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Sedrick Huckaby
Joe "I try to get something accomplished everyday. I ask the Good Lord...

2012

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  • Joe "I try to get something accomplished everyday. I ask the Good Lord...
    By Sedrick Huckaby
    Located in Fairlawn, OH
    Joe "I try to get something accomplished everyday. I ask the Good Lord for Patience and Stregnth" Verso: "I was in for a technical violation. I spent 65 days, but I thank the Lor...
    Category

    2010s Contemporary Figurative Drawings and Watercolors

    Materials

    Ink

  • Provincetown (Sunbathing)
    By Peter Grippe
    Located in Fairlawn, OH
    Provincetown (Sunbathing) Sepia ink on tan paper, 1966 Signed in ink lower center (see photo) Exhibited: Art from Lexington Homes, Lincoln Massachusetts...
    Category

    1960s American Modern Figurative Drawings and Watercolors

    Materials

    Ink

  • Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch)
    By Fletcher Martin
    Located in Fairlawn, OH
    Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch) Pen and ink with wash on heavy wove sketchbook paper, 1938 Signed lower right: Fletcher Martin Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo) The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938. Condition: Mat staining at the edges of the sketchbook page edges Toning to verso from previous framing. Does not affect framed presentation "It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation. A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.” Those muscles certainly beat Schmeling on fight night...
    Category

    1930s American Realist Figurative Drawings and Watercolors

    Materials

    Ink

  • Lower East Side Crowd
    By Abraham Walkowitz
    Located in Fairlawn, OH
    Lower East Side Crowd Ink and ink wash on paper, c. 1910 Signed in ink lower center edge (see photo) Signed with the initials lower right corner (see p...
    Category

    1910s American Modern Figurative Drawings and Watercolors

    Materials

    Ink

  • Jazmen
    By Sedrick Huckaby
    Located in Fairlawn, OH
    Jazmen Pen and ink on paper, 2013 Signed and titled lower right (see photo) Annotated: “I want to go to Dunbar,…because my friends are there…” Series: The 99% - Highland Hills Exhibited: Valley House Gallery, Everyday Glory, Dec. 4, 2013-Jan. 11, 2014 Illustrated: Everyday Glory, page 45 Condition: excellent Sheet size: 14 x 10 7/16 inches Provenance: Valley House Gallery (no. 18597) Sedrick Huckaby (b. 1975) Born in Fort Worth in 1975, Huckaby has been creating some form of art since his childhood. In 1995, he began his formal art studies at Texas Wesleyan University in Fort Worth. After a brief stay he transferred to Boston University, where he received a BFA degree. He then earned a MFA degree from Yale University in New Haven, Connecticut. Huckaby is known for his powerful use of color and his exploration of cultural roles and the heritage of the African American family. His work has evolved from portraiture to objects and interiors that venerate his personal family legacy rooted in Fort Worth, Texas. Portraying these familiar subjects on a large scale and pushing his use of materials, Huckaby defines the significance of family and tradition while touching on the subject of ethnographic stereotypes in our culture. For the past few years he has concentrated his efforts on a series of quilt paintings. One of the series he created is a tribute to both of his Grandmothers and a celebration of the African American quilting tradition. He used the actual quilts sewn by family members as models for his paintings. These quilts document significant events in his family history. According to Huckaby, the paintings represent an artistic family legacy. The colorful, rhythmic abstracted patterns come together like the musical notes in African American musician John Coltrane's famous jazz composition, A Love Supreme, from which the painting series acquired its name. He has earned national acclaim for his work over the past several years. Huckaby has received the 2001 Louis Comfort Tiffany Award...
    Category

    2010s American Realist Figurative Drawings and Watercolors

    Materials

    Ink

  • Believe in Jesus and be saved from everlasting Hell
    By Adolf Arthur Dehn
    Located in Fairlawn, OH
    Signed and dated lower right Provenance: Estate of the artist Ink on paper
    Category

    1920s Figurative Drawings and Watercolors

    Materials

    India Ink

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