Hannu Lindholm

"Fiskelage" (Fishing Village) - Hand Colored Seascape LIthograph

1970s

Delicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. Signed in plate, lower left. Paper size: 8.5"H x 10.5"W Mat size: 10"H x 12"W Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe. Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others. Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...

"Sur la rivière (Marne)" - On the River Marne - Hand Colored Lithograph Serene depiction of a house along the Marne River by unknown artist "Charlot." This piece was commissioned and printed by Camilla Lucas Publishing in New York. A two-story house with a red roof sits on the bank of the river. Lush trees line the banks, some of which are depicted with orange-brown leaves, indicating that autumn has arrived. The color in this piece was added by hand. Titled "Sur la riviere (Marne)" in the lower left corner. Signed "Charlot" in the lower right corner. Presented in a wood frame with a double mat. Frame size: 20"W x 16"W Image size: 11.5"H x 9"W In 1928, Hungarian-born Sidney Zoltan Lucas founded "Camilla Lucas Publishing" which encompassed a wholesale art publishing house and a retail art gallery. This business was both wholesale and retail and dealt in reproductions of antique, modern, and contemporary prints. It also sold original art including etchings, lithographs, and paintings. Starting in the 1930's and continuing into the 1950's, Sydney Lucas traveled to Europe periodically and contracted with French and Flemish artists to publish their work under the banner of the "Paris Etching Society." During his career, Sydney published many thousands of images. He brought art into the homes of people at all levels of income through his etchings, serigraphs, woodblock prints, restrikes and reproductions. The various subjects included Redouté and Prevost Flowers, Barraband and Gould Birds, Piranesi, French Landscapes, Urban Scenes, Women, Children, Animals, Hunting and much more. Later on in the 1950s, Sydney and his wife Phyllis Lucas became the first North American publishers of original signed, limited edition lithographs by the famous surrealist artist Salvador Dali. They worked directly with Mr. Dali over several years and the three created such fine images that in 1985 the Lucas’ Collection of limited edition lithographs from Salvador Dali’s paintings were displayed alongside his original paintings at the Salvador Dali Museum...

"Pueblos" - Hand-Augmented Fauvist Landscape in Ink and Pastel on Paper Bold and saturated depiction of pueblo buildings by Margie Dickson (American, b. 1938). These buildings are h...

"Big Sky Country" - Landscape Original in Watercolor on Paper A cool and calming landscape watercolor in which the artist uses long, loose brushstrokes to create large, nebulous clo...

Stunning late 19th century landscape watercolor painting of a farm scene by an unknown artist. Presented in a giltwood frame. Image size, 16"H x 20"L.

Golden fields, a turn of the 19th century watercolor landscape by John Varley (British, 1778-1842), c.1800. Indistinct signature lower center left. Artwork has been professionally restored. Presented in archival matting. Unframed. Image size, 5"H x 7.13"W. With a letter from Jacob (Jack) Isaacs (1896-1973) on verso notating a John Varley watercolor circa 1800. Jacob Isaacs was born in 1896. He was educated at the Grocers' Company's School, Hackney Downs. He began his career in the civil service from 1912-1916. During the First World War he was involved in active service in France and held the rank of lieutenant (Territorial Army) as part of the Royal Garrison Artillery from 1916-1918. In 1919 Isaacs began his academic career by studying at Exeter College, Oxford, where he achieved a 1st Class Honours degree in English. From 1921-1924 he was an assistant lecturer in English at the University College of North Wales, Bangor and was later an assistant lecturer in English at King's College, University of London, 1924-1928. He progressed up to the position of lecturer in English from 1928-1942 and the moved to a position in Palestine as first Montefiore Professor of English in the Hebrew University of Jerusalem from 1942-1945. Isaacs returned to England in 1945 and was Chair of English Language and Literature at Queen Mary College, University of London from 1952-1964. In 1964 Isaacs retired from his position as Chair of English Language and was appointed Professor Emeritus. John Varley (17 August 1778 - 17 November 1842) was an English watercolour painter and astrologer, and a close friend of William Blake. They collaborated in 1819-1820 on the book Visionary Heads, illustrated by Blake and written by Varley, who was the elder brother of Cornelius Varley. John Varley was born at the Old Blue Post Tavern, Hackney, on 17 August 1778. His father, Richard Varley, born at Epworth in Lincolnshire, had settled in London after the death of his first wife in Yorkshire. For a brief time John Varley was employed by a portrait painter in Holborn and then, at the age of 15 or 16, he became a pupil of Joseph Charles Barrow (fl. 1789-1802), who had an evening drawing school twice a week at 12 Furnival's Inn Court, Holborn. It was Barrow who took Varley on a sketching tour to Peterborough from which he emerged as a professional painter. In 1798 he exhibited a highly regarded sketch of Peterborough Cathedral...

"Famous Artist Series: Homage to David Hockney - Sun & Water Spots on My Glasses by the Pool, miniature variation" is a mixed media watercolor and ink landscape painting of a yellow sky with tall green palm trees, red, orange, and yellow flower garden. As part of the artist's 'Famous Artist Series,' Barnett pays homage to David Hockney, who is known for his depictions of pools. This artwork was inspired by a trip to Los Angeles, California, and the view from David's hotel room overlooking the pool at the Hollywood Roosevelt Hotel...

A hand-painted print of a Chinese landscape with the Chinese wall and traditional Chinese architecture. The work is a traditional woodblock print ...

This is an exclusive handprinted limited edition cyanotype. "Tempestuous Tidal in Blue" is an original cyanotype diptych portraying the tidal behavior during a storm. Details: + T...

This is an exclusive handprinted limited edition cyanotype. "Rolling Waves off Sidney" is a gorgeous original cyanotype diptych showing energetic waves embracing the Australian coas...

This is an exclusive handprinted limited edition cyanotype. "Deep Blue Sandy Shore" is a minimal cyanotype diptych that shows a smooth wave reaching the coast of Puerto Escondido. ...

This is an exclusive handprinted limited edition cyanotype. "Serene Cove Ripples" is a gorgeous original cyanotype diptych showing calming sea ripples in a Mediterranean cove. Deta...