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Boardman RobinsonBoardman Robinson “Colorado Mountain Landscape” Modernist Graphite Drawing
$1,550
£1,201.82
€1,363.04
CA$2,221.86
A$2,416.32
CHF 1,272.97
MX$29,346.68
NOK 16,003.83
SEK 15,002.30
DKK 10,233.34
About the Item
This original graphite on paper drawing by acclaimed artist Boardman Robinson (1876–1952) beautifully captures the dramatic majesty of the Colorado mountains. With expressive linework and a refined sense of composition, Robinson conveys both the grandeur and intimacy of the American West through modernist simplicity. The drawing is signed lower right and inscribed “For Louise Baun” in the lower left, offering a personal touch from the artist himself.
Presented in a custom black frame with archival materials and UV-protective glass, the work’s framed dimensions measure 15⅝ x 18⅝ x ⅝ inches, with an image size of 5⅞ x 8⅞ inches. Though modest in scale, the piece radiates the bold spirit and refined draftsmanship characteristic of Robinson’s best work.
A leading figure in early 20th-century American modernism, Boardman Robinson was known for his mural work, political illustrations, and evocative landscapes inspired by the Colorado Rockies, where he taught at the Colorado Springs Fine Arts Center. This rare original drawing reflects his deep connection to the region’s rugged terrain and his lifelong dedication to portraying the beauty and strength of the Western landscape.
- Creator:Boardman Robinson (1876 - 1952, American)
- Dimensions:Height: 15.5 in (39.37 cm)Width: 16.5 in (41.91 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Denver, CO
- Reference Number:Seller: 258121stDibs: LU27310797562
Boardman Robinson
Boardman Robinson was born in 1876 in Somerset, Nova Scotia, Canada. He came to the United States in 1894 to attend the Massachusetts Art School. He then studied painting in Paris at the Academie Colarossi and the Ecole des Beaux-Arts. After returning to the United States, Robinson worked as a cartoonist in New York City for the Morning Telegraph (1907–10), the New York Tribune (1910–14). Robinson went with John Reed to Russia in 1915 and served as war correspondent, covering the Kerensky Revolution for the Metropolitan Magazine. From 1915-1920, he held positions at several magazines including The Masses, Liberator, and Harper’s Weekly. He also served as a one-time art editor at Vogue. Robinson worked with Thomas Hart Benton in the 1920’s, developing a new style of mural painting. As a result, the two men are recognized as the founders of the American mural movement of the 1930’s. In 1930, he moved to Colorado Springs and took a position at the Broadmoor Academy. The following year, he was named Director of the Academy. During this time, he influenced many other well-known artists instruct at the Academy including: George Biddle, Thomas Hart Benton, Henry Varnum Poor, Adolf Dehn, Arnold Blanch, and Edgar Britton.
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