Unknown

Sadness - China Ink and Pastel Drawing - 1901

Mid 20th Century

Alluring Nude Woman is an original drawing on paper in pencil mounted on blueish Passepartout, realized by an Italian anonymous artist of the early 20th century. Passepartout: 23.5 ...

Station is an original drawing in china ink realized in the 20th Century. Good conditions except for some foxings and worn margins. The artwork is depicted through soft strokes in ...

Nude of Woman is an Original China Ink Drawing realized by Pino della Selva (1904-1987). Good condition included a brown cardboard passpartout. Not signed. Pino della Selva (pseudonym of Pino Giuffrida ) is a painter, sculptor , designer and engraver ( etching and woodcut ), also poet and art critic , born on January 3, 1904in Catania ( Sicily ), settled in Paris in 1931 (lived at 31, rue La Bruyère )died in 1987 in Paris. His pictorial work, which initially turned towards themes of a social nature ( Blind to Work in 1925, Workers in 1932) comparable to those of the French Édouard Pignon and André...

Love is an original modern artwork realized by Gino Bonichi (February 25, 1904 – November 9, 1933), known as Scipione. Mixed colored china ink drawing. In...

Nude of Woman is an original artwork realized by Sergio Barletta in the 1970s. Pen ink drawing on paper. Includes a beautiful gilded frame. Hand signed on the lower margin.

Drawing in china ink artwork realized in 1973 by Emilio Greco. Hand-signed and dated on the lower right. In very good conditions. The artwork is depicted through confident strokes...

Watercolour and Chinese ink on paper, signed and dated (upper right), 10cm x 17cm (30cm x 38cm framed). George Barbier was one of the great French illustrators of the early 20th century. Born in Nantes, France on 16 October 1882, Barbier was 29 years old when he mounted his first exhibition in 1911 and was subsequently swept to the forefront of his profession with commissions to design theatre and ballet costumes...

This refined art nouveau diptych was realized in Hungary in 1908/1909 by the famed artist of the Austro-Hungarian artist Henrik Kóbor. It features two rectangular panels each offerin...

We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages. This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York. 1. François Boucher, the master of French rocaille The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...

In this lively and fresh drawing, probably taken from one of the artist's notebooks, Pajou presents us with a composition freely inspired by antiquity, as a souvenir of a visit to th...

Martin Eder untitled work on paper executed in ballpoint pen with traces of watercolor. Ohne Titel Arbeit auf Papier, ausgeführt in Kugelschreiber mit Spuren von Aquarell. 2007

Ink drawing of female nude lounging on the floor. This is 1 of 2 drawings of Chantel I created during a figure drawing session I attended during my MFA at SVA. Chantel is a dear fri...