Skip to main content
1 of 7

Unknown
Figurative, Drawing, Graphite, Pencil, Paper, Drawing, Female, Body

1996

You May Also Like
  • Tippie Comic Strip Original Art - Female Cartoonist
    Located in Miami, FL
    An early example from pioneering Female Cartoonist/ Illustrator Edwina Dumm, who draws a comic strip from her long-running cartoon series Tippie which lasted for almost five decades. Signed and dated Edwina, 9-25, matted but unframed. Frances Edwina Dumm (1893 – April 28, 1990) was a writer-artist who drew the comic strip Cap Stubbs and Tippie for nearly five decades; she is also notable as America's first full-time female editorial cartoonist. She used her middle name for the signature on her comic strip, signed simply Edwina. Biography One of the earliest female syndicated cartoonists, Dumm was born in Upper Sandusky, Ohio, and lived in Marion and Washington Courthouse, Ohio throughout her youth before the family settled down in Columbus.[1] Her mother was Anna Gilmore Dennis, and her father, Frank Edwin Dumm, was an actor-playwright turned newspaperman. Dumm's paternal grandfather, Robert D. Dumm, owned a newspaper in Upper Sandusky which Frank Dumm later inherited. Her brother, Robert Dennis Dumm, was a reporter for the Columbus Dispatch, and art editor for Cole Publishing Company's Farm & Fireside magazine. In 1911, she graduated from Central High School in Columbus, Ohio, and then took the Cleveland-based Landon School of Illustration and Cartooning correspondence course. Her name was later featured in Landon's advertisements. While enrolled in the correspondence course, she also took a business course and worked as a stenographer at the Columbus Board of Education. In 1915, Dumm was hired by the short-lived Republican newspaper, the Columbus Monitor, to be a full-time cartoonist.[2] Her first cartoon was published on August 7, 1915, in the debut issue of the paper. During her years at the Monitor she provided a variety of features including a comic strip called The Meanderings of Minnie about a young tomboy girl and her dog, Lillie Jane, and a full-page editorial cartoon feature, Spot-Light Sketches[3]. She drew editorial cartoons for the Monitor from its first edition (August 7, 1915) until the paper folded (July 1917). In the Monitor, her Spot-Light Sketches was a full-page feature of editorial cartoons, and some of these promoted women's issues. Elisabeth Israels Perry, in the introduction to Alice Sheppard's Cartooning for Suffrage (1994), wrote that artists such as Blanche Ames Ames, Lou Rogers and Edwina Dumm produced: ...a visual rhetoric that helped create a climate more favorable to change in America's gender relations... By the close of the suffrage campaign, women's art reflected the new values of feminism, broadened its targets, and attempted to restate the significance of the movement.[4] After the Monitor folded, Dumm moved to New York City, where she continued her art studies at the Art Students League. She was hired by the George Matthew Adams Service[5] to create Cap Stubbs and Tippie, a family strip following the lives of a boy Cap, his dog Tippie, their family, and neighbors. Cap's grandmother, Sara Bailey, is prominently featured, and may have been based on Dumm's own grandmother, Sarah Jane Henderson, who lived with their family. The strip was strongly influenced by Mark Twain’s Adventures of Huckleberry Finn, as well as Dumm’s favorite comic, Buster Brown by Richard F. Outcault. Dumm worked very fast; according to comics historian Martin Sheridan, she could pencil a daily strip in an hour.[6] Her love of dogs is evident in her strips as well as her illustrations for books and magazines, such as Sinbad, her weekly dog page which ran in both Life and the London Tatler. She illustrated Alexander Woollcott's Two Gentlemen and a Lady. For Sonnets from the Pekinese and Other Doggerel (Macmillan, 1936) by Burges Johnson (1877–1963), she illustrated "Losted" and other poems. From the 1931 through the 1960s, she drew another dog for the newspaper feature Alec the Great, in which she illustrated verses written by her brother, Robert Dennis Dumm. Their collaboration was published as a book in 1946. In the late 1940s, she drew the covers for sheet music by her friend and neighbor, Helen Thomas, who did both music and lyrics. During the 1940s, she also contributed Tippie features to various comic books including All-American Comics and Dell Comics. In 1950, Dumm, Hilda Terry, and Barbara Shermund...
    Category

    1920s Conceptual Figurative Drawings and Watercolors

    Materials

    Ink, Color Pencil, Graphite

  • chill
    By Anastasia Kurakina company
    Located in London, GB
    original watercolour on paper 28x38cm hand signed 2023 The soul of Anastasia Kurakina has always been nourished by the sacred fire of art, so much so that even before starting to...
    Category

    2010s Conceptual Figurative Drawings and Watercolors

    Materials

    Paper, Watercolor, Color Pencil

  • Wish Not to Be Disturbed for the Duration of Winter - Playboy Cartoon
    Located in Miami, FL
    Gahan Wilson was the Master of the macabre, and most of his work is associated with Charles Addams. The beauty of a Gahan Wilson is that is a payoff pu...
    Category

    1960s Conceptual Figurative Paintings

    Materials

    Ink, Gouache, Color Pencil

  • Pastel Couples
    By Joyce Wieland
    Located in Toronto, Ontario
    Joyce Wieland (1931-1998) was one of the most accomplished and versatile Canadian artists of the 20th century. Emerging on the Toronto art scene at the beginning of the 1960s, over the course of her career Wieland explored the role of women, the body, nationalism, and intimacy using a variety of mediums. As well as drawing and painting, the artist utilized untraditional materials such as quilts and lipstick. Traditionally seen as feminine and craft-like, Wieland renegotiated the ‘low art’ or inherently misogynistic labels of these materials, engaging with feminist dialogue in subject matter and medium. Wieland was also committed to the figure, sketching and drawing quirky characters, even when the avant-garde was dedicated to abstraction. After a lengthy and often frustrating sejour in New York City, Wieland returned to Toronto. Her marriage to fellow Canadian artist, Michael Snow, had dissolved. During the 1970's Wieland was consumed by creating a feature-length film entitled "The Far Shore" about Tom...
    Category

    Late 20th Century Conceptual Figurative Drawings and Watercolors

    Materials

    Color Pencil, Ink

  • Nova
    By General Idea
    Located in Toronto, Ontario
    In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to po...
    Category

    1970s Conceptual Figurative Drawings and Watercolors

    Materials

    Graphite

  • "Veneer" Figurative Drawing, Color Pencil, Ballpoint Pen, Graphite
    By Lauren Rinaldi
    Located in Philadelphia, PA
    "Veneer" is an original oil pastel, ballpoint pen, color pencil, and graphite on arches paper work by Lauren Rinaldi. This piece ships in the pictured archival custom frame. The pape...
    Category

    21st Century and Contemporary Contemporary Figurative Drawings and Water...

    Materials

    Archival Paper, Oil Pastel, Ballpoint Pen, Color Pencil, Graphite

Recently Viewed

View All