Paul Desmond Brown

Paul Brown Original c1937 Pencil Drawing w/ 3 Equestrian Riders

1937

8.75" x 12.25" Mounted on board

Fab original fashion graphite pencil drawing by iconic designer Paco Rabanne (1934-2023) depicting two glam futuristic creations Art Sz: 9-3/4"H x 7-3/4"W Frame Sz: 16"H x 14"W *sh...

Hand-coloured illustration artwork depicting the writer H.C. Chatfield-Taylor, a top authority on Moliere whose quote: 'Oh That Mine Enemies Would Read A Book' Hobart Chatfield Chat...

[20] pp. w/ 231 hand-coloured armorial crests

Colour Plate for Polo Magazine of "Valentine's Brook, Grand National at Aintree" by Paul Desmond Brown pencil signed (LR) Image Sz: 10.5"H x 18.5"...

Preparatory equine pencil drawing by Kenneth Stevens MacIntire (1891-1979) Pencil on paper Art Sz: 8.5" x 12" Frame Sz: 14.75" x 17.75" Kenneth Stevens MacIntire (1891 - 1979) wa...

“Three Women” is an early work of Artist F. John Sierra whose career spans over four decades. He has produced images of the people, lifestyles and challeng...

Fantastic pair of Peter Max (American b. 1937) V. 3. IX and XII. In the manner of Picasso each color pencil signed lower center and titled low...

Pencil on paper Signed 'G.L. Brockhurst’ (lower right) Drawn c.1920 Collections: The Fine Art Society, London, 1981; Mr & Mrs Alan Fortunoff, acquired from the above; Private col...

Collections: Muir Hetherington; Sir John and Lady Witt, acquired 1974; By descent to 2015. Literature: Tom Jones (ed.), William Henry Hunt 1790-1864, exh. cat., 1981, no. 145 (Girl in a bedroom); John Witt, William Henry Hunt (1790-1864) Life and Work, London, 1982, no. 553, p. 194, colour pl. 16. Exhibited: Wolverhampton, Central Art Gallery, Preston, Harris Museum and Art Gallery and Hastings, Hastings Museum and Art Gallery, William Henry Hunt 1790-1864, 1981, no. 145 as Girl in a bedroom (Lent by Sir John & Lady Witt) Framed dimensions: 20 x 20.75 inches This unusually charming and well-preserved watercolour was painted by William Henry Hunt in around 1833. Almost certainly depicting his young wife, Sarah, possibly in the interior of her family home at Bramley in Hampshire. This work shows Hunt’s remarkable virtuosity as a watercolourist, Hunt, for example, articulates the profile of his young wife, by leaving a reserve of white paper to suggest the light modelling her features. Throughout the 1830s Hunt made a sequence of richly painted interior views of both domestic and agricultural spaces which pay scrupulous attention to detail. Hunt was born in London, the son of a tin-plate worker and japanner. J. L. Roget recorded the observation of Hunt’s uncle: ‘nervy, little Billy Hunt… was always a poor cripple, and as he was fit for nothing, they made an artist of him.’ At the age of sixteen he was apprenticed to the landscape painter John Varley for seven years, moving to live with Varley at 18 Broad Street, Golden Square, London. There he made close friends with both John Linnell and William Mulready. Hunt worked at the ‘Monro Academy’, at 8 Adelphi Terrace, London, the house of Dr Thomas Monro, an enthusiastic patron of landscape watercolourists. Through Monro, Hunt was introduced to the 5th Earl of Essex...

Listing includes framing with UV plexi, free shipping and a 14 day return policy. Ed Templeton Untitled (Sunset Tower Hotel), 2019 Image size: 11 ...

Arriving in Rome in June 1735 as a resident at the Royal Academy, Pierre was unable to attend the Winter Carnival festivities of 1735, which he nevertheless immortalised in an engrav...