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“The Old Factory”

Circa 1940

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  • “Portland Harbor in 1910”
    Located in Southampton, NY
    Beautiful watercolor and gouache on archival paper by the well known Maine artist Bill Paxton. The watercolor depicts what Portland harbor in Maine looked like in 1910 with sailing vessels of the era moored in the harbor. Signed lower right by the artist. Titled verso. Circa 1975. Condition is excellent and is finely matted and framed. The artwork is matted and framed in a thin gold leaf custom gallery frame. Overall framed measurements are 17.5 by 21.75 inches. Provenance: Sarasota, Florida estate. William (Bill) Paxton 1930—2007 William Paxton, born August 5, 1930 in Lewiston, was one of Maine’s top selling artists. He had a passion for painting and from a young age he was known for his talents in sketching. Paxton captured many popular Maine scenes with watercolor, acrylic, and oils. His work also includes historical scenes he referenced in books from as early as the 1920’s, painting locomotives, aircraft, and war scenes. Paxton’s art is sold all over the world. As a student at Bridgton Academy, he was featured in his yearbook. It states, “When artist Bill picks up his pen, we all stand at attention, for his remarks and pictures are certainly worth mention.” He wanted to pursue a career selling his art, but it was during the time of the Great Depression. Also in his younger years, Paxton had an interest in skiing and won a medal for Second Highest Ski Jump. From there he went to flying and received a certification for Second-in-Command, to fly alongside the captain in a C-46F type of aircraft. He then joined the Air Force in the 40’s, although his passion and talents for art were constant throughout his life. Paxton quickly became the front line military sketch...
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    1970s Academic Landscape Drawings and Watercolors

    Materials

    Watercolor, Gouache, Archival Paper

  • “Venice Dreams”
    By Theodor Alphons
    Located in Southampton, NY
    Fabulous watercolor of Venice, Italy done by the Austrian artist, Theodor Alphons. Signed and dated lower left, 1895. Framed in a beautiful custo...
    Category

    1890s Academic Landscape Drawings and Watercolors

    Materials

    Watercolor, Archival Paper, Gouache

  • “Artist Self Portrait”
    By Julee Docking
    Located in Southampton, NY
    Original mixed media composed of watercolor and gouache on archival paper. Signed lower right. Condition is very good. Appears to be a self portrait of the artist. Circa 1970. Under glass. Framed in a contemporary gold frame Overall framed measurements are 12 by 10 inches. Provenance: A Sarasota, Florida estate. Julee Docking biography: Painter, Oil, Watercolor, Acrylic, Collage, Woodcuts, Charcoal, Mixedmedia, Sculptor, Clay, Mixed media. Born: Bethesda-Chevy Chase, Maryland Studied: Corcoran Art School-Washington DC High Museum,Atlanta ,GA and Private Lessons Taught: Painting and Sculpture in Atlanta and Sarasota Membership: National League of American Pen Women, Women's Caucus ofArt, Florida Artists Group member 1973 Petticoat Painters member 1975 Art Center Sarasota member 1972 Manatee Art Center Venice Art Center Artist Statement: I enjoy painting in all media, relying on "Chance" to help create the First Ecstatic Impression of either abstract or Realism Genres. A long time resident of Sarasota, Julee Docking has been listed in "A History of Visual Art in Sarasota" And was part of the fine Arts Society "Artist and Collectors Tour" in 1973 and again in 1988 AWARDS: Grumbacher Gold Medallion, Cornell Museum FL Hilton Leach...
    Category

    1970s Contemporary Landscape Drawings and Watercolors

    Materials

    Gouache, Watercolor, Archival Paper

  • “View of Bay of Naples 2”
    Located in Southampton, NY
    Very well executed original gouache on archival paper by the Italian artist, Maria Ada Gianni. Signed lower left. Condition is excellent. Circa 192...
    Category

    1920s Academic Landscape Drawings and Watercolors

    Materials

    Archival Paper, Gouache

  • “View of Bay of Naples”
    Located in Southampton, NY
    Very well executed original gouache on archival paper of a group of figures on an overlook viewing the Bay of Naples by the Italian artist, Maria Ada Gianni...
    Category

    1920s Academic Landscape Drawings and Watercolors

    Materials

    Archival Paper, Gouache

  • “The Lobstermen”
    By Gordon Grant
    Located in Southampton, NY
    Beautiful original watercolor and gouache on archival paper by the famous American marine artist, Gordon Grant. The artwork depicts two rugged lobstermen bringing their catch ashore...
    Category

    1930s American Realist Landscape Drawings and Watercolors

    Materials

    Watercolor, Gouache, Archival Paper

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    Located in New York, NY
    Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...
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