Marcel Spranck

Figure - Original China Ink and Pencil by Marcel Spranck - Early 20th Century

Early 20th Century

View of Bougival is an original drawing in pencil and ink realize by Gaston Bruelle in 1874. Good conditions. Hand titled and dated. The artwork is represented through soft pencil ...

Sacred Scene is a modern artwork realized by Artist of the early 20th Century. Mixed colored ink and watercolor. Includes frame:36.5 x 28 cm

Portrait of a Lady is a pencil, ink and watercolor drawing realized by Hermann Paul. Hand signed on the lower right corner. Passpartout included cm 40.5x30.5 Good condition. René ...

Country scene is an artwork realized by Gustave Bourgogne in 1940s. Pencil and watercolor, ink and white lead on paper. 48 x 41 cm. Good conditions! Gustave Bourgogne (1888-...

Faithful in chained is a china ink and pencil drawing realized by Albert Decaris in the mid-20th Century. In good conditions with some foxing. The artwork is presented through def...

Nudes is an ink and pencil drawing on paper realized in the early 20th Century by Louis Anquetin (1861-1932). Hand-signed on the lower. Good condition. Louis Émile Anquetin (26 Ja...

In the 1950s and 60s Grambs worked on many commissions. This drawing was probably for a magazine, perhaps House and Garden or House Beautiful. It is signed and dated in pencil on the...

It happened ... Paper, ink, pencil, 20x26 cm As a black and white comic, the absence of color allows the artist to focus on using shading, line work, and contrast to convey the narrative and emotions effectively. Black and white comics creates a distinct and dramatic atmosphere, emphasizing the story's mood and capturing the readers' attention. Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publicatio...

Hungarian/American artist/illustrator depicts a charming scene of sledding in the snow in Central Park. The work is abstract in its design as it's functional in its narrative - Unpublished New Yorker...

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...