Francesco Spicuzza

"Monkey Island at Washington Park Zoo" Graphite & Charcoal by Francesco Spicuzza

1950

Graphite and charcoal on paper signed by the artist. 7.38" x 8.63" 16.75" x 15.5" frame Framed to conservation standards. Float mounted on 100% cotton matboard and glazed in UF5 Plexiglass that filters 99% of UV Rays to ensure the preservation of the piece. All housed in a bold miter jointed bevel frame in distressed silver finish with reflective accents. Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school. He attended classes at the Milwaukee Art Students League, where he studied under Alexander Mueller. There he learned to paint in the then-fashionable "Munich School" technique, with detailed realism in heavy browns and grayed-out hues. Spicuzza completed eight grades in four years, and then in 1911, three businessmen advanced him enough money to allow him to study in New York under artist and teacher John Carlson. It was during this time that Spicuzza changed his style of painting, developing an impressionistic use of color, form and atmospheric renditions. After a period of grinding poverty, one of Spicuzza's pictures won a major New York competition. It was the first of 60 wins, both in the U.S. and Paris. He became a fashionable painter, and many of the leading collections have his work. Spicuzza's typical works were beach scenes, still life, landscapes and portraits done in pastels, oils, ink, charcoal and watercolors. Much of his work traced the history of Milwaukee in the early 1900s. He was probably best known for his scenes of women and children splashing in the waves...

In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of two apples, still clinging to their leaves. Examples like this show the ability of Spicuzza to draw i...

In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of two milkweed pods, bursting forth with cotton. Examples like this show the ability of Spicuzza to draw in a naturalistic style, where most of her work is usually in a highly stylized, graphic mode. The richness and depth of the black charcoal makes for a moody image. 8 x 5 inches, artwork 18 x 14.5 inches, frame Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

In this drawing, Sylvia Spicuzza presents the viewer with a scene of two young women relaxing on a dock in a lake. A dinghy floats beside them as other boats traverse the water. This drawing is reminiscent of the work done by her father Francesco, who is better known for landscapes in the Impressionist style. 12 x 9 inches, artwork 18.63 x 15.75 inches, frame Stamped with artist's signature, lower right Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

"Fishing in Amsterdam" is an original ink drawing on paper by David Barnett. The artist signed the piece in the lower left. It depicts two figures fishing in front of a bridge. 8 1...

"Psalm 63:4...While I Live" is a religious original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed and titled the piece lower right. This piece illustrates...

City is an original drawing in pencil made by the Hungarian artist Nicolas Czinober in the mid-20th century.The state of preservation is good, the paper presents some small stains. ...

A delightful composition by this master watercolourist. William Payne (1760-1830) Figures chating by a cottage and stream, a rivermouth beyond Watercolour and touches of charcoal 5½...

Paul Schürch (Swiss, ∗ 14.2.1886 Wangen b. Olten, † 11.12.1939 Bern) Romantic Landscape in area of Solothurn, Switzerland • Charcoal/Pencil drawing delicately heightened in various...

Incoming rain, Den Pasar, Bali 1937 Signed with initials, dated and titled, bottom right Black chalk and ink on paper, 42 by 46 cm Literature: Ernst Braches en J.F. Heijbroek, W.O...

Graveyard with in the background the Borobudur, 1937 Signed with initials and dated bottom left Pencil and ink on paper, 33 x 29 cm In ebonized frame with white mount Literature: ...

Market under the Banyan tree, 1937 Signed with initials and dated bottom right Pencil and ink on paper, 28 cm x 34.5 cm Literature: Bruce W. Carpenter, W.O.J. Nieuwenkamp. First ...