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James Nyika
Derby III, Original Painting

2021

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  • Amalfi Coast, Original Painting
    Located in San Francisco, CA

    Artist Comments
    "The fanciful notion that these blocky residences were carved right out of the side of the cliffs was the impression that inspired this painting," shares artist Joe Giuffrida. He presents a panoramic view of a city on the Amalfi coast. He leaves most of the architecture white to create one large shape that fits like a puzzle piece into the surrounding cliffs and foliage. The space becomes the central highlight of the entire composition against the vibrant shades of enclosing nature.


    About the Artist
    Artist Joe Giuffrida paints impressionist landscapes frequently balanced with architectural arrangements. His artistic vision diverges from traditional styles depending on the subject at hand. "My creative energy is best developed through being on-site, observing a location, and getting the feel of the environment," says Joe. An expression of what is felt but not necessarily seen flourishes in his work, pushing the limits of color and value beyond what is there. Joe sought mentorship through workshops and college classes, then supplemented his learning by reading books on art techniques. He developed a firm belief in his craft being good through the perception of feeling rather than visuals. Emotional connections hold a crucial part of his creative process, challenging himself to be able to convey his responses while leaving room for the viewer's interpretation. He works in two studios, one for subtle watercolor painting and the other for bold and heavy acrylics and oils - systemized by organized clutter. His work has been featured in American and European publications and displayed in England, Germany, France, and the United States. Outside of painting, he channels his prowess as a musician, spending considerable time learning new guitar music...

    Category

    21st Century and Contemporary Abstract Impressionist Interior Drawings a...

    Materials

    Watercolor

  • Belted Kingfisher and Foliage, Original Painting
    By Suren Nersisyan
    Located in San Francisco, CA

    Artist Comments
    Artist Suren Nersisyan paints an impressionist Belted Kingfisher in gentle brush strokes. The bird roosts on the dense summery ...

    Category

    21st Century and Contemporary Abstract Impressionist Drawings and Waterc...

    Materials

    Watercolor

  • Roussillon Provence, France, Original Painting
    Located in San Francisco, CA

    Artist Comments
    A charming mountain village in France stretches out magnificent rolling hills in artist Joe Giuffrida's impressionist work. The houses dotting the hilly community build a grand panoramic view. He captures the beauty of the surrounding range presenting interesting focal points in the design. The middle-ground farmhouse leads a circular pathway of interest into the apex and then back to its base. "Such that the eye will move upward, downward, and back to the home," notes Joe.


    About the Artist


    Words that describe this painting: France, south of France, Europe, countryside, landscape, impressionism, village, mountain, hill, watercolor, town, rural, paper, trees, house, home, buildings, peaceful, impressionism, landscape, watercolor painting, green


    Roussillon...

    Category

    21st Century and Contemporary Abstract Impressionist Drawings and Waterc...

    Materials

    Watercolor

  • Mt. Diablo Deep and Wide, Original Painting
    By Catherine McCargar
    Located in San Francisco, CA

    Artist Comments
    Artist Catherine McCargar exhibits a scenic landscape of Mt. Diablo with an impressionistic style. The dense leaves of the lush trees rustle from the refreshing gusts of mountain air. Catherine notes that the dark parts of the mountain appear obscured in the shadows during early fall when the lower foothills turn a soft golden yellow. She captures the view en plein air from a location in Walnut Creek...

    Category

    21st Century and Contemporary Abstract Impressionist Drawings and Waterc...

    Materials

    Watercolor

  • Thomas Point Shoal Lighthouse, Original Painting
    By Judy Mudd
    Located in San Francisco, CA

    Artist Comments
    Part of artist Judy Mudd's marine collection, her inspiration comes from numerous trips to the coast. Judy captures the brilliant sunset as it colors the sky above a lighthouse. "I was intrigued by the sweeping clouds and the backlighting from the sun that reflected on the water," says Judy. As such, she felt it would create a visually striking painting.


    About the Artist
    For Judy Mudd, creating a work of art means much more than simply reproducing something she sees. “It is more than painting a subject, it is expressing a feeling,” she explains. Judy develops her paintings with thorough reconnaissance work. She goes out on photo shoots in a variety of atmospheric conditions, sketches outdoors, takes notes, and completes color and value studies. From there, back in the studio, she lets the paintbrush guide her. Outside of painting, Judy also leads watercolor workshops and runs a real estate business with her husband.


    Words that describe this painting: paper, impressionism, marine, lighthouse, ocean, Thomas Point...

    Category

    21st Century and Contemporary Abstract Impressionist Drawings and Waterc...

    Materials

    Watercolor

  • Tavern Garden, Original Painting
    By Judy Mudd
    Located in San Francisco, CA

    Artist Comments
    Part of artist Judy Mudd's rural collection, she depicts a white country home covered in the shadows of a large leaf-covered tree. A winding path makes its way ...

    Category

    21st Century and Contemporary Abstract Impressionist Interior Drawings a...

    Materials

    Watercolor

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    By Charles Henry Harmon
    Located in Soquel, CA
    A colorful, expressive fauvist watercolor landscape of a pond in the forest (Pan Pacific Exposition Palace Ruins) by Charles Henry Harmon(American, 1895-1936). Presented in a giltwoo...
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  • "Chimneys at Dusk", Small Pastel San Francisco Abstract Urban Landscape
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  • Sumac, colorful Abstract Impressionist landscape gouache
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  • Touch of Fall watercolor and pastel painting by Nell Blaine
    By Nell Blaine
    Located in Hudson, NY
    Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...
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