Corne Akkers

Art Deco Nude – 05-08-22, Drawing, Pencil/Colored Pencil on Paper

2022

Third One This drawing ‘Art Deco Nude – 20-08-22’ is the third one in a row inspired by a Walter Bird photograph. However, after the last graphite pencil drawing ‘Roundism...

New One This graphite pencil drawing ˜Neo Deco “ 10-12-22 follows after two consecutive cubist drawings. Golden Orange “ 29-11-22 was the last so-called ˜real...

A New Year and Resolutions This graphite pencil drawing ˜Neo Deco “ 05-01-23 is the first of 2023. Last year I concluded with another work in the roundism sty...

Even at the Mauritshuis This graphite pencil drawing ‘A Non AI-Driven Neo Deco Celebrity Nude – 09-03-23’ is something different or is it? Inspired by a smashing reference picture I was although I don’t know its origins. There are so many art deco pictures...

Just Another Artistic Motif This graphite pencil drawing ˜Venus Lamenting “ 13-01-23 is a special one. It is an indictment of prudishness. My second to last one ˜Roundism “ 30-12-22 apparently shook up a bunch of people. Comments varied from great to ˜yet another tit pic. There also were prudes from various countries who scorned me for the subject nudity anyway. Throughout the years I became used to these reactions somehow. I also take into account the fact people from each and any nation are present on social media nowadays. With this variety comes a whole set of different opinions and views of life. I cherish them all. That is, as long as they cherish my opinion back. If they dont, then this art statement is for all those who lack the word reciprocity in their dictionary. Climbing the Barricades Personally I think the nude can be as much an artistic motif as any other. In fact I dont complain in the least about a world of other motifs. One could like to depict golden retrievers, red roses and other darling, save and sound themes. I see them on a daily basis on Instagram and Facebook among others. I probably wouldnt have made a big fuss because of contempt shown in the past. Thats what an artist is all about. I even like to provoke with my nudes a bit. A bit of sexiness but not too much. Just to be able to deny the presence of too much of it by underligning artistic aspects as well. Hmm, a bit of risque here an there. I love it! Why climb the barricades once again? Heres why. ArtKitchen In a dutch paper, called ˜NRC there was this item on Jeannette Dekeukeleires. She is the gallery owner of ArtKitchen in Amsterdam, known for its stimulating and provocative art...

Christmas Time This graphite pencil drawing ˜Neo Deco “ 25-12-22 follows shortly after Roundism “ 22-12-22. Its Christmas and I have plenty of time for drawin...

Original graphite drawing by Jean Cocteau . dated 1941 .

A number of years ago, we acquired the balance of a Northern California estate of artist Thelma Terrell. Terrell lived in Oakland and was an illustator and commercial graphic artist. This male...

Panthère dans les bambous, 1926 Gouache, or et traits de crayon sur papier Signé et daté en bas à droite 15 x 15 cm (sujet) Panther in the bamboos, 1926 Gouache, pencil and gold on paper Signed and dated to the lower right Provenance Collection particulière, France - Private collection, France Bibliographie/Literature : Emmanuel Bréon "Gaston Suisse, splendeur du laque art déco", Somogy Editions d'art, Paris 2013, oeuvre décrite et reproduite page 104. (l’oeuvre décrite et reproduite est la lithographie tirée d'après l’oeuvre originale que nous présentons.) Nous présentons ici l'oeuvre originale à la gouache, or et crayon de la panthère noire. L’artiste en réalisa une gravure sur bois dont il tira lui-même une vingtaine d’épreuve. Ces épreuves ne furent pas commercialisées telles quelles, Gaston Suisse reprit chacune des épreuves en utilisant des lavis d’encre de Chine et des ors de différentes couleurs, afin d’obtenir des effets différents pour chaque épreuve, qui sont donc des œuvres originales uniques. We present here the original work in gouache, gold and pencil of the black panther. From this original, the artist made a wood engraving of which he made about twenty prints himself. These proofs were not marketed as they were, Gaston Suisse reworked each of the proofs using Indian ink washes and golds of different colors, in order to obtain different effects for each proof, which are thus unique original works. Born in 1896 in a family of artists, his father Georges was a close friend of Siegfried Bing and a great lover of Japanese art and a bibliophile. He passed his taste for art to his son whom he often took to draw at the Botanic Garden . Around 1910, Gaston Suisse, who hasn't entered yet the artistic school, met Paul Jouve, then 18 years his elder, who was already famous. In 1911, at the age of 17, he entered the National School of Decorative Art where he followed the teachings of Paul Renouard. Thanks to his knowledge and taste for the Japanese art, he chose lacquer painting as his specialty. His practice of this noble and demanding subject were so much appreciated that he was awarded with two gold medals in 1913 and 1914. Mobilized during the war , he joined the army and go in Salonika where he found his friend Jouve. In 1918, he finished his studies at the School of Applied Arts in order to perfect his training. He learned in particular the techniques of gilding and oxidation of metals. The first productions of Gaston Suisse, furniture and objects in lacquer with geometrical patterns, were an instant success and Suisse was appointed as member of Salon d'Automne in 1924, the very year of his first exhibition. Considered as an artist-decorator, his sincere and deep friendship with Jouve linked him in parallel with the groups of the animaliers of the Jardin des Plantes and became a close friend of Edouard-Marcel Sandoz. When travelling to Maghreb and Middle-East between 1923 and 1925, he produced numerous drawings representing antelopes, apes and fennec foxes...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Wheeler Williams (American, 1897-1972) Study for Twilight, 1947 Pencil on paper 9 1/4 x 12 1/4 in. Signed lower right: Wheeler Williams, 1947 Inscribed: Study for Twilight A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors from Yale University in 1919 and earned a Master of Architecture degree from Harvard in 1922. He studied at the Art Institute of Chicago with sculptor Albin Polasek...

Wheeler Williams (American, 1897-1972) Untitled Study, 1931 Pencil on paper 8 3/4 x 11 3/4 in. Each signed: Wheeler Williams, 1931 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors...