy Neiman. The artwork is signed lower right, "Leroy Neiman '66". The framed piece measures 40 3/4 x 46 1/2 x 1 1/2 in. LeRoy N...

SALE ONE WEEK ONLY "Song of Songs Illustration" renders an important bibilical story that is celebrated during Jewish Passover. Song of Solomon, also called Canticle of Canticles, or Song of Songs, an Old Testament...

Pigs on a Trolley - Vintage Picture Book Two-Page Spread Illustration A two-page spread in India ink pen and watercolor by Irene Pattinson (Ameri...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Signed bottom left. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

Original Painting Undersea Whale Life Mag Published 1953 Illustration Ocean Sea Antonio Petruccelli (1907 – 1994) Underwater Whale Life Illustration published, c. November 7, 1953 1...

Signed lower right: John Whorf Provenance Seattle Art Museum Collection Golden Eagles amply demonstrates John Whorf’s expert handling of the watercolor medium. The fluidity of his ...

Work on paper

Pencil drawing of splendid peacocks resting peacefully beside a glistening pond and willow tree. Signed and dated 1942 lower right. Displayed on a white mat with a gold border and ...

The iconic subject matter from Botke's oeuvre often features birds, particularly white peacocks, geese, egrets, and cockatoos. Women artists are on fire and very much in demand today...

Study of lion is a beautiful original drawing on ivory-colored paper realized in the mid-20th Century by the German artist Wilhelm Lorenz, also known as Willi Lorenz. Hand-signed o...

Horses is an original drawing realized by Domenico Purificato in 1952. Black and white pen drawing. Hand-signed and dated on the lower right. Th...

Original 1933 drawing, "Pinto" by New Mexico modernist, Hilaire Hiler (1898-1966), black and white line drawing of a Native American Indian figure wearing a feather bonnet headdress on horseback. Ink on vellum, signed lower right. Custom framing is available. About the Artist: Hilaire Hiler was born in St. Paul, Minnesota, and was raised in Providence, Rhode Island. Hiler took art classes as a child at the Rhode Island School of Design. When he was older, Hiler studied at the Pennsylvania Academy of the Fine Arts, the Pennsylvania School of Industrial Art, Wharton School of Finance and Commerce, and William Server’s studio. He also studied at the University of Pennsylvania, the University of Denver, Golden State University, and National College in Ontario, Canada. He continued on to France, studying at the University of Paris in 1919. Hiler lived in Paris from 1919-1934, supporting himself as a jazz musician and a piano player for The Jockey Club. Hiler moved back to America in 1934, settling in San Francisco. He was commissioned by the Works Progress Administration to paint murals in the Aquatic Park...

JACQUES LIPCHITZ Study for Bull and Condor, 1964 Original Ink on gouache on Paper drawing and signed lower left front Unique Held in the original vintage frame This work is from th...

Judith Brown (December 17, 1931 – May 11, 1992) was a dancer and a sculptor who was drawn to images of the body in motion and its effect on the cloth surrounding it. She welded crushed automobile scrap metal into energetic moving torsos, horses, and flying draperies. Brown attended Sarah Lawrence College in Yonkers, New York (B.A., 1954), where she learned to weld from her teacher, Theodore Roszak, a pioneering abstract expressionist sculptor. This is done in a style similar to Leonard Baskin. Select Commissions Mural Sculpture, Lobby, Louisville Radio Station WAVE Fountain, commissioned by Architectural Interiors, New York City Model, designed and executed for Festival of Two Worlds, Spoleto, Italy Sculpture, designed for Electra Film Productions, NYC Noah's Ark, exhibited at Bronx Zoo, New York City, at Rochester Museum and Science Center, Rochester, New York, and at Hopkins Center, Hanover, New Hampshire Store Windows, executed Tiffany & Company Windows, New York City, Christmas 1957, 1959, 1962, October 1969, Spring 1979, and October 1980 Wall Sculptures: for Youngstown Research Center (1963-4), commissioned by Youngstown Steel Company, Youngstown, Ohio; for Hecht and Company, Landmark Shopping Center, Alexandria, Virginia, Daniel Schwartzman, Architect; for Lobby, 570 Seventh Avenue, New York City, Giorgio Cavaglieri, Architect; for Lobby, Cities Service Company's New Research Center, Cranbury, New Jersey; for Ottauquechee Health Center, Woodstock, Vermont Eternal Lights: for Congregation Beth-El, South Orange, New Jersey; for Congregation Sharey Tefilo, East Orange, New Jersey Menorahs: commissioned by Architect Fritz Nathan for the Permanent Collection of the Jewish Museum, New York City; commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts; commissioned by Jules Scherman, of Wisteria Press, Inc., New York City Altar Cross, commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts Landscape, Memorial Piece for Gustave Heller, YM-YWCA, Essex County, New Jersey Memorial Plaque for Robert A. Ferguson, Westchester County Airport, Purchase, New York Sculpture for Vice President's office, Atlantic Richfield Company, New York City Bronze Relief Sculpture for Gymnasium Lobby, South Richmond High School, Staten Island, New York, Daniel Schwartzman, Architect Poster, Stratton Arts Festival, Stratton, Vermont Medallion, commissioned by Brandeis University National Women's Committee, New York City Model for Fountain for the Plaza at Windsor, Vermont Bronze Sculpture, commissioned by Intramural, Inc. for Building Lobby, N/E Cor. 79th Street and Second Avenue, New York City Presentation Piece, commissioned by Graphic Arts Associates of Delaware Valley, Philadelphia, Pennsylvania Wall Mural, Noah's Ark, Roosevelt Hospital, New York City 1977: Designed and executed Hanes Hosiery "Million Dollar Award"; Designed and executed "Old Spice" Smart Ship Award 1978: Commissioned to design and execute the "Walter White Award" for the NAACP for presentation to Hubert Humphrey; Commissioned to design and execute the Award for the Honorees of the National Board YWCA's First Tribute to Women in International Industry 1979: Designed and executed Jewelry for the Museum of Modern Art, New York City; Designed and executed limited edition of Mazuzas for Brandeis University-National Women's Committee, New York City 1980: Bronze Cross commissioned for St. James Episcopal Church, Woodstock, Vermont 1982: Eubie Award, New York Chapter of the National Academy of Recording Arts and Sciences 1985: Two Sculptures, Marriott Hotel, Orlando, Florida 1986: Two large Sculptures for indoor reflecting pools, Palm Desert Hotel, Palm Springs, California; John Portman, Eight Sculptures for Peachtree Plaza Hotel, Atlanta, Georgia; John Portman, Beach House, Sea Island, Georgia 1987: Loan Installation, DeCordova Museum, Lincoln, Massachusetts 1988: Eleven foot outdoor Sculpture for Front Plaza, River Court, Charles River, East Cambridge, Massachusetts, H. J. Davis Development Corp.; Tomie dePaola...

Seymour Lipton Study for Pacific Bird Sculpture, 1965 Crayon on paper (Hand Signed & Dated, in Kulicke Frame w/Marlborough-Gerson gallery label) Signed and dated on center right rect...

Robert W. Milliken (Irish, 1920-2014). White Fronts Along the Coast, ca. 1960. Watercolor on paper, image measures 14.5 x 19.5 inches; 21.5 x 26.5 inches framed. Signed lower right. ...

Bronx Post Office Mural Study WPA Horse Social Realism Mid 20th Century Modern Jo Cain (1904 - 2003) Couriers of History Bronx Post Office Mural Study Horse in the Sun (with two ad...

Roaring Tiger is a beautiful pencil original drawing on ivory-colored paper, realized in 1940s by the German artist Wilhelm Lorenz, best know as Willi Lorenz. Signed in pencil on lower right margin. This is a wonderful study representing a crouched tiger roaring, realized with a fat pencil and with the incredible freshness of line and realism. This modern artwork is in very good conditions, except for some minor pencil stains on lower margin. This is a really perfect artwork for your sophisticated home able to give your furniture a touch of wildness and exotism. Wilhelm (Willi) Lorenz (German, 1901–1981) Wilhelm Lorenz that signed Willi Lorenz, was a German painter specialized in paintings of animals typically hunted as game. His highly detailed oil paintings evoke the texture and movement of animals like boars, foxes, bisons or lions depicted in their natural habitats and attitudes. His artworks bears...