Corne Akkers

Art Deco Nude – 20-08-22, Drawing, Pencil/Colored Pencil on Paper

2022

Just Another Artistic Motif This graphite pencil drawing ˜Venus Lamenting “ 13-01-23 is a special one. It is an indictment of prudishness. My second to last one ˜Roundism “ 30-12-22 apparently shook up a bunch of people. Comments varied from great to ˜yet another tit pic. There also were prudes from various countries who scorned me for the subject nudity anyway. Throughout the years I became used to these reactions somehow. I also take into account the fact people from each and any nation are present on social media nowadays. With this variety comes a whole set of different opinions and views of life. I cherish them all. That is, as long as they cherish my opinion back. If they dont, then this art statement is for all those who lack the word reciprocity in their dictionary. Climbing the Barricades Personally I think the nude can be as much an artistic motif as any other. In fact I dont complain in the least about a world of other motifs. One could like to depict golden retrievers, red roses and other darling, save and sound themes. I see them on a daily basis on Instagram and Facebook among others. I probably wouldnt have made a big fuss because of contempt shown in the past. Thats what an artist is all about. I even like to provoke with my nudes a bit. A bit of sexiness but not too much. Just to be able to deny the presence of too much of it by underligning artistic aspects as well. Hmm, a bit of risque here an there. I love it! Why climb the barricades once again? Heres why. ArtKitchen In a dutch paper, called ˜NRC there was this item on Jeannette Dekeukeleires. She is the gallery owner of ArtKitchen in Amsterdam, known for its stimulating and provocative art...

Christmas Time This graphite pencil drawing ˜Neo Deco “ 25-12-22 follows shortly after Roundism “ 22-12-22. Its Christmas and I have plenty of time for drawin...

Love for Sheer Textures This graphite pencil drawing ‘Sheer Deco Nude – 14-10-22’ is a deepening of my love for texture of fabrics. My Last drawing of Louise Brooks also bea...

New One This graphite pencil drawing ˜Neo Deco “ 10-12-22 follows after two consecutive cubist drawings. Golden Orange “ 29-11-22 was the last so-called ˜real...

A New Year and Resolutions This graphite pencil drawing ˜Neo Deco “ 05-01-23 is the first of 2023. Last year I concluded with another work in the roundism sty...

Movement Another graphite pencil drawing ‘Art Deco Nude – 23-08-22’, inspired by again a smashing picture by Walter Bird. The last drawing shows a seated lady. Contrasts are always on my mind though. Not in the style but in movement this time. What attracked me in the motif was the angular position of the female form. I am not sure whether she stood still like this but it looks like some ritual dance. I can ask my Spanish model Julia who is a dancer to strikes these kinds of poses. All induced by Walter! Extrapolate Them The bodily features almost took up a perfect square. However, I wanted to make sure I wasn’t going to end up with too much negative space around her. Therefor, extrapolating her features into the negative space came to my aid. The planes that are born from this process support the overall expression of her moves, I think. Some of them I hached up to complete darkness, other to midtones. Vice versa I did in the positive form as well. The most contrasting tonal values (completely light / dark) I placed within the body. I wanted only mildly distracting or diffuse the viewer’s attention. This way I found a perfect balance. Emotional and Expressive Someone on called...

Panthère dans les bambous, 1926 Gouache, or et traits de crayon sur papier Signé et daté en bas à droite 15 x 15 cm (sujet) Panther in the bamboos, 1926 Gouache, pencil and gold on paper Signed and dated to the lower right Provenance Collection particulière, France - Private collection, France Bibliographie/Literature : Emmanuel Bréon "Gaston Suisse, splendeur du laque art déco", Somogy Editions d'art, Paris 2013, oeuvre décrite et reproduite page 104. (l’oeuvre décrite et reproduite est la lithographie tirée d'après l’oeuvre originale que nous présentons.) Nous présentons ici l'oeuvre originale à la gouache, or et crayon de la panthère noire. L’artiste en réalisa une gravure sur bois dont il tira lui-même une vingtaine d’épreuve. Ces épreuves ne furent pas commercialisées telles quelles, Gaston Suisse reprit chacune des épreuves en utilisant des lavis d’encre de Chine et des ors de différentes couleurs, afin d’obtenir des effets différents pour chaque épreuve, qui sont donc des œuvres originales uniques. We present here the original work in gouache, gold and pencil of the black panther. From this original, the artist made a wood engraving of which he made about twenty prints himself. These proofs were not marketed as they were, Gaston Suisse reworked each of the proofs using Indian ink washes and golds of different colors, in order to obtain different effects for each proof, which are thus unique original works. Born in 1896 in a family of artists, his father Georges was a close friend of Siegfried Bing and a great lover of Japanese art and a bibliophile. He passed his taste for art to his son whom he often took to draw at the Botanic Garden . Around 1910, Gaston Suisse, who hasn't entered yet the artistic school, met Paul Jouve, then 18 years his elder, who was already famous. In 1911, at the age of 17, he entered the National School of Decorative Art where he followed the teachings of Paul Renouard. Thanks to his knowledge and taste for the Japanese art, he chose lacquer painting as his specialty. His practice of this noble and demanding subject were so much appreciated that he was awarded with two gold medals in 1913 and 1914. Mobilized during the war , he joined the army and go in Salonika where he found his friend Jouve. In 1918, he finished his studies at the School of Applied Arts in order to perfect his training. He learned in particular the techniques of gilding and oxidation of metals. The first productions of Gaston Suisse, furniture and objects in lacquer with geometrical patterns, were an instant success and Suisse was appointed as member of Salon d'Automne in 1924, the very year of his first exhibition. Considered as an artist-decorator, his sincere and deep friendship with Jouve linked him in parallel with the groups of the animaliers of the Jardin des Plantes and became a close friend of Edouard-Marcel Sandoz. When travelling to Maghreb and Middle-East between 1923 and 1925, he produced numerous drawings representing antelopes, apes and fennec foxes...

Authentic drawing from the early 20th century by the well-known French painter Gustave Guetant (1873-1953). Technique: pencil and charcoal on paper. Bottom right stamp: ATELIER GUET...

Andrew Loomis (American, 1892-1959) Signed: Andrew Loomis (Lower, Right) " Mosaic Tiles " 1930 16 1/2" x 21" Watercolor with Graphite and Gouache on Illustration Board Overall S...

Raphael DELORME (1886-1962) Study, preparatory work for “La Princesse” Watercolor and pencil on paper Annotated “La Princesse” 30,5 x 22,5 cm Small folds and small stains Born in 18...

Raphael DELORME (1886-1962) Study, preparatory work for “La Princesse” Watercolor and pencil on paper Annotated “La Princesse” 30,5 x 22,5 cm Small folds and small stains Born in 18...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...