Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Eugene Berman
Veillee Sepulchrale; Verso: Study of two figures in a landscape

1944

About the Item

Veillee Sepulchrale Verso: Study of two figures in a landscape Pen and ink on rose colored Canson watermark paper, 1944 Signed in ink with the artist's initials lower center (see photo) Dated 1944 lower center; Titled in ink upper left corner (see photo) Provenance: Swann Galleries, 2010, realized $900. John Popplestone (1928-2013), Akron, OH collector, noted psychologist and author Berman brothers (painters) From Wikipedia, the free encyclopedia Jump to navigationJump to search This article is about the painters. For the American songwriters/producers, see Berman Brothers (producers). Eugene Berman in Italy in the 1960s Eugène Berman (Russian: Евгений Густавович Берман; 4 November 1899, Saint Petersburg, Russia – 14 December 1972, Rome) and his brother Leonid Berman (1896 – 1976[1]) were Russian Neo-romantic painters and theater and opera designers. Contents 1 Early years 2 Later years and death 2.1 Works 3 Legacy 4 See also 5 References Early years Born in Russia, the Bermans fled the Russian revolution in 1918. In Paris the Bermans exhibited at the Galerie Pierre where their work earned them the name "Neo-Romantics" for its melancholy and introspective qualities, having taken inspiration from the Blue Period paintings of Pablo Picasso. Other Neo-Romantic painters were Christian Bérard, Pavel Tchelitchev, Kristians Tonny and, later in America, their friend Muriel Streeter (wife of their art dealer Julien Levy). Eugène's work was characterized by lonely landscapes featuring sculptural and architectural elements, often ruins, rendered in a neo-classical manner,[2] whereas that of Leonid depicted beaches with fisherman's boats and nets in many parts of the world. In 1935 Eugène left for New York where he exhibited frequently at the Julien Levy Gallery (as did Leonid after the war). Later, in the 1940s, Eugène settled in Los Angeles and married the actress Ona Munson,[2] while Leonid remained in New York and married the harpsichordist Sylvia Marlowe. In 1950 he exhibited at Instituto de Arte Moderno, Buenos Aires. In 1950, Berman was elected into the National Academy of Design as an Associate member, and became a full member in 1954. Later years and death In America, Eugène became well known as a stage designer for ballet and opera. Following the suicide of his wife in 1955, he moved to Rome where Princess Doria-Pamphilj provided an apartment and studio for him in a wing of her palazzo on the via del Corso. In 1957 he was working with Sylvia Guirey on a new production for the Metropolitan Opera of Don Giovanni.[3] Berman continued to paint in Italy until his death in 1972.[2] Leonid died in New York in 1976. Works Ballet Imperial by George Balanchine, Sadler's Wells Ballet, London (1950). Legacy Eugene Berman's work can be found in a number of institutions, including: McNay Art Museum[4] Museum of Modern Art[5] Art Institute of Chicago[6] Hirshhorn Museum and Sculpture Garden[7]
  • Creator:
    Eugene Berman (1899 - 1972, Russian)
  • Creation Year:
    1944
  • Dimensions:
    Height: 12.25 in (31.12 cm)Width: 9.38 in (23.83 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Staining recto from previous glue used in mounting.
  • Gallery Location:
    Fairlawn, OH
  • Reference Number:
    Seller: FA96461stDibs: LU1401516613
More From This SellerView All
  • Untitled (Surrealist rendering of Pyramids at Giza with alligator)
    By Beni E. Kosh
    Located in Fairlawn, OH
    Beni Kosh estate stamp No. 717 verso, unsigned. Provenance: Estate of the Artist
    Category

    1960s Surrealist Landscape Drawings and Watercolors

    Materials

    Watercolor, Gouache

  • Quicksand (Small) #18
    By Mary Spain
    Located in Fairlawn, OH
    Titled and described by the artist verso Colored pencil on raw sienna laid rag paper
    Category

    1980s Surrealist Landscape Drawings and Watercolors

    Materials

    Color Pencil

  • Surrealist landscape with animal and figures
    By Charles Harris ( Beni Kosh )
    Located in Fairlawn, OH
    Surrealist landscape with doorway, animal and figures Watercolor on heavy paper, n.d. Unsigned Stamped with the artist's estate stamp (see photo) Provenance: Estate of the artist R...
    Category

    Late 20th Century Surrealist Landscape Drawings and Watercolors

    Materials

    Watercolor

  • Landscape with Figures in the English Countryside
    Located in Fairlawn, OH
    Landscape with Figures in the English Countryside Pen, ink and graphite with gray and brown washes on laid watermarked paper, c. 1740 Signed by the artist lower left of image: "Chatelain fecit" (see photo) A finished drawing, signed by the artist, showing his inspiration by Claude Lorain (1600 or 1604/5-1682) Provenance: Mathias Komor Works of Art Mary Whelan Prue Warburg (1909-2009) Mary Whelan Prue Warburg (1909-2009), widow of Edward M.M. Warburg, founding Trustee and Board member of MoMA (1932-1958); Metropolitan Museum of Art Honorary Trustee 1983-1992 Regarding the artist: "Topographical draughtsman and printmaker; son of Huguenot parents named Phillippe (he probably took name Chatelain later), worked and died in London in 1758 (not 1771 as stated by earlier authorities). Chatelain worked for notable London publishers, including John Rocque, Francis Vivares and Arthur Pond...
    Category

    1740s Romantic Landscape Drawings and Watercolors

    Materials

    Ink

  • untitled (Pueblo)
    By Virginia Dehn
    Located in Fairlawn, OH
    Untitled (Taos Pueblo) Ink on paper, 1985-1990 Signed by the artist in ink lower right (see photo) An early New Mexico period work, created shortly after the artist moved from New York. Provenance: estate of the artist Dehn Heirs Condition: Excellent Image/sheet size: 13 1/8 x 18 1/2 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
    Category

    Early 20th Century American Modern Landscape Drawings and Watercolors

    Materials

    Ink

  • untitled (Yellow Adobe Building with Bell)
    By William Grauer
    Located in Fairlawn, OH
    Estate Stamp Lower Left
    Category

    20th Century Landscape Drawings and Watercolors

    Materials

    Ink, Watercolor

You May Also Like
  • Journey #35 (monochrome grey noir pen drawing wood detailed oriental dansaekhwa
    By Cheolyu Kim
    Located in Quebec, Quebec
    Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
    Category

    2010s Surrealist Landscape Drawings and Watercolors

    Materials

    Paper, Pen

  • Journey #39 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
    By Cheolyu Kim
    Located in Quebec, Quebec
    keywords; wood, pencil drawing, monochrome, highly detailed, Korean art, dansaekhwa, oriental art, circles, moire, geometric abstraction, intentionally exposed support, line form and color, curvilinear forms, dynamism, contemporary drawing, graphism, repetition, engaged with traditional Korean art...
    Category

    2010s Surrealist Landscape Drawings and Watercolors

    Materials

    Wood Panel, Pen, Birch

  • Journey #40 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
    By Cheolyu Kim
    Located in Quebec, Quebec
    Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
    Category

    2010s Surrealist Landscape Drawings and Watercolors

    Materials

    Birch, Wood Panel, Pen

  • Journey #36 (monochrome grey black pen drawing wood detailed oriental biomorphic
    By Cheolyu Kim
    Located in Quebec, Quebec
    Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...
    Category

    2010s Surrealist Landscape Drawings and Watercolors

    Materials

    Paper, Acrylic, Pen

  • Journey #49 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
    By Cheolyu Kim
    Located in Quebec, Quebec
    Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...
    Category

    2010s Surrealist Landscape Drawings and Watercolors

    Materials

    Birch, Wood Panel, Pen

  • Journey #53 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
    By Cheolyu Kim
    Located in Quebec, Quebec
    Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...
    Category

    2010s Surrealist Landscape Drawings and Watercolors

    Materials

    Birch, Wood Panel, Pen

Recently Viewed

View All