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Ian HornakRenaissance Male Nude Figure Study, 1963, Ian Hornak — Drawing1963
1963
About the Item
Artist: Ian Hornak (1944-2002)
Title: Renaissance Male Nude Study
Year: circa 1963
Medium: Original drawing on vélin Strathmore paper
Size: 18 x 23 inches
Condition: Good
Provenance: Estate of Ian Hornak, East Hampton, NY
Notes: Created during Hornak’s undergraduate studies at Wayne State University in Detroit, Michigan.
IAN HORNAK (January 9, 1944 – December 9, 2002) was an American draughtsman, painter and printmaker. Described by The New York Times as being, “right at the top of romantically descriptive painters today,” Hornak was one of the founding artists of the Hyperrealist and Photorealist fine art movements.
Hornak's personal papers and effects entered into the permanent collection of the Smithsonian Institution's Archives of American Art in 2007. His artwork is owned by the permanent collections of the Smithsonian Institution's National Museum of American Art; the Smithsonian Institution's National Museum of American History; the Library of Congress; the Corcoran Gallery of Art; the Detroit Institute of Arts; the Board of Governors of the Federal Reserve System; the Museum of Fine Arts, Boston; the Albrecht-Kemper Museum of Art; the Allen Memorial Art Museum; the Austin Museum of Art; the Barbara Ann Karmanos Cancer Institute; the Canton Museum of Art; the Children's Hospital of Philadelphia; the Hood Museum of Art at Dartmouth College; the Detroit Historical Museum; the Flint Institute of Arts; the Forest Lawn Museum; Galleria Internazionale; The George Washington University Art Galleries; Guild Hall; the Children's Hospital Boston (Harvard Medical School affiliate); the Kinsey Institute for Research in Sex, Gender and Reproduction; the Long Island Museum of American Art, History, and Carriages; the National Czech & Slovak Museum & Library; the National Hellenic Museum; the Ringling College of Art and Design; the Rockford Art Museum; the Jane Voorhees Zimmerli Art Museum at Rutgers University; the Florida State Capital; St. Mary's University, Texas; The Art Gallery at the University of Maryland; the University of Texas at San Antonio; the Frances Lehman Loeb Art Center at Vassar College; the Washington County Museum of Fine Arts; and Wayne State University. In 2012, an additional portion of Hornak's papers and personal effects entered the permanent collection of Dartmouth College's Rauner Special Collections Library.
In legacy, Hornak is remembered as having been a friend of Andy Warhol, Robert Motherwell, Robert Indiana, Les Krasner, Helen Frankenthaler, Larry Rivers, Kenneth Noland, Fairfield Porter, Lowell Nesbitt, Willem de Kooning, Mark Rothko, and Claes Oldenburg; and defined as one of founding artists of the Photorealist movements along with Richard Estes, Malcolm Morley, Chuck Close, Tom Blackwell, John Salt, Audrey Flack, and Ron Kleemann.
- Creator:Ian Hornak (1944 - 2002, American)
- Creation Year:1963
- Dimensions:Height: 18 in (45.72 cm)Width: 23 in (58.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU1342115723232
Ian Hornak
Painter and draftsman Ian Hornak created vivid hyperrealist and Photorealist works, and was celebrated for his visionary incorporation of multiple-exposure photography into his landscape paintings.
The subject matter at the heart of the world’s finest Photorealist works flickers between crystal-clear reality and dreamy illusion, and Hornak’s representational art is just as compelling, enveloping the viewer with rich imagery and vibrant colors.
The painter was born John Francis Hornak in Philadelphia to Slovakian immigrants who moved to New York when he was still an infant. He became enamored of visual art at an early age — for his ninth birthday, Hornak received a set of oil paints and a book about Renaissance paintings. He reproduced many of the book’s photos of the works of Michelangelo, Leonardo da Vinci and others so well that they looked like the photographs themselves.
Hornak studied art at the University of Michigan and Wayne State University. After earning his bachelor's and master's degrees in fine arts, he moved to New York City in 1968 and befriended Lowell Nesbitt. The realist artist introduced him to Willem de Kooning, Robert Motherwell, Robert Indiana and others. Hornak resisted the Abstract Expressionist and Pop styles of the era, instead creating work that was noted for its Surrealist and even Romantic elements.
In 1970, Hornak debuted his first paintings in his multiple-exposure style. A year later, the Tibor de Nagy Gallery hosted his first New York City solo exhibition, and his prominence in the art world grew. From 1986 until his death in 2002, Hornak produced botanical and still-life paintings inspired by Flemish and Dutch masters.
Hornak’s work can be found in the permanent collections of many institutions, such as the Smithsonian American Art Museum, the Smithsonian National Museum of American History and the Library of Congress.
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Title: Renaissance Female Nude Figure Study
Year: circa 1963
Medium: Original drawing on vélin paper
Size: 23 x 18 inches
Condition: Good
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1960s Renaissance Figurative Drawings and Watercolors
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Year: circa 1963
Medium: Original drawing on vélin Strathmore paper
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1960s Renaissance Figurative Drawings and Watercolors
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Renaissance Male Nude Figure Study, 1963, Ian Hornak — Drawing
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Year: circa 1963
Medium: Original drawing on vélin Strathmore paper
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Condition: Good
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Category
1960s Renaissance Figurative Drawings and Watercolors
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Renaissance Male Nude Figure Study, 1963, Ian Hornak — Drawing
By Ian Hornak
Located in Fairfield, CT
Artist: Ian Hornak (1944-2002)
Title: Renaissance Male Nude Figure Study
Year: circa 1963
Medium: Original drawing on vélin Strathmore paper
Size: 23 x 18 inches
Condition: Good
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Category
1960s Renaissance Figurative Drawings and Watercolors
Materials
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$1,880 Sale Price
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Year: circa 1963
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Condition: Good
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1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance.
1995 – 1999 Who’s Who in America.
1993 Summer The Journal of the Print World, review.
March 14 The New York Times, review.
March 12 The Daily Oklahoman, review.
1990 Dec. 13 The Capital Times, review.
April 28 The Washingtion Post, review.
March 25 The New York Times, review.
Summer The Journal of the Print World, review.
Selected Collections
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Art Institute of Chicago, Chicago, IL
Brooklyn Museum, NYC
Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI
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SOLO EXHIBITIONS
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2015 Casa de Cultura. Miranda de Ebro
Galería Espiral, Noja
2014 Galerie d´Art Anne Broitman. Biarritz, France
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2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria
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Manos para qué os quiero. Logroño
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2011 Galería Espiral, San Miguel de Meruelo
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Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia
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