Warren Brandt

"Model Resting, " signed red conte drawing by Warren Brandt

1978

"Buste de Jeune Femme" or "Bust of a Young Woman" is an original conte crayon drawing by Georges d'Espagnat. It is initialed in the lower right. ...

"Bee Keeper" is an original black conte crayon drawing by Sylvia Spicuzza. The artist signed this piece lower right. This drawing depicts abstrac...

The present work, drawn with black Conté crayon on a calendar sheet, Sylvia Spicuzza presents the viewer with a rhythmic vision. The scene is dominated by the figure of a woman in a ...

The present work, drawn with black Conté crayon on a calendar sheet, Sylvia Spicuzza presents the viewer with a rhythmic vision of an urban lakefront. The beach scene is dominated by...

David Barnett’s ‘Homage to Wassily Kandinsky after 1911 orig. Woodcut from the Klänge (Sounds) Series, title: Before Spring,’ is an original mixed media watercolor painting, signed by the artist in the lower right corner. Part of the artist’s ‘Famous Artist Series,’ Barnett stages a collaboration between himself and the Russian Abstract Expressionist Wassily Kandinsky by scanning the original woodblock print from Kandinsky's Klänge series and printing it as a giclée on watercolor paper. The composition sees a hatted figure with a staff as they journey through hills and canyons into the night; colors pass from the inside of the woodcut to the surrounding paper where they form a rotating cycle, perhaps indicative of the cycle of influence from Kandinsky to Barnett and back again. Mixed media giclée print & watercolor on paper 14 x 14 inches, artwork 19 x 18.75 inches, frame Signed and dated lower right Framed to conservation standards using archival materials including 100 percent rag matting, Museum Glass to protect from UV rays, and housed in a modern profile silver finish wood moulding David Barnett, an artist, collector, appraiser and gallerist has been passionate about art from the early age of five. David’s career as an art dealer began at age nineteen when, as a fine arts student, he sponsored an exhibition of work by fellow student artists. In 1966, he opened his first gallery in a converted basement apartment at Wisconsin Avenue and 21st Street. In 1985 David moved his gallery from Wisconsin Avenue into the Old Button Mansion on State Street and has been active ever since. David’s talents for recognizing undervalued artists and for meeting the needs of art lovers, art collectors and artists have created a vibrant, flourishing gallery and collection of over 6,000 works of art. David was born and raised in Wisconsin. He has been painting in watercolors, acrylics, oil pastels as well as fine art photography. David has more than 10 different series he has developed over the years. They include Abstract, Surrealism, Morph Dog, Up North Birch Bark, Impressions of Mexico City, Southwest, Fireworks, Famous Artist Paying Homage and Garden Panorama. Influential artists include Vermeer, Miro, Kandinsky, Chagall, Nolde and Klee. David has been featured in many magazines, newspapers and public television programs regarding his beautiful gallery, collection and knowledge and passion of fine art. David also has work in the permanent collection Scottsdale Museum of Contemporary Art, Arizona. Since its opening in 1966, The David Barnett Gallery has flourished to become Wisconsin's premier gallery and has the most diverse range of art available in any Wisconsin gallery, including works of art that represent more than 600 artists. The gallery also offers custom framing, art appraisals...

The present painting is an excellent example of Joseph Rozman's pictographic style. The composition is dominated by abstracted vignettes: A fashionable woman beneath the sun, a car, ...

Abstract expressionist CoBrA style chalk on paper of a human figure attributed to French artist, A Nuchy. The work is unsigned but was acquired along with ...

A portrait of a male head, in profile by BenFenske. The artist uses a variety of colors to convey a naturalist impression. Artist Bio Ben Fenske (b. 1978) although a native of Minn...

An early work on paper, by American Impressionist painter, Ben Fenske. It's rare to see a drawing like this from Fenske, especially of a self portrait. Fenske uses classical draftin...

This is a beautiful and unique charcoal on paper drawing. The Fabriano paper is a high quality watercolour grade set in a custom white wood frame, all archival materials. Scottish ...

Charcoal with red and white conté crayon on Rives BFK paper Signed in pencil, l.l. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt L...

Compelling mid century nude figure study of a black woman reclining by Raul Anguiano (Mexican/American, 1915-2006), 1968. Signed and dated lower left hand corner "R. Anguiano." Presented in wood frame under plexiglass. Image size: 25"H x 34"W. Framed size: 35"H x 43.75"W. Raúl Anguiano was born in Guadalajara, Jalisco, on February 26th, 1915. He started drawing cubist pictures at the age of 5, taking as his first models movie stars, as Mary Pickford, Pola Negri and Charlie Chaplin. Anguiano first artistic influence or aesthetic emotion came from the Holy Family by Rafael Sanzio. At the age of 12, Anguiano attended Guadalajara's Free School of Painting under the tuition of Ixca Farias. From 1928 to 1933, he studied with the Master painter José Vizcarra, the disciple of Santiago Rebull and José Salomé Piña, and organised the group "Young Painters of Jalisco" with other artists. During this period, Anguiano worked with different kinds of models: workmen, employees and a few intellectuals like Pita Amor. In 1934 Anguiano moved to Mexico City. He began teaching in primary schools and taught drawing and painting at La Esmeralda academy and the UNAM School of Art. Anguiano was a member of the Mexican Artistic Renaissance movement which was started in the 1920's by the Mexican School of Art in which he belonged. This renaissance began with the San Carlos Academy movement -- among whose leaders were Ignacio Asúnsolo and Jose Clemente Orozco -- and which emerged out of the students' and teachers' discontent with the traditional paintings methods (academicism), and the close contact that the young artists had with the problems of Mexico and its people, explaining the marked critical realism to the painters of the time, including Anguiano himself. The same year, Anguiano received a commission to paint his first mural, Socialist Education, a 70 meters fresco located at A. Carrillo School in Mexico City. Other works followed, including Mayan rituals (oils on canvas and wood), for the Mayan Hall in the National Museum of Anthropology, and Trilogy of Nationality (acrylic on canvas and wood), for the Attorney General's Office. In 1936 he moved into his surrealist period, which lasted almost a decade. He painted circus performers and prostitutes. The most notable among his works of the time are: The Madame (gouche, 1936), The Clown's Daughter (oil, 1940), the Pink Circus Artist and the Grey Circus Artist (oil, 1941). Also during this period, Anguiano produced a series of drawings based on his dreams, with cold tones and silver-greys predominating. In 1937 Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of the Popular Graphics Workshop, where artists practised a graphic style based on Mexico's folk traditions. This was due to the powerful influence of the recently discovered Jose Guadalupe Posada and Goya. Raúl Anguiano belonged to the so-called "Third Generation" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena...