Unknown

Hurki Costume for an opera - Pencil and watercolor drawing by Taho - 1930s

1930s

Portrait of a Lady is a pencil, ink and watercolor drawing realized by Hermann Paul. Hand signed on the lower right corner. Passpartout included cm 40.5x30.5 Good condition. René ...

Cityscape is a Pencil and Watercolour Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition. No signature. Reynold Arnould was born in Le Havre, Franc...

Au Cimetière Monsieur... is a black pencil and watercolor drawing realized by Francis Picabia in 1931. Hand signed lower left, with title lower right. A certificate of inclusion in the Catalog Raisonné being prepared by the Picabia Committee, dated 30 October 2019, will be delivered in original along with the work. Drawing originally realized by Picabia to illustrate the important volume "Le Peseur d'Ames" by André Maurois, published by Editions Antoine Roche in 1931. Though specifically realized for the volume, the drawing was not selected for publication and remained in the artist's personal collection. Cm. 27,4x22. Good conditions. Francis Picabia (1879-1953) was born in Paris to a french mother and a Spanish father who was chancellor at the Cuban embassy in Paris. He had a comfortable childhood, even though he was emotionally troubled. He studied at the École nationale supérieure des beaux-arts. At the beginning of his career, from 1908 to 1913, he was strongly influenced first by the Barbizon School and by Alfred Sisley and Camille Pissarro, then by impressionism, cubism and finally abstractionism. Around 1911 he joined the Puteaux Group which he met in the studio of Jacques Villon in the village of Puteaux. He then became friends with the artist Marcel Duchamp. Some members of the group were Apollinaire, Albert Gleizes, Roger de La Fresnaye, Fernand Léger and Jean Metzinger. From 1913 to 1915 Picabia was often in New York. These years can be identified as the proto-Dada period, which consists mostly of the so-called mechanical portraits (portraits méchaniques): these works ironically proposed mechanistic themes of random tangles of metal parts, paintings and drawings of machines. All these mechanisms on the one hand mocked the cult of the machine, on the other they alluded to sexual intercourse...

City is an original drawing in pencil made by the Hungarian artist Nicolas Czinober in the mid-20th century.The state of preservation is good, the paper presents some small stains. ...

Thieves is an original drawing in watercolor, white lead and pencil artwork on greenish cardboard realized by an Anonymous artist of the XIX century. The State of preservation is g...

Cart with Oxen is an original modern artwork realized in the half of the early 20th Century. Original mixed media artwork: tempera, watercolor, china ink and pencil on cardboard. V...

Will Barnet is one of America's best loved and known artists of the Post War era. He is highly distinctive for his figurative and narrative work and in some ways he is the Edgar All...

Mabel E. Johnston Untitled, c. 1930s Watercolor and pencil on paper Sight: 12 1/2 x 10 1/2 in. Framed: 21 1/8 x 17 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidb...

Mabel E. Johnston Untitled, c. 1920s Watercolor and pencil on paper Sight: 18 x 12 1/2 in. Framed: 39 x 21 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidbit I fou...

Mabel E. Johnston Untitled, c. 1920s Watercolor and pencil on paper Sight: 12 1/2 x 10 1/2 in. Framed: 21 1/8 x 17 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidb...

In this painting, Sylvia Spicuzza demonstrates her skill as an illustration artist, representing the Milwaukee character Billie the Brownie with a growing spring of a tree. An illustration like this could grace the pages of a children's book or illustrated magazine, or as an advertisement for Schuster’s Department Store. Watercolor, gouache and graphite on paper 8 x 5.75 inches, artwork 14 x 12 inches, frame Stamped with artist signature, below image, lower left. Presented in a new custom frame with a gold-finish neoclassical wood moulding, archival matting and mounting materials; and UV glass to inhibit fading. Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings, watercolors and prints from the 1920's to the 1990's. Her style ranges from early figurative drawings to regionalism, Art Deco, lyrical abstractions of every conceivable subject (both real and imagined), as well as figurative paintings that reflect the work of Picasso, Kandinsky and Max Ernst in the 1930's and 1940's. Biomorphic and organic, Modernist images are presented with Sylvia Spicuzza's own unique sense of style, humor and fantasy. Billie the Brownie was a multi-media star of Christmas in Milwaukee from the 1920s to the 1950s. Years earlier, the writer and artist Palmer Cox...

Pencil, charcoal and conté crayon and gouache on paper Provenance: Christopher Hull Gallery Private collection, UK 1992