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Dwight Smith
Attraction

2019

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  • Small Beetle-Big Bite
    By Dwight Smith
    Located in San Francisco, CA

    Artist Comments
    I love to create still life paintings using food, and sometimes humor. This glazed prefect doughnut has a huge bite taken out of it, and the little beetle ha...

    Category

    21st Century and Contemporary Pop Art Drawings and Watercolor Paintings

    Materials

    Watercolor

  • Star Players, Original Painting
    Located in San Francisco, CA

    Artist Comments
    The Kancamagus Trail in Conway, New Hampshire, undergoes a captivating transformation every fall. With their vibrant leaves, the maple trees stand out against t...

    Category

    21st Century and Contemporary Pop Art Landscape Paintings

    Materials

    Acrylic

  • The Suburbs, Original Painting
    Located in San Francisco, CA

    Artist Comments
    Artist John Jaster paints a cul-de-sac of new modern houses in bright yellows and blues. A model neighborhood with cars in the driveway, a covered motorcycle in...

    Category

    21st Century and Contemporary Pop Art Interior Paintings

    Materials

    Acrylic

  • Buffalo Dreams, Original Painting
    Located in San Francisco, CA

    Artist Comments
    This painting portrays an American plains bison grazing on the vast grasslands of the American West. The animal is wrapped in an impressionistic swirl of soft r...

    Category

    21st Century and Contemporary Pop Art Animal Paintings

    Materials

    Acrylic

  • Blue Moon, Oil Painting
    By Malia Pettit
    Located in San Francisco, CA

    Artist Comments
    A woman sits at the edge of a pool, with the blue moon framing her and adding to the contemplative atmosphere of the scene. The layers of paint on the water reveal the several color transformations of the background before settling into the inky blue-black night sky. The artwork comes with a matte black wood frame measuring 1.5 inches deep and 0.75 of an inch thick.


    About the Artist
    Malia Pettit sees her artistic process as an act of “liberating the paint” and “allowing for the unexpected to occur.” Her portraits of women stem from a fascination with glossy magazines and their portrayal of models, actors and celebrities. Her work has been especially influenced by Chantal Joffe...

    Category

    21st Century and Contemporary Pop Art Figurative Paintings

    Materials

    Oil

  • Emerald Lapels, Oil Painting
    By Malia Pettit
    Located in San Francisco, CA

    Artist Comments
    With closed eyes and a subtle tilt of her head, a woman confidently flaunts her shimmery eyeshadow, tonal highlights, and plump red lips. Against the beige backdrop, her dolled-up face and glowing skin create a captivating contrast. The playful touch of green tips on her curly hair adds a fun element to the sensual quality of the piece. The artwork comes with a Larson-Juhl matte natural frame measuring 2.25 inches deep and 0.25 inches thick.


    About the Artist
    Malia Pettit sees her artistic process as an act of “liberating the paint” and “allowing for the unexpected to occur.” Her portraits of women stem from a fascination with glossy magazines and their portrayal of models, actors and celebrities. Her work has been especially influenced by Chantal Joffe and John Singer Sargent. She currently resides in Louisiana after having lived in both California and England for several years. When she’s not painting, she is a full-time mom and enjoys exploring estate sales, antique stores and used bookstores.


    Words that describe this painting: portrait, woman, face, hair, lips, people, pop, oil painting, beige


    Emerald Lapels...

    Category

    21st Century and Contemporary Pop Art Figurative Paintings

    Materials

    Oil

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  • Carali McCall, Work no. 1 (Circle Drawing) Gold/Red, 2hours 24minutes, 2018
    By Carali McCall
    Located in London, GB
    'Work no. 1 (Circle Drawing), Gold/Red, 2hours 24minutes, 2018’ graphite on 315 gsm Heritage Fine Art Paper by Carali McCall (born 1981). McCall began her ‘Circle Drawing' artworks in 2004 where she focuses on the durational element and physical process of drawing. Using graphite on paper she draws her full arm's length in a continuous circular motion to the point of complete exhaustion. During this physically demanding process, her position and ability to extend the arm diminishes to the extent she can no longer hold the graphite. McCall quotes, 'an important aim is to maintain a constant and continuous visible line that embodies time and energy. While performing, painfully, my entire body is noticeably putting effort into the drawing.' This intense action and durational element often cause the paper to fatigue and rip, which is often identified as her distinctive trademark. In McCall’s new addition to the series, materials such as Gold and Gouache are used to treat the surface and bring another layer of reference to important art historical processes. The combination of these new materials and grand scale of this practice, make McCall’s work particularly striking. About Artist: Carali McCall is an emerging artist whose works are internationally recognised. A Canadian artist born in 1981, she is based in London, UK. McCall was awarded a PhD from Central Saint Martins, University of the Arts, London, and her work is featured in the upcoming publication by Bloomsburg Publishing, 'Performance Drawing: New Practices since the 1960s'. A finalist in the 2017 Jerwood Drawing Prize, McCall’s work is currently touring the United Kingdom and is situated in private and public collections curated alongside artworks by Picasso and Damien Hirst. Other notable exhibitions include: Again and Again and Again: Serial Formats and Repetitive Actions, Vancouver Art Gallery, Canada, (2012), Kenny Schachter’s Rove Gallery, Hoxton Square, London (2008), Folkestone Fringe Festival (2014), Woolff Gallery, London UK (2017) and EMPIRE II...
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