Mid Century Modern Totem Abstract in Gouache, 1960s
View Similar Items
1 of 1
Santos Rene IrizarryMid Century Modern Totem Abstract in Gouache, 1960s1960s
1960s
About the Item
- Creator:
- Creation Year:1960s
- Dimensions:Height: 11 in (27.94 cm)Width: 7 in (17.78 cm)Depth: 0.07 in (1.78 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Minor wear.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 145441stDibs: LU29821290323
You May Also Like
- 'Billie the Brownie Laughing' original watercolor by Sylvia SpicuzzaBy Sylvia SpicuzzaLocated in Milwaukee, WIIn this painting, Sylvia Spicuzza demonstrates her skill as an illustration artist, representing the Milwaukee character Billie the Brownie with a growing spring of a tree. An illustration like this could grace the pages of a children's book or illustrated magazine, or as an advertisement for Schuster’s Department Store. Watercolor, gouache and graphite on paper 8 x 5.75 inches, artwork 14 x 12 inches, frame Stamped with artist signature, below image, lower left. Presented in a new custom frame with a gold-finish neoclassical wood moulding, archival matting and mounting materials; and UV glass to inhibit fading. Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings, watercolors and prints from the 1920's to the 1990's. Her style ranges from early figurative drawings to regionalism, Art Deco, lyrical abstractions of every conceivable subject (both real and imagined), as well as figurative paintings that reflect the work of Picasso, Kandinsky and Max Ernst in the 1930's and 1940's. Biomorphic and organic, Modernist images are presented with Sylvia Spicuzza's own unique sense of style, humor and fantasy. Billie the Brownie was a multi-media star of Christmas in Milwaukee from the 1920s to the 1950s. Years earlier, the writer and artist Palmer Cox...Category
1940s Modern Figurative Drawings and Watercolors
MaterialsGraphite, Paper, Watercolor, Gouache
- 'Oleta's Hat', Carmel Art Association Exhibit, California Woman Artist, SFMALocated in Santa Cruz, CASigned lower right, 'V. Conroy' for Virginia Conroy (American, 1922-2006) and dated 1985. Exhibited: Carmel Art Association, 1983 (on original backing...Category
1980s Modern Portrait Drawings and Watercolors
MaterialsGraphite, Paper, Watercolor, Gouache
- Freya (Sitting, legs folded inwards), Mixed media on parchmentBy Howard TangyeLocated in London, GBHoward Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...Category
2010s Contemporary Figurative Paintings
MaterialsPaint, Paper, Parchment Paper, Charcoal, Crayon, Oil Crayon, Oil Pastel,...
- Oleg (Kimono), Mixed media on ochre parchment paperBy Howard TangyeLocated in London, GBHoward Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsPaint, Paper, Parchment Paper, Charcoal, Crayon, Oil Crayon, Oil Pastel,...
- 'The Agony in the Garden', Paris, Salon d’Automne, Section d'Or, GethsemaneBy Jais NielsenLocated in Santa Cruz, CASigned lower left, 'Jais' for Johannes Knud Ove Jais-Nielsen (Danish, 1885-1961) and dated 1938. A powerful figural work showing a view of Jesus kneeling in the Garden of Gethsemane on the evening before his trial and execution. Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtmann and exhibited for the first time at the 1907 Autumn Salon at the Charlottenborg Palace. Nielsen participated in the early and groundbreaking, “Group of Thirteen" Modernist show, where his focus on dynamic figural painting and his bold use of color set him dramatically apart from his contemporaries. From 1907-11, Nielsen's use of 'primitive' Fauve colors would continue to reinforce his break with traditional Danish painting. During this period, he made study excursions to important art centres, including, in 1909, to Berlin. In 1911, he moved to Paris where he settled in the Latin Quarter near the Musée Cluny. His first formal Paris exhibition was at the Salon d’Automne of 1912. During this first Paris period, Nielsen attended meetings of the Section d’Or at the studio of Jacques Villon and, as a result, began to incorporate subtle, yet distinct, Cubist elements into his work. With the outbreak of World War One, Nielsen returned to Copenhagen, taking with him both his increasing compositional sophistication and a thorough understanding of the principles of Modernism. During this period, ports, dance and circus life became subjects of interest and he painted many canvases in the style of Analytic Cubism, of which he became the earliest and, arguably, the finest Danish exponent. From 1915 onwards, Nielsen also created Cubist sculptures and, from 1922-28, was employed as a sculptor by the Royal Copenhagen porcelain factory. Here, he produced a series of ceramic sculptures on Biblical themes which included the Good Samaritan and several versions of Jacob Wrestling with the Angel...Category
1930s Post-Impressionist Figurative Drawings and Watercolors
MaterialsGraphite, Charcoal, Paper, Gouache, Watercolor
- "The Dance, " Ludovico Lipparini, graphite, gouache, mythological, classicalLocated in Wiscasset, ME"The Dance" by Ludovico Lipparini is a beautifully rendered work on paper in the classical tradition using graphite and gouache and created in the f...Category
Early 19th Century Realist Figurative Drawings and Watercolors
MaterialsGraphite, Paper, Gouache