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Wilhelm Lorenz
Lion - Original Pencil on Paper by Wilhelm Lorenz - Mid-20th Century

Mid-20th Century

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  • The Horse Rider In The Meadow - Drawing By Norbert Meyre - Mid 20th Century
    Located in Roma, IT
    The Horse Rider In The Meadow is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil. Good conditions. The artwork is re...
    Category

    Mid-20th Century Modern Figurative Drawings and Watercolors

    Materials

    Pencil

  • Horse's Head - Drawing - Late 19th Century
    Located in Roma, IT
    Horse's Head is an original pencil drawing on paper, attributed to Luigi Galli and realized in the late 19th Century. With another drawing of hands...
    Category

    Late 19th Century Modern Figurative Drawings and Watercolors

    Materials

    Pencil

  • Frog - Drawing in pencil by Emmanuel Gondouin - 1930s
    Located in Roma, IT
    Frog is a drawing in pencil realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes. Emmanuel Gondouin is a French Cubist...
    Category

    1930s Modern Figurative Drawings and Watercolors

    Materials

    Pencil

  • Roaring Tiger - Original Pencil Drawing by Willy Lorenz - 1940s
    By Wilhelm Lorenz
    Located in Roma, IT
    Roaring Tiger is a beautiful pencil original drawing on ivory-colored paper, realized in 1940s by the German artist Wilhelm Lorenz, best know as Willi Lorenz. Signed in pencil on lower right margin. This is a wonderful study representing a crouched tiger roaring, realized with a fat pencil and with the incredible freshness of line and realism. This modern artwork is in very good conditions, except for some minor pencil stains on lower margin. This is a really perfect artwork for your sophisticated home able to give your furniture a touch of wildness and exotism. Wilhelm (Willi) Lorenz (German, 1901–1981) Wilhelm Lorenz that signed Willi Lorenz, was a German painter specialized in paintings of animals typically hunted as game. His highly detailed oil paintings evoke the texture and movement of animals like boars, foxes, bisons or lions depicted in their natural habitats and attitudes. His artworks bears...
    Category

    1940s Modern Animal Drawings and Watercolors

    Materials

    Pencil

  • Study of Felines - Original Pencil Drawing by Willy Lorenz - 1950s
    By Wilhelm Lorenz
    Located in Roma, IT
    Study of Felines is an amazing pencil original drawing on ivory-colored paper, realized in 1940s by the German artist Wilhelm Lorenz, best know as Willi Lorenz. This is a preparatory study representing a lion and three lionesses in typical felines postures and attitudes, realized with a fat pencil and with the incredible freshness of line and realism. This modern artwork is in very good conditions, except for a usual yellowing of the paper at the edges. This is a really perfect artwork for your sophisticated home able to give your furniture a touch of wildness and exotism. Wilhelm (Willi) Lorenz (German, 1901–1981) Wilhelm Lorenz that signed Willi Lorenz, was a German painter specialized in paintings of animals typically hunted as game. His highly detailed oil paintings evoke the texture and movement of animals like boars, foxes, bisons or lions depicted in their natural habitats and attitudes. His artworks...
    Category

    1940s Animal Drawings and Watercolors

    Materials

    Pencil

  • Head of Lion and Tiger - Original Pencil Drawing by Willy Lorenz - 1950s
    By Wilhelm Lorenz
    Located in Roma, IT
    Head of Lion and Tiger is a double-sided sheet with two amazing original charcoal drawings on ivory-colored paper, realized by the German artist Wilhelm...
    Category

    1950s Animal Drawings and Watercolors

    Materials

    Pencil

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  • Vigilant Fox - The psyche of the fox -
    Located in Berlin, DE
    Carl Friedrich Deiker (1838 Wetzlar - 1892 Düsseldorf). Vigilant fox. Pencil drawing on brown paper, 18 × 29.5 cm (inside measurement), 31.5 x 43.5 cm (mount), signed and dated "Deiker [18]54" at lower right. - a little bit stained, with a light water stain at lower right About the artwork Carl Friedrich Deiker's consummate ability to depict animals is already evident in this early work. He brought a whole new psychological dimension to animal painting, so that one could literally speak of animal portraits. The naturalistic appearance of the fox alone makes it seem alive. Every strand of muscle, even every hair, is captured, which requires an intensive artistic study of animal anatomy and physiology. But the fox's real liveliness comes not from its natural appearance, but from its internal movement: Stretched out, it has been brought out of rest. It turns around and, with its ears pricked up, looks intently in the direction from which it has seen something. His mouth is slightly open and his pointed teeth are bared, as if he were growling. Tension gradually takes hold of his whole body. While the hind legs were still in a relaxed position, closely observed by Deiker, one front leg was already raised, ready to begin a rising movement. The fox seems so alarmed with all its senses that one gets the impression that, at any moment, its tail will move jerkily and the animal will jump up. While wild animals have traditionally been portrayed as beasts or anthropomorphised, often for caricatural purposes, Deiker explores their inherent nature by attempting to capture their psychic impulses. The wild animal is neither bestial nor human, but a creature in its own right, valued by Deiker for its own sake. In this way, he brought the dignity of the animal into representation and raised animal painting to a whole new artistic level. About the artist Carl Friedrich Deiker was the son of the drawing teacher Christian Friedrich Deiker and the younger brother of the animal painter Johannes Deiker. In addition to the family art lessons, Christian Friedrich shared a studio with his brother Johannes at Braunfels Castle, Deiker attended the drawing academy in Hanau, and from 1858 he was a student at the Karlsruhe Art Academy, where he studied under the landscape painter Johann Wilhelm Schirmer. Carl Friedrich Deiker was already in demand as an artist during his first year: Grand Duke Frederick I of Baden, Margrave Max of Baden and Grand Duke Michael of Russia bought hunting scenes by him. In 1859 he went on a study trip to the Reinhardswald. Just as the Barbizon School had rediscovered the landscape, Deiker opened up the forest for animal painting. From 1861-64 Deiker had his own studio in Karlsruhe, then moved to Düsseldorf, where his brother Johannes followed four years later. Deiker married a daughter of the landscape painter Karl Hilger and remained in Düsseldorf until his death. In 1868 he finally achieved international fame with his painting 'Pursued Noble Deer' and was regarded as a virtuoso new founder of animal painting. "Deiker brought for the first time a truly great artistic quality to animal painting [...]". - Hans Vollmer From 1870 he participated in the academic art exhibitions in Berlin, Dresden, Munich and Hanover. He was also very busy as an illustrator. He drew for the Gartenlaube, the Salon, the Universum, and produced many of the finely illustrated hunting and animal books of the period. He also worked as a printmaker, while his oil paintings circulated as reprints by Franz Dinger. From 1865 to 1892 Deiker was a member of the artists' association Malkasten. Carl Friedrich Deiker's life's work was honoured with a large posthumous memorial exhibition at the Düsseldorf Kunsthalle in 1892. His son Carl Deiker, born in 1879, also became a painter. Selection of art museums that own works by Carl Friedrich Deiker: Hamburger Kunsthalle / Kunsthalle Karlsruhe / Kunstmuseum Düsseldorf / Wallraff Richartz Cologne. Selected Bibliography H. Schmidt: Johannes and...
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    1850s Naturalistic Animal Drawings and Watercolors

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  • Feeding the Kittens - Little cat mother -
    Located in Berlin, DE
    Ernst Albert Fischer-Cörlin (1853 Körlin - 1932 Persante). Feeding the Kittens, 1893. Pencil on painting cardboard, 38 x 29 cm. Signed and dated by the artist at lower left "E[rnst] A[lbert] Fischer=Cörlin 1893". - Lightly stained, somewhat dusty and minimally foxed. - Little cat mother - About the artwork Daughter, mother and grandmother gather in the sunlight to feed a litter of kittens. The mother and grandmother hold the lively, playful animals in their arms, while the young girl feeds two of the four kittens with cookies. There is also a small bucket of milk and a bowl of milk. The women and the girl watch as the cute, still blind animals eat. It is a scene taken from everyday life, but it also has an allegorical dimension, bringing maternal care into the representation. Three generations are represented, with the grandmother and the mother already mothers. They not only offer the kittens to the youngest, but also proudly observe the maternal care that the youngest gives to the kittens. Like the kittens, she will grow up and become a mother herself, so the image is also an allegory of life's ever-new beginnings. In keeping with this, the morning sun shines into the picture from the right. Fischer-Cörlin has masterfully worked out the quality of the light, with its light and dark areas, with the pencil used...
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  • Study of a buffalo
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    Located in PARIS, FR
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    Located in Jersey City, NJ
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  • "Things are Looking Up" Charcoal Drawing
    Located in Denver, CO
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