Framed Landscape Drawings and Watercolors

Lionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

Turkey in the Trees, c. 1922 Watercolor on paper Signed lower right 22 x 29 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a mast...

Original watercolour. Signed to the lower left. Presented in a gilt frame. On paper.

'Fast Eddies, 1996' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 10 x 15 inches a...

A wonderfully detailed turn-of-the-century watercolour depicting the mediaeval castle of Godfrey of Bouillon. The artist has captured the castle on a bright cummers day with village ...

Methodist Church in Bodie California - Watercolor on Paper Delightful watercolor by California artist Rachel Bentley (American, 1894-1991). The scene d...

'Nor Cal, 2022' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 20 x 18 inches and 29 x 27 inches professionally fr...

This delightful scene depicts a woman on a Mediterranean Terrace looking out to sea. The sun casts a warm glow over the scene as it begins to set on the horizon. Signed to the lower ...

'A Suspiciously Low Tide, 2001', the original painting is 20 x 40 inches and the outer dimensions of the frame is 30 x 50 inches. Artist signed, titled and dated. Condition is excell...

Modern abstract watercolor drawing of a house by Texas artist Bertha Davis. The work features a loosely rendered neutral-toned depiction of a spacio...

'Paragon park, 1997' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 10 x 10 inches ...

This artwork "Harbor Scene" 1975, is a watercolor on paper by Latvian artist Paul Duskins, 1928-1996. It is signed and dated at the lower right corner by the artist. The artwork size...

A charming watercolour study of an oil barn in Suffolk with a wooden lean-to. The artist captures the rugged barn and its wild surroundings in fine detail. Si...

Muriel Elise Cooke, ( Crooke ) 1901 - 1975, was an English artist who painted in watercolour and oil, she was also an engraver Cooke studied in Paris, France and in her twenties exh...

This mid-century watercolour captures the beauty of Roman ruins set against a smouldering volcano. The artist masterfully renders crumbling stone arches and fallen columns, juxtaposi...

Very well executed original oil pastel on archival paper by the American artist, Tom Rickers. San Francisco school. Abstract with Signed and dated lower right 1977. Condition is ex...

Painswick, Watercolour Over Pencil Painting by Charles March Gere, 1930s circa Additional information: Medium: Watercolour over pencil 15.5 x 29.5 cm 6 1/8 x 11 5/8 in Signed and titled verso Charles March Gere RA RWS was an English painter, illustrator of books, and stained glass and embroidery designer associated with the Arts and Crafts movement. He painted his signal work in 1897 entitled The Lady of Grey Days.The painting was purchased in 1912 and given to Aurora Howard, a descendant of the Earl of Carlisle (of Castle Howard). It was last seen...

Original watercolor and gouache on archival paper of birch trees in winter along a fenced roadway with a quaint home in the background. Signed lower right. Condition is excellent. Circa 1960. The watercolor is in a solid mahogany frame under UV glass in fine condition. Overall framed measurements are 14 by 11 inches. Provenance: A East Hampton, Long Island, New York collector. Born in Queens, Long Island, NY, Impressionist landscape and seascape painter Francis Dixon studied at the Art Students League in New York City under Impressionists Frank Vincent DuMond, Cape Cod, Massachusetts artist, Charles W. Hawthorne, and modernist Robert Henri. Having a good singing voice Dixon was an Army and Navy Song Leader for the War Department during World War I. From 1915 to 1917 was living and painting in Los Angeles, Carmel and Point Lobos, California. Dixon exhibited his California paintings at Folson Galleries New York City in 1917. Dixon continued to travel and paint, visiting Bermuda in 1923 and 1925, and Europe in the mid-1920s. In the 1930s he was living on West 55th Street in Manhattan with a number of other artists. He was a member of the Allied Artists of America (NY); Connecticut Academy of Fine Arts; and the Salmagundi Club, NY. He exhibited at The Corcoran Gallery of Art, Washington, D.C. (1916); Folson Gallery (NY, 1917, solo); Society of Independent Artists (NYC, 1917-18, 1920-22, 1924); Salmagundi Club (NYC, 1917-1940, 1943, 1945); National Academy of Design (NYC, 1925); Studio Guild Galleries (NYC, 1937); Barbizon-Plaza Galleries NYC, 1939); Allied Artists of America (NYC, 1940); and Salons of America (NYC). Dixon’s solo exhibitions included Babcock Galleries (NYC, 1926 and 1927); Women's University Club...

Mid Century Country Meadow and Hills Landscape Mid Century California Meadow and Hills landscape, watercolor of a pathway through rolling hills by California artist Rene Weaver (Amer...

Bernard Sleigh 1872-1954, was an English mural and stained glass painter, illustrator, and landscape painter. He was best known for his fairyland pictures and was inspired by Willi...

This framed work is one-of-a-kind colored pencil & collage on archival pigment print. The work itself is 20" x 16", and it is framed to 26" x 20" in a contemporary, simple white wood...

JOHN NEWBERRY (Born 1934) San Domenico, Perugia Signed, inscribed with title and dated 1985 on the artist’s label attached to the backboard Watercolour Framed 17 by 25.5 cm., 6 ¾ ...

A delightful watercolour study of the sweeping Dartmoor landscape at sunrise. A tor stands in wildflowers in the foreground looking out to the river that winds towards the horizon. S...

This striking pastel artwork captures the weathered façade of Lindisfarne Priory as sunlight dances across the ancient stonework. Presented in a solid oak frame. Signed. On paper.

Signed to the lower right. Presented in a gilt frame and wash line mount. On paper.

Two Navajo Colored Pencil drawings by Lois Rogers, New Mexico. Sight size: 3 x 4 2/3 in. Framed: 5 3/4 x 7 1/8 in. Both signed lower right, and inscribed verso: colored pencil, Lo...

A finely painted and atmospheric watercolour painting by the prolific British artist Edwin Earp (1851-1945). The scene depicts a view of a Scottish Loch with fishermen, small boats a...

My work is about something I wish I could have seen, imaginary worlds, a commentary on awe that is inspired by nature, science, and history. Objects in my work are a stand in for the...

"Mill Near Plainfield, New Hampshire" is an exquisite original watercolor painting by Charles Partridge Adams (1858-1942), created circa 1900. Signed by the artist in the lower left corner, this beautiful landscape depicts a mill nestled by a river, surrounded by trees and dramatic clouds. The painting is rendered in subtle tones of brown, green, gray, and blue, showcasing Adams’ skillful use of watercolor techniques. This artwork is presented in a custom frame, with outer dimensions measuring 13 ¾ x 12 ¼ x 1 ¼ inches and an image size of 7 x 5 inches. About the Artist: Charles Partridge Adams was born in Franklin, Massachusetts, and moved to Denver, Colorado, in 1876 in search of a better climate for his tuberculosis-stricken sisters. It was in Denver that Adams found his artistic calling, working at the Chain and Hardy Bookstore, where he received his only formal art training from Helen Chain, a former pupil of the renowned George Inness. Through her guidance, Adams was introduced to other prominent artists, including sculptor Alexander Phimister Proctor...

This original illustration by Laerta Premto is made with watercolor and ink on paper. It captures a pink castle, with rounded towers with dark grey and sienna roofs and a minimalist ...

Beautiful early 20th century landscape watercolor by E. Camren (American, 19th-20th Century). This 1908 landscape features a grassy meadow dotted with autumn trees and small houses i...

SECRET GARDEN 2 is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 22x30". It is custom framed with anti-UV and anti-glare glas...

Grey,blue,Britany,Harbor,Nord France,Sea Life in Brittany Harbor Douarnenez Blue and gray colors of the sea of northern France Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He...

20th Century "Coastal Church on Sunday" Original Watercolor by Burchfield Beautiful watercolor of a Presbyterian church on Sunday Watercolor dimensions 25" wide x 17" high The fra...

'Pittenweem Harbor' is by contemporary Scottish artist Robert Stirling, signed in lower left. Pittenweem is a fishing village on the east coast of Scotland in Fife, between St Andrew...

Artist name, date, and title inscribed to the wash line mount. Presented in a gilt frame with shell ornamentation. On paper.

An original watercolour landscape by Francis George Coleridge (1838-1923), depicting sheep grazing near a rocky gorge. Signed to the lower left. Presented in a crisp white mount and ...

A striking pastel scene depicting a thoroughly pruned tree in winter overlooking the rooftops of a small French town. Well presented in a gilt-effect frame. Unsigned. (Provenance: St...

A fine pastoral scene depicting a rustic thatched cottage nestled in a lush rural landscape, with a figure engaged in domestic work near the doorway. The composition draws the eye fr...

Landscape With Armenians is a Watercolor realized by Henry Ottmann in 1946. Good condition on a yellowed paper. Hand signed and dated by the artist on the lower right corner. Incl...

Queensdown Warren, Kent - Autumn Forest Interior Landscape in Watercolor Colorful forest landscape by L.B.H. Cremer (20th Century). Layers of color cr...

This beautiful, atmospheric British 1920’s watercolour landscape painting is by noted artist Albert Goodwin. He was championed by famed art critic John Ruskin who took him on tour in...

Albert Wein visited Monhegan, Maine and created a modernist series of watercolors depicting the landscape, coast and life on the Island. Richly colored, t...

Illegibly signed. Presented in a fine oak frame. On paper.

This abstract landscape painting by Melissa Kircher is made with watercolor and ink on paper. It features intricate line work over washes of paint to create a whimsical coastal hill-scape scene in a cool, earthy palette. The painting itself is 11.5" x 8.5", and measures 18.5" x 16" framed. The paper is matted and professionally framed in a warm silver frame. It is wired and ready to hang. This piece pairs beautifully with Salt and Sky and Sea View by the same artist. Please see the three hung together in the image gallery. Contact us for more information or to purchase the three paintings together. Melissa Kircher is a painter and illustrator who enjoys everything bold and beautiful. She works with acrylics, watercolor, and ink to create pieces that invoke her deep love of nature and the human spirit. Kircher graduated with a B.A. in Fine Arts from Gordon College...

Serene depiction of a stream in the forest by San Jose artist Kay Clark (American, 20th Century). Signed in the lower right corner. Presented in a white fr...

Pencil and watercolour on paper Paper size: 10.5 x 7.5 inches Framed size: 21.25 x 18.25 inches Initialled lower right

Very well executed watercolor on archival paper of a New England homestead nestled in a picturesque valley. Early fall with the tress just starting to change colors. The watercolor was done by the American artist Hilton Leech...

A charming Georgian watercolour landscape showing a shepherd leading his flock along a riverside lane. The shepherd is wearing the traditional Scottish kilt...

A loosely captured country landscape in watercolour. Well presented in a wash-line mount and gilt frame. Unsigned. Fixed with a noted suggesting the artist verso. On paper.

Original oil pastel twilight scene on Canson Mi-Teintes pastel paper of a tree lined country lane. Beautiful use of light and shadows. American School, post impressionist style. Init...

"MD-LAQUINTANE" French school of the twentieth century Oil on canvas 32 x 41 cm (50 x 58 cm with the frame) Signed lower left "MD-LAQUINATNE" Beautiful frame The subject is probably...

'A Buginese boat, Semarang 1898’ Signed, dated, and annotated, upper right Pen, brush and ink on cardboard, H. 11.4 x W. 26.3 cm Literature: Venselaar, 2019, p. 69 (ill.)

Street scene village market, well executed watercolor and pencil drawing, artist titled and signed illegibly, attributed to Moisey Kogan Russian 1924-2001. Image size about 27"x18"F...

Josiah Clinton Jones (1848-1936). Original watercolour. Grey clouds over the mountain pass. Signed to the lower right. Well-presented in a fine black and gilt frame. On paper.

Beautiful watercolor landscape of a rocky arroyo with native plants and distant mountains near Death Valley National Park, California by California artist Marilyn Ann Deeds (American...

This artwork "Hot Air Balloon with Couple" 2017, is a pastel on paper by French artist Jean Marc Brugeille, b.1959. It is signed and dated at the lower right corner by the artist. Th...

Christopher Ganz La Salute, Venice 2015 intaglio on chine colle, ed. II/VI 11h x 7w in 27.94h x 17.78w cm Frame: 21.25h x 18.25w in CG0035 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching, Invitational Print Portfolio Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3 Contemporary American Realism: Fort Wayne Museum of Art 2012 National Biennial, Fort Wayne, IN, Aug.11-Oct. 28 32nd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 13 – May 23 Juror: Ladislav Hanka, internationally exhibiting printmaker International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April 20-23 Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2 Ann Nathan Gallery, Chicago 2011 Prints U.S.A. 2011 – National Juried Exhibition Springfield Art Museum, Missouri, Nov. 18 – Jan. 8 Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum International expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery space, April 14-17 2010 Contemporary American Realism: Fort Wayne Museum of Art 2010 National Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted Cultural Baggage, Invitational Print Portfolio Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct. 13-16 Art Chicago: International Fair of Contemporary and Modern Art Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2 30th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 16 – May 26 Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH 2009 Are you looking at me? Invitational Print Portfolio Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19 Art Chicago: International Fair of Contemporary and Modern Art Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4 Identification Please, Invitational Print Portfolio Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National Conference, Columbia College, Chicago, March 25 – 29 Boston Printmakers 2009 North American Print Biennial – National juried printmaking exhibition Juror: Rebecca Waddell, Curator of Prints at the New York Public Library Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30 22nd Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19 Juror: Professor of printmaking at the University of Wisconsin - Parkside Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted 28th Annual National Print Exhibition at Artlink - National Juried Exhibition 2008 Artlink Gallery, Fort Wayne, IN, April 11 – May 21 Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and Curator of Prints and Drawing, Art Institute of Chicago “No Danger” - Invitational Portfolio Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond International Airport as part of the Southern Graphics Council National Conference Virginia Commonwealth University, Richmond, VA, March 26 – April 26 21st Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21 Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine Arts, Ohio University 2007 Singularities – Invitational group exhibit Joan Resnikoff Gallery, Roxbury Community College, Boston, MA Nov. 2 – Dec. 17 Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational international printmaking exchange exhibition School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong, China, Nov. 1 – Nov. 16 27th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley State University Boston Printmakers 2007 North American Print Biennial – National juried printmaking exhibition Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1 Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck, Professor of Art, University of Dallas A Mammalian Future? - Invitational Portfolio Intaglio print Jonas Ark displayed at Southern Graphics Council National Conference University of Wisconsin-Madison, University of Wisconsin-Madison, April 5 – 9 Paper in Particular - National Juried works on paper exhibition Larson Gallery, Columbia College, Columbia, MO, Feb. 5 - March 5; two pieces accepted. Juror: David Morrison, Professor of Printmaking, Herron School of Art and Design, Indianapolis, IN 19th Parkside National SmallPrint Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.15 - Feb. 16 Juror: Rudy Pozzatti, Professor Emeritus, Indiana University - Bloomington 2005 18th Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.14 - Feb. 22 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska-Lincoln 2004 Exchange! A Survey of International and National Exchange Print Portfolios Visual and Performing Arts Center, Main Gallery, Purdue University, Feb. 1 - 15 Juror: Kathryn Reeves, P rofessor of Art, Purdue University 2003 23rd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 16 - July 2, 2003 Border to Border – National Juried Drawing Exhibition Trahern Gallery, Austin Peay State University, Clarksville, TN, March 3 - 30 Juror: Jim Cantrell, independent studio artist, Bardstown, KY On/Of Paper – National Juried Exhibition Clyde Snook Gallery, Adams State College, Alamosa, CO, March 3 - April 11 Juror: Dale Leys, Professor of Drawing, Murray State University, Murray, KY Emerging Artists 2003 – National Juried Exhibition Limner Gallery, New York, NY, Feb.12 – March 1 Jurors: Tim Slowinski...