Corne Akkers

Sheer Deco Nude – 14-10-22, Drawing, Pencil/Colored Pencil on Paper

2022

Just Another Artistic Motif This graphite pencil drawing ˜Venus Lamenting “ 13-01-23 is a special one. It is an indictment of prudishness. My second to last one ˜Roundism “ 30-12-22 apparently shook up a bunch of people. Comments varied from great to ˜yet another tit pic. There also were prudes from various countries who scorned me for the subject nudity anyway. Throughout the years I became used to these reactions somehow. I also take into account the fact people from each and any nation are present on social media nowadays. With this variety comes a whole set of different opinions and views of life. I cherish them all. That is, as long as they cherish my opinion back. If they dont, then this art statement is for all those who lack the word reciprocity in their dictionary. Climbing the Barricades Personally I think the nude can be as much an artistic motif as any other. In fact I dont complain in the least about a world of other motifs. One could like to depict golden retrievers, red roses and other darling, save and sound themes. I see them on a daily basis on Instagram and Facebook among others. I probably wouldnt have made a big fuss because of contempt shown in the past. Thats what an artist is all about. I even like to provoke with my nudes a bit. A bit of sexiness but not too much. Just to be able to deny the presence of too much of it by underligning artistic aspects as well. Hmm, a bit of risque here an there. I love it! Why climb the barricades once again? Heres why. ArtKitchen In a dutch paper, called ˜NRC there was this item on Jeannette Dekeukeleires. She is the gallery owner of ArtKitchen in Amsterdam, known for its stimulating and provocative art...

Christmas Time This graphite pencil drawing ˜Neo Deco “ 25-12-22 follows shortly after Roundism “ 22-12-22. Its Christmas and I have plenty of time for drawin...

New One This graphite pencil drawing ˜Neo Deco “ 10-12-22 follows after two consecutive cubist drawings. Golden Orange “ 29-11-22 was the last so-called ˜real...

A New Year and Resolutions This graphite pencil drawing ˜Neo Deco “ 05-01-23 is the first of 2023. Last year I concluded with another work in the roundism sty...

Movement Another graphite pencil drawing ‘Art Deco Nude – 23-08-22’, inspired by again a smashing picture by Walter Bird. The last drawing shows a seated lady. Contrasts are always on my mind though. Not in the style but in movement this time. What attracked me in the motif was the angular position of the female form. I am not sure whether she stood still like this but it looks like some ritual dance. I can ask my Spanish model Julia who is a dancer to strikes these kinds of poses. All induced by Walter! Extrapolate Them The bodily features almost took up a perfect square. However, I wanted to make sure I wasn’t going to end up with too much negative space around her. Therefor, extrapolating her features into the negative space came to my aid. The planes that are born from this process support the overall expression of her moves, I think. Some of them I hached up to complete darkness, other to midtones. Vice versa I did in the positive form as well. The most contrasting tonal values (completely light / dark) I placed within the body. I wanted only mildly distracting or diffuse the viewer’s attention. This way I found a perfect balance. Emotional and Expressive Someone on called...

Bristol Again This graphite pencil drawing ‘Neo Deco – 03-12-22’ follows after a couple of colored pencil drawings. These were fun to do but I wanted to get back to basics and to me that has always been black and white. There was another reason too. Some months ago I drew ‘Art Deco Nude – 05-08-22’ on Ingres paper, which I didn’t use for a long time. Next to the love for Ingres I was a bit worried how my new Faber-Castell pencils would react on Bristol paper. I did a couple of tests then on demand of Brugman Art who gave me these to try out. Initially they felt a bit sticky on Bristol and a bit too smooth. Today I have to withdraw this statement and replace it with newer and better experiences. Gradients My major concern was whether I could get smooth tonal gradients such as the ones in my Roundism series. Now that I tried to combine Pitt Graphite Matt with Bristol I see I can. The gradients are just fine whereas I can blacken the paper even more than with regular graphite pencil. It is even susceptible for rubbing out. Furthermore it gives me the ability to find heftier expressions, covering the total tonal bandwith from pure black to pristine white. Neo Deco The artistic motif itself was yet another smashing Walter Bird photo...

Authentic drawing from the early 20th century by the well-known French painter Gustave Guetant (1873-1953). Technique: pencil and charcoal on paper. Bottom right stamp: ATELIER GUET...

Andrew Loomis (American, 1892-1959) Signed: Andrew Loomis (Lower, Right) " Mosaic Tiles " 1930 16 1/2" x 21" Watercolor with Graphite and Gouache on Illustration Board Overall S...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

This attractive French interior decoration study project drawing is attributed to Maurice Dufrene Studio. The project features the interior decoration for a typical 1930/40s upper-cl...

French artist Georges Lucien Guyot (1885 - 1972) signed this charming woman nude study. This painting features a lovely design of a woman getting out of the bath and wiping with a towel. Only a few lines in charcoal and red chalk or sanguine mark the silhouette and posture and capture the model's expression. The red color emphasizes the color of the skin and imbues the lascivious movement. The sketches of the bath towel are only suggested, but it gives the whole thing a lot of softness and an incredible illusion of movement. Signed on the bottom left corner: Georges Lucien Guyot. The artist used a technique named "sanguine," or red chalk or crayon. The drawing has a blood-red, reddish, or flesh coloration. It has been popular for centuries for drawing employed by 15th and 16th Century artists such as the great masters like Leonardo da Vinci, Michelangelo, and Raphael. The drawing is ornate with a contemporary wood frame with a red and yellow deep-textured pattern and an off-white matte with acrylic glass protection. Measurements: With Frame: 20.87 in. wide (53 cm) x 28.35 in. high (72 cm) x 1 in. deep (2.5 cm). View alone: 11.44 in. wide (29 cm) x 18.94 in. high (48 cm). About: Georges Lucien Guyot (born December 10, 1885, in Paris, where he died December 31, 1972) is a French artist, sculptor, and painter. From an early age, Georges Guyot showed artistic abilities, but the modest conditions of his parents did not allow him to study art. So he did his apprenticeship with a wood sculptor. Guyot excelled in copying works from the 15th, 16th, and 17th Centuries but rapidly showed an attraction for nature. This attraction led him to the Jardin des Plantes in Paris, where he could study wild animals and translate his observations into sculptures and paintings. A familiar figure of Montmartre, Georges Guyot was the guest of the Bateau-Lavoir from the time of Cubism. In 1931, he joined the group of Twelve, created by François Pompon and Jane Poupelet...