Sir William Orpen

Sketch of a woman's head in profile

c. 1900-1910

Preliminary Study for the painting Rose and Gold, 1913 Graphite on paper, 1913 Signed in pencil lower left (see photo) Titlted "Lizzy Young" in pencil upper left (see photo) Lizzy was a modle that Paxton depicts numerous times. The painting that this drawing is related to, is illustrated in Lee & Krause, William McGregor Paxton, 1869-1941, Plate 32, text on page 132. The painting was formerly in the collection of Victor Spark and the Honorable Paul Buchanan. It is currently in a Texas Collection. Provenance: Private Collection, Florida William McGregor Paxton (June 22, 1869 – 1941) was an American painter and instructor who embraced the Boston School paradigm and was a co-founder of The Guild of Boston Artists. He taught briefly while a student at Cowles Art School, where he met his wife Elizabeth Okie Paxton, and at the Museum of Fine Arts School in Boston. Paxton is known for his portraits, including those of two presidents—Grover Cleveland and Calvin Coolidge—and interior scenes with women, including his wife. His works are in many museums in the United States. Early life He was born on June 22, 1869, in Baltimore to James and Rose Doherty Paxton. William's father moved the Paxton family and established a catering business in Newton Corner, Massachusetts, in the mid-1870s. Education Paxton attended Cowles Art School on a scholarship he attained at the age of 18. He studied with Dennis Miller Bunker...

Untitled (Woman working in the fields) Graphite on wove paper Unsigned Exhibited: Spanierman Galleries, In Praise of Women, Oct. 21-Nov. 20, 2010 Illustrated: Lisa N. Peters, In Praise of Women, Spanierman Galleries (see catalog entry in photos) Condition: Excellent Sheet size (sight): 14 1//2 x 10 5/16 inches Provenance: Spanierman Galleries, New York The young woman is a known model for Knight. She is depicted in numerous paintings. The striped skirt and wooden shoes she wears also is repeated in Knight's oeuvre. "Daniel Ridgway Knight was born in Philadelphia to a Quaker family and studied at the Pennsylvania Academy of the Fine Arts from 1858 to 1861, the year he became a founding member of the Philadelphia Sketch Club. He went to Paris and studied at the Ecole des Beaux-Arts from 1861 to 1863 with Charles Gleyre (1808-1874) and Alexandre Cabanel (1823-1889), and attended the Accademia di San Lucca, then in Venice, in 1863. Knight returned to Philadelphia that year, married, and served in the Union Army during the Civil War. He went back to France in 1871 and lived there for the remainder of his long and successful career. He settled in Seine-et-Oise near Poissy to study with the noted academic painter Jean-Louis-Ernest Meissonier (1815-1891) in 1873, and the two artists became close friends. Influenced by his French contemporaries Jules Bastien-Lepage (1848-1884) and Jules- Adolphe-Aimé-Louis Breton...

This is a study for the body of Medusa in Perseus on Pegasus Slaying Medusa, 1922-25, the mural panel installed on the ceiling side aisle of the Huntington Avenue stairway at the Mus...

Original Graphite Sketch on Paper 1953 / Signed 1959 Inscribed “Sketch for Robe Feature” 10 5/8″ x 13 1/2″ Viewable 25″ x 29 1/2″ Framed The Robe, a fictional Biblical epic film was ...