Aleardo Terzi

Settimio Severo Triumphal Arch - Original China Ink Drawing by A. Terzi - 1899

1899

Venice is an original drawing realized by Francesco Zanin in the 1877 Origina china ink, watercolor and tempera on cardboard. The artwork is glu...

St Mark's Square, Venice is an original drawing realized by Francesco Zanin in the 1877. China ink, watercolor and tempera on cardboard. The art...

West Window - Georges Windsor Castle is a modern artwork realized by Paul Fischer in 19th Century Hand signed on the lower margin. Tempera artwork. Incl...

Paysage d'Alsace is a beautiful mixed-media artwork, tempera and watercolor on paper. Hand-signed by the artist on the lower left. Micheline Frouin was born in Paris on 7 September...

Mountain House is an original modern artwork realized by Artist of the mid-20th century. Mixed colored tempera on board. Includes frame: 42 x 4 x 48 cm

Abstract composition is an original contemporary artwork realized by the Oriental artist Li Xia Yang. Mixed colored tempera and watercolor painting. Hand-writ...

A turn-of-the-century fantasy illustration by female illustrator May Audubon Post features a charming fairy with expanded wings resting on Lilly s...

Alphonse Mucha (Czech, 1860 - 1939) Medieval Thoughts, circa 1890 Wash, ink, and watercolor on paper 11 x 9 inches Signed lower right Provenance: Phillips New York, 19th and 20th ce...

Statue of Vishnu Garuda, Bali, 1904 Signed with initials Pencil and ink on paper, 21.4 x 21.3 cm Literature: Bruce W. Carpenter, W.O.J. Nieuwenkamp. First European Artist in Bali,...

Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...

Graveyard with in the background the Borobudur, 1937 Signed with initials and dated bottom left Pencil and ink on paper, 33 x 29 cm In ebonized frame with white mount Literature: ...

Wobbly bridge, Tabanan, Bali, 1937 Signed with initials bottom right and dated, bottom left Pencil and ink on paper, 22 x 26.3 cm In ebonized frame with white mount Willem Otto Wi...