17th C Italian Old Master Drawing by Bartolomeo Schedoni Study of Evangelist
1 of 6
Bartolomeo Schedoni17th C Italian Old Master Drawing by Bartolomeo Schedoni Study of Evangelistcirca 1610
circa 1610
About the Item
- Creator:Bartolomeo Schedoni (1578 - 1615)
- Creation Year:circa 1610
- Dimensions:Height: 10.99 in (27.9 cm)Width: 8.63 in (21.9 cm)
- Medium:
- Movement & Style:
- Period:Early 17th Century
- Condition:
- Gallery Location:Gouda, NL
- Reference Number:1stDibs: LU116014282212
You May Also Like
- The Martyrdom of the Santi Quattro CoronatiLocated in New York, NYProvenance: Private Collection, UK After initial training under Justus Suttermans and Vincenzo Dandini, in 1673 Anton Domenico Gabbiani embar...Category
17th Century Old Masters Figurative Drawings and Watercolors
MaterialsPaper, Chalk, Ink, Pen
- Study of a Fate at mid-body, a red chalk attributed to Giovanni da San GiovanniLocated in PARIS, FRThis spectacular red chalk drawing depicts an elderly woman, her eyes bulging, her hand stretched out towards the sky. This disturbing character, who seems close to dementia, and the elongation of her arm with its Mannerist overtones, plunge us into the Florentine artistic milieu of the first half of the 17th century. The proximity of this drawing to some characters in the fresco in the Pitti Palace representing The Muses, Poets and Philosophers chased from Parnassus, the last masterpiece of Giovanni da San Giovanni, leads us to propose an attribution to this artist and a dating of around 1635-1636. 1. Giovanni da San Giovanni, the painter of contradiction We take here the title of the monography dedicated to the artist by Anna Banti in 1977, which remains the reference book for this artist. The son of a notary, Giovanni Mannozzi, known as Giovanni da San Giovanni, abandoned his studies to go to Florence at the age of sixteen, where he entered the studio of Matteo Rosselli (1578 - 1650) around 1609 and enrolled in the Academy of Drawing Arts in 1612. Around 1615 he produced his first known works, mainly frescoes for the city's tabernacles. He became famous in Florence for his originality, combining an obsessive application to the study of drawing and the reading of poetry and history with a disheveled appearance. Between 1619 and 1620 he decorated the facade of the Antella Palace in Piazza Santa Croce, a decoration that still partly survives today. The death of Cosimo II in 1621 put an end to the Florentine building activity and Giovanni da San Giovanni left for Rome to find other sponsors with the painter Francesco Furini...Category
17th Century Old Masters Nude Drawings and Watercolors
MaterialsChalk
- Antique French Old Master Sanguine Chalk Drawing Mother & Child portraitLocated in Cirencester, Gloucestershire"Mother & Child" French School, 19th century sanguine chalk drawing on paper, unframed painting: 23.25 x 17.75 inches Condition report: The painting i...Category
19th Century Old Masters Portrait Paintings
MaterialsChalk
- Italian 18th Century red chalk study of a seated man by ZuccarelliLocated in Petworth, West SussexFrancesco Zuccarelli RA (Italian, 1702-1788) Study of a seated man Red chalk 11.1/8 x 7.5/8 in. (28.3 x 19.3 cm.) Provenance; Colnaghi & Co, London Francesco Zuccarelli was born in ...Category
18th Century Old Masters Figurative Drawings and Watercolors
MaterialsChalk
- Three drawings by François Boucher in a mounting by Jean-Baptiste GlomyBy François BoucherLocated in PARIS, FRWe would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages. This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York. 1. François Boucher, the master of French rocaille The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...Category
1750s Old Masters Figurative Drawings and Watercolors
MaterialsChalk, Ink
- Fine 18th Century Italian Old Master Drawing Mother & ChildrenLocated in Cirencester, GloucestershireGiovanni Battista Cipriani, RA, Italian 1727-1785 Sketch of a mother with three children; black and red chalk on laid paper with watermark '© TAYLOR', 22.4 x 17.5 cm. Provenanc...Category
18th Century Old Masters Figurative Paintings
MaterialsChalk