Joseph O'Sickey

Mountain and Sky, Deer Island, Maine

1985

Mountain and Sky, Deer Island, Maine Watercolor on paper, 1985 Signed in ink lower right corner From the artist's 1985 sketchbook Done while at their summer home in Deer Island, Main...

untitled (Rocks along the Coast) Gouache and watercolor on paper, c. 1950 Signed with the estate stamp signature lower left (see photo) This is a preliminary study for a large exhibition painting...

untitled (The White Barn with Farmers and Horse) Watercolor, c. 1950 Signed by the artist in ink lower right: Wm. C. Grauer Numbered in pencil verso: 152 Provenance: Estate of the Artist Gretchen Grauer Vanderhoof, the artist's daughter Condition: Excellent Image/Sheet size: 18 3/4 x 24 inches William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

Breaking Up of the Penelope watercolor on artists watercolor board, 1942 Signed and dated by the artist lower right (see photo) Exhibitions: Cleveland, OH, The Cleveland Museum of Art, May 3 - June 11, 1944: "The 26th Annual Ehibition of Works by Artists and Craftsmen of the Western Reserve," , (label on verso) Youngstown OH, The Butler Insititue of American Art, 1943: "1943 New Year Show," , (label on verso) "Ed Dobrotka was one of comic-book illustrator Joe Shuster's early assistants. In the studio, he worked on the 'Superman' series, inking the pencils of artists including Shuster, John Sikela, Leo Nowak and Wayne Boring. Dobrotka did do some pencilling of his own, however he returned to inking exclusively in 1945. In the following years, he worked with Sikela on the 'Superboy' series until the 1950s. He has also work on the solo 'Lois Lane...

The Duomo, Florence Watercolor, 1914 Signed and dated lower center edge (see photo) Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. Condition: Excellent Image size: 16 3/4 x 14 1/2 inches Frame size: 24 1/4 x 22 inches Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. He spent much of his early years at the Boston Public Library studying the work of printmakers, from Durer and Rembrandt to the 18th century English, French and Italian masters. Like many American artists of the time MacLaughlan traveled to Europe to study in Paris, enrolling in the Ecole des Beaux Arts and studied further with Jean Leon Gerome and Jean Paul Laurens. In 1899 he began producing etchings, which became his major interest until his death in 1938. He became acquainted with James NcNeill Whistler (1834-1903) and other artists who created etchings and spent time studying the etchings of Rembrandt van Rijn (1606-1669) and other old masters in the collection of the Bibliothèque Nationale. Both Rembrandt and Whistler would have major influences on his art. In 1900 he created a set of 25 etched views of Paris and in 1901 exhibited two etchings in the Salon de la Société Nationale des Beaux-Arts. He returned to the U.S. in 1903, then went back to Paris the following year. He traveled extensively in Europe, visiting England, Switzerland, Italy and Spain as well as various locales in France. His etched views of Venice were well-known. MacLaughlan exhibited views of Paris, Rouen, Normandy and Italy in 1906 in a solo show at the American Art Association Galleries in Paris. He also displayed his work in the 1906 exhibitions of the Société Nationale des Beaux-Arts and the Société des Peintres-Graveurs Français. MacLaughlan even instructed other expatriate Canadian artists then living in Paris, most notably Clarence...

Snowy Peaks (Mont Blanc) Watercolor on paper, c. 1930 Signed "R. Hallowell" lower right (see photo) The image depicts is of Mont Blanc in France. Mont Blanc is the highest mountain in the Alps and Western Europe, rising 4,807.81 m above sea level. It is the second-most prominent mountain in Europe, after Mount Elbrus, and it is the eleventh most prominent mountain summit in the world. Wikipedia Provenance: From the Estate of the Artist Marbella Gallery, NYC (label) Exhibited and Illustrated: Robert Hallowell (1886-1939), Marbella Gallery, New York, Introduction by Ronald G. Pisano, No. 99. “There is in Mr. Hallowell’s work a grace that amounts to graciousness.” Leo Stein (1872-1949) Robert Hallowell (1886-1939) was highly regarded as an artist exhibiting at the finest galleries and museums in American and France in the 1920’s and 1930’s. His other professional life included graduating from Phillips Academy, Andover and Harvard University. While at Harvard he was president of the Harvard Lampoon...

Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...

Paul Resika was born in New York City in 1928. He began taking painting lessons at age nine, greatly encouraged by his Russian émigré mother. At twelve years old, he began studying w...

This series of paintings is inspired by the relationship between the artist and the Fontainebleau forest region. Here we're talking about the Episy marsh, a sensitive, protected natu...

"Sweet Heat" is a watercolor on paper framed on patine gold wooden frame. Unframed size : 40 X 30 cm Framed size : 50 X 40 cm The work thus incites one to reconnect, to take a br...

ARTIST: Trevor Frankland PPRWS RBA RI RE LG (1931-2011) British TITLE: "Grand Tour Revisited No.4" SIGNED: lower right MEDIUM: watercolour on paper...

Sandy Litchfield found peace and inspiration in regular solitary walks through nature throughout the pandemic. Her most recent body of work diaristically documents her constitutional...