Paper Landscape Drawings and Watercolors

Josephus Augustus KNIP Tilbourg 1777 - Berlicum 1847 Picturesque landscape of the Alps with anthropomorphic rock Circa 1800 Watercolor, gouache and brown ink Signed lower left 47 x ...

George Augustus Wallis (1761 Merton (London) - 1847 Florence): Italian landscape with fortified town, 19th century, Pencil Technique: Pencil on Paper Date: 19th century Descriptio...

This drawing represents a lateral view over the Cathedral of Koln that doesn't want to be a faithfull copy from real but It's pervaded with a nostalgic and decadent feeling proper of...

Medium: Ink, Graphite, and Watercolor on Paper Mounted Signature: Signed Lower Right circa 1881 Exhibited: Kennedy Galleries, with their label suggesting the creation date of 1881.

The drawing depict the Sanctuary of Madonna di San luca in Bologna. It can be attributed to a French artist because it's written "Bologne" (the french name of...

George Augustus Wallis (1761 Merton (London) - 1847 Florence): Italian landscape with village, 19th century, Pencil Technique: Pencil on Paper Date: 19th century Description: View...

Signed watercolour on paper landscape circa 1870 by French impressionist painter Eugene Boudin. The work depicts figures on a golden-sanded beach at low tide with sailing boats in t...

This 19th-century watercolour by British artist Joseph Josiah Dodd (1809-1880) depicts Milan Cathedral in Italy. Rising like a Gothic behemoth, the majestic facade of Milan Cathedra...

Pompei is a modern artwork realized by an Anonymous artist in 1893. Pencil on paper. Dated on the lower Good conditions with slight foxing and folding.

This beautiful late 19th-century watercolour by British artist James Herbert Snell (1861-1935) depicts a shepherd herding sheep in the evening. Snell was an interesting painter as h...

Very good quality work by this renouned English artist. Watercolour on paper on board. David Cox 1783-1859 David Cox was an English landscape painter, one of the most important memb...

This charming late 19th-century watercolour by British artist E Wood depicts a beautiful 15th/16th century farmhouse near Godalming in Surrey, England. As chickens rummage for food ...

Edwin Lord Weeks. American ( b.1849 - d.1903 ). In the Citadel, Cairo, before The Great Mosque of Muhammad Ali Pasha Watercolor. Monogram Lower Right. Image size 8.3 inches x 5.3 in...

Thomas Cooper Moore. English ( b.1827 - d.1901 ). Prospect of Nottingham Castle from The Park. Watercolor. Signed. Image size 12 inches x 17.3 inches ( 30.5cm x 44cm ). Frame size 1...

A wonderful example of the rare and intricate work of John Cantiloe Joy (1806-1866) Shipping off the Norfolk coast with figures on the shore Watercolour over traces of pencil 6½ x 1...

The subject illustrated here is one of the moments that mark the centuries-long history of Genoa's glorious Maritime Republic, when the ashes of St. John the Baptist, one of the city...

Xanthus Russell Smith (American, 1839-1929) Army Transport "Neptune" Ink on bristol board, 9 x 14 1/4 inches Framed: 16 x 22 (aprox.) Signed at lower left: "X.S.” Inscribed: (on pap...

Signed watercolour on paper landscape circa 1865 by French impressionist painter Eugene Boudin. This work depicts an artist painting a portrait of an elegant couple on the beach at D...

Cornelius Pearson b.1805 – d.1891 & Thomas Francis Wainewright, b.1794 – d.1883 English Crymlyn Bog and Neath River Estuary Swansea Bay, 1872 Watercolor. Signed & Dated 1872. Image size 7.9 inches x 15.9 inches ( 20cm x 40.5cm ). Frame size 15.2 inches x 23 inches ( 38.5cm x 58.5cm ). Available for sale; this original painting is by Cornelius Pearson with a significant contribution by Thomas Francis Wainewright, and is dated 1872. The watercolor is presented and supplied in a sympathetic pinned corner frame dating from the 1950s or 1960s (which is shown in these photographs), mounted and behind glass. This antique painting is in very good condition whilst the frame is in a good condition, commensurate with age. It is ready to hang and display. The watercolor is signed by both artists and dated 1872 lower left. The mount is titled and attributed by hand. Cornelius Pearson was an accomplished landscape artist. He was born in Boston, Lincolnshire but moved at an early age to London where he became apprenticed to a copper-plate engraver. He soon abandoned engraving however to devote himself to being a watercolor painter. Although he lived in London throughout his career, he travelled for his work to paint in Kent, Ireland, Wales, the Lake District, Scotland, on the Thames and Devon. He was a regular exhibitor at the Suffolk Street Galleries, and also exhibited at the Royal Academy, the New Watercolor Society and elsewhere. He was one of the oldest members of the Langham...

This small watercolor painting by Anna Palm de Rosa, titled "Coach and horses at full speed, Boulogne-sur-Seine," is a vibrant and dynamic piece that captures a moment of speed and e...

Robert Frier (Scottish, 1855–1912) Scottish Landscape Watercolor on paper, 11 x 18 3/4 inches (sight) Framed: 21 x 28 inches (approx.) Signed at lower left: "Rob Frier" Inscribed on ...

Pencil on cream wove paper, 5 5/8 x 9 7/8 inches (141 x 250 mm), signed in pencil, lower lower left. With some remarques in graphite and the letter "H" written in green pencil in the left margin. There is some adhesive residue from a former mount at the top corners on the verso, and at each of the four corners on the recto, as well as some minor, uniform age toning. On the verso in pencil is the date, along with an inscription including the name "Magriel," in reference to the important New York City based art collector Paul David Magriel (1906-1990). Presented in a simple gold and cinnebar wood frame from the period. With the Paul Magriel Collection label on the frame back, as well as labels from the Hebert E. Feist Gallery, NY, NY, and the Country Art Gallery, Locust Valley, NY. Henry Farrer was a founding member of the American Society of Painters in Water Color (1866), and served as the secretary of that organization for many years. Farrer was also a founding member of the New York Etching...

A fine watercolor by an unknown English artist with a view overlooking the Buckingham Palace garden and its lake, towards the West facade of the Buckingham Palace. In the distance on...

Landscape with Ciociaria shepherd, the bridge over the Tiber river and the ancient ruins by Paul Pascal (1839-1905).   Around 1880. Gouache on paper. Dimensions with frame: cm 69 x...

Percival Skelton (English, active 1852-87) Cherbourg Watercolor on paper, 5 3/8 X 9 3/8 inches Framed: 11 x 15 inches (approx.) Inscribed at lower left: "Cherbourg"; at lower right: ...

Charles Gregory. English ( b.1849 - d.1920 ). Summers Day at Steyning Bowl, West Sussex, South Downs Way. Watercolor. Signed. Image size 17 inches x 25.2 inches ( 43cm x 64cm ). Fr...

This mid-19th-century Swiss school drawing depicts the beautiful Esplanade de Montbenon in Lausanne, Switzerland. The picturesque gardens of the Esplanade de Montbenon provide a spl...

Frederick Williamson. English ( b.1835 - d.1900 ). Fishing Boats & Fishermen on Beer Beach, East Devon. Watercolor. Signed. Image size 5.9 inches x 8.9 inches ( 15cm x 22.5cm ). Fra...

William James Blacklock (English, 1816-1858) Rural Landscape, Watercolor on paper, 5 7/8 x 7 7/8 inches Framed: 15 x 18 inches (approx.) Inscribed on verso: (in pencil) "Heath sce...

Il disegno, 30 x 41 cm acquarello su carta, raffigura una scena di caccia. Il centro del foglio è dominato dall'assalto di un cane molosso con il collare ad un cervo, mentre sullo sf...

Although Western painting was initially embraced during Japan’s Meiji period (1868–1912), artists brought on a revival of traditional painting styles as they sought to create a moder...

William Crouch (active 1817-1850) A view of a country estate in the mountains Watercolour 3 x 4½ 8¼ x 9¼ inches with frame William Crouch was a prolif...

A charming rural scene painted in the style of Thomas Girtin with good strong colours. Circle of Thomas Girtin Sheep in a hilly pasture with a farmhouse Signed with initials and dated "AP (18)05' Watercolour, with attractive washline mount 6¾ x 9¾ inches with frame 14 x 17 inches including frame Thomas Girtin was born in London in 1775, the same year as J.M.W. Turner, and died in 1802, at the age of twenty-seven. The art of watercolour was transformed during Girtin's brief life. This was especially marked in landscape watercolours, which grew in scale and ambition. Led by Girtin and Turner, watercolourists abandoned careful stained drawings for a more dramatic style of painting that captured moods and a range of light and weather effects. Not everyone welcomed the rapid technical changes, especially as revolution and war threatened the established political order. For a brief period, however, watercolour painting was the epitome of modern art, and the landscapes of Girtin and Turner were welcomed as a national triumph. Girtin was apprenticed at the age of 14, in the year of the French Revolution, and by the age of 19 he was exhibiting at London's Royal Academy, and producing watercolour landscapes for private patrons. However, unlike Turner, Girtin remained something of an outsider to the art establishment: he did not study at the Academy's schools, and was rumoured to have radical, or even revolutionary sympathies. He also tried to break away from the traditional reliance on the patronage of the wealthy, partly by trying to sell his work on the open market, and partly through two larger projects aimed at a mass audience: a group of twenty printed Views of Paris and an enormous 360 degree panorama of London...

Two delightful watercolours, with wonderful details by the highly collectable Charles Robertson. They depict two different aspects of Victorian life, the first captures two boys fis...

A very attractive view of a rural lane in Pirbright by this highly collectable artist who was a contemporary and friend of John Constable. Dr William Crotch (1775-1847) Mr Pear's House at Pirbright from the Turnpike Signed with initials on reverse and inscribed as title and additionally " Thunder about/ 1 pm" watercolour and pencil 4 x 6½ inches without frame 11 x 13 inches with frame William Crotch (5 July 1775 – 29 December 1847) was an English composer and organist. According to the British musicologist Nicholas Temperley, Crotch was "a child prodigy without parallel in the history of music", and was certainly the most distinguished English musician in his day. Crotch was a professional musician, becoming the first Principal of the Royal Academy of Music...

Dreamy antique watercolor landscape of a picturesque scene of a church steeple rising from the foliage as a female figure rests under the shade of...

Beautifully executed original watercolor by the Italian born artist, Cesare Tiratelli. Signed bottom right. Strong, rich vibrant colors. Condition ...

Julian Alden Weir River Landscape Signed lower left Watercolor on paper 9 x 11 1/2 inches Provenance: Kraushaar Galleries, New York Sotheby's Parke Bernet, New York, 1965, Lot 27 E....

Edwin Lord Weeks. American ( b.1849 - d.1903 ). Egyptian Buffalo and Farmers. Egypt. Watercolor. Monogram Lower Right. Image size 5.1 inches x 8.3 inches ( 13cm x 21cm ). Frame size...

A very attractive rural scene of a fisherman and his dog on a riverbank, in very good colour and an appealing composition. Claude Hayes (1852-1922) A fisherman and his dog by a riverbank Signed Watercolour with touches of pencil 6½ x 10 inches, image only 13 x 16 inches with the frame Claude Hayes was a Dublin born painter who to avoid his father's wish to make a businessman of him ran away to sea and served on the Golden Fleece, one of the transports used in the Abyssinian expedition of 1867-68, and also spent a year in the United States. Returning to London, he studied art at Heatherley's and the Royal Academy Schools, and then in Antwerp, under Charles Verlat. He worked in Hampshire with James Aumonier and also in Surrey with William Charles Estall, whose sister he married. Hayes exhibited widely in London and provincial centres, and was elected a member of the Royal Institute of Painters in Water Colours in 1886, the Royal Institute of Oil Painters in 1883, and the Royal Scottish Society of Painters in Watercolour, 1902. He also showed at the RA, RBSA, Brook Street Art Gallery, Dudley Gallery, FAS, GI, Grosvenor Gallery, Walker Art Gallery, Liverpool, MAFA, RBA, RHA, Ridley Art Club, RSW and Walker's Gallery, London. In 1912, Claude Hayes represented England at the Venice Biennale. His work is in various public collections in England and Ireland including the Ulster Museum, Museums Sheffield, Torre Abbey Museum and the Leeds City Art Gallery. His father was the artist Edwin Hayes.

William Mellor. English ( b.1851 - d.1931 ). Waterfall on the River Llugwy near Betws-y-Coed, Wales. Watercolor. Signed. Image size 18.5 inches x 16 inches ( 47cm x 40.5cm ). Frame ...

Mid 19th Century watercolour drawing and watercolour study of a tree by noted Danish artist Thorald Læssøe. The work is monogram signed bottom left and there is an annotation in the ...

Watercolour on paper, signed bottom left Image size: 13 3/4 x 9 1/2 inches (35 x 24 cm) Mounted and framed The Generalife was a summer palace and country estate of the Nasrid rulers...

William Mellor. English ( b.1851 - d.1931 ). Waterfall and Stone Bridge on the River Llugwy, near Capel Curig, Wales. Watercolor. Signed. Image size 18.3 inches x 16 inches ( 46.5cm...

Precious Watercolor attributed to James WARD (1769-1859) - England, 1830-1840. The Fisherman' S Family. Measurements : View : 20"x14.6" (51x37 cm), With frame : 26.6"x21.5" (67.5x54....

This beautifully excecuted landscape with cattle in watercolor was made by Abraham Hendrik Winter (1800-1861). Winter was born in Utrecht (the Netherlands) in 1800 and was a teacher ...

Watercolor on paper depicting a Dutch landscape (East of The Netherlands) with grazing cows at the edge of a forest, by A. M. Gorter (1866 - 1933). Dimensions incl. frame: 60 x 72 cm...

Sydney Point, Mahableshwur Hill Station, Western Ghats, India Artist: Sir James Peile (1833-1906) Medium: Watercolour and Pastel on Paper Created: October 1862 Image Size: 23 x 36 ...

Artist: Unknown Medium: Watercolour on Paper Created: 1856 Size: 22.2 x 32.5 cm Signed bottom left in pencil Ootacamund 10th March 1856 Written on back in pencil 'Ootacamund from ...

A very atmospheric snapshot of a sailing vessel in a stiff wind just off a jetty. The artist has captured the sense of drama, with both sails straining against an off shore breeze an...

Mid 19th Century watercolour drawing of Frederiksborg Castle by noted Danish artist Thorald Læssøe. The work is monogram signed to the back of the paper where there is another drawin...

Albert Goodwin (British, 1845-1932) Cattle watering on the River Witham, Lincoln Cathedral beyond Watercolour Signed and dated ‘A.Goodwin, 1875’ (lower left) 5. 5/8 x 10. 3/4 in (14....

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

The Sower by Camille Pissarro (1830-1903) Ink on paper 23 x 16 cm (9 x 6 ⁵/₈ inches) Stamped lower right, C.P. This work is accompanied by a letter of authenticity from Dr. Joachim...

A very finely observed pair of marine watercolours. The artist has meticulously depicted the rigging of the vessels, suggesting a working knowledge of the maritime world. Richmond M...

John Singer Sargent Study off Newport, Rhode Island, 1876 Signed in pencil "JS265A" lower left Pencil on paper 5 x 10 inches Provenance: Estate of the artist Grand Central Art Galleries, New York, 1959 Mr. William H. Bender Jr Sotheby's New York, September 19, 1987 Private Collection 1987-2000 Mark Borghi Fine Art Inc., circa 2002 Private Collection (acquired from the above), New York Recognized as the leading portraitist in England and the United States at the turn of the century, John Singer Sargent was acclaimed for his elegant and very stylish depictions of high society. Known for his technical precocity, he shunned traditional academic precepts in favor of a modern approach towards technique, color and form, thereby making his own special contribution to the history of grand manner portraiture. A true cosmopolite, he was also a painter of plein air landscapes and genre scenes, drawing his subjects from such diverse locales as England, France, Italy and Switzerland. In so doing, Sargent also played a vital role in the history of British and American Impressionism. Sargent was born in Florence in 1856. He was the first child of Dr. Fitzwilliam Sargent, a surgeon from an old New England family, and Mary Newbold Singer, the daughter of a Philadelphia merchant. His parents were among the many prosperous Americans who adopted an expatriate lifestyle during the later nineteenth century. Indeed, Sargent's family traveled constantly throughout the Continent and in England, a mode of living that enriched Sargent both culturally and socially. He ultimately became fluent in French, Italian and German, in addition to English. Having developed an interest in drawing as a boy, Sargent received his earliest formal instruction in Rome in 1869, where he was taught by the German-American landscape painter Carl Welsch. Following this, he attended the Accademia di Belle Arti in Florence during 1873-74. In the spring of 1874, Sargent's family moved to Paris, enabling him to continue his training there. He soon entered the studio of Charles-Emile-Auguste Carolus-Duran. In contrast to most French academic painters, Carolus-Duran taught his students to paint directly on the canvas, capturing the essence of his subject through relaxed brushwork, a tonal palette and strong chiaroscuro. Although Sargent also spent four years studying drawing under Léon Bonnat at the Ecole des Beaux-Arts, it was Carolus-Duran's approach that would form the aesthetic basis of his style. Upon his teacher's advice, Sargent also traveled to Spain and Holland to study the work of old master painters such as Diego Velázquez and Frans Hals, both of whom also employed deft, fluid techniques. In 1876, Sargent made his first visit to the United States, claiming his American citizenship and visiting the Philadelphia Centennial Exposition. One year later, he spent the summer in Cancale, in France's Brittany region, where he painted outdoors, applying Carolus-Duran's strategies to portrayals of fishing folk on sunlit beaches. His reputation in Paris was established in 1878 when his Oyster Gatherers of Cancale (1878; Corcoran Gallery of Art, Washington, D.C.) won an Honorable Mention at that year's Salon. During the early 1880s, Sargent began making painting trips abroad, working in Venice in 1880 and 1882, where he painted street scenes and interiors notable for their brilliant play of light and shadow. He also embarked on what would be a lucrative career as a portraitist, producing such well known works as The Daughters of Edward Darley Boit (1882; Museum of Fine Arts, Boston). His early commissions also included an image of Madame Pierre Gautreau. A renowned beauty and member of Parisian society, Madame Gautreau was known for her bold, unorthodox approach towards fashion. In her portrait, entitled "Madame X" (1884; Metropolitan Museum of Art, New York), Sargent effectively captured her distinctive aura. However, his daring realism, coupled with fact that he portrayed a diamond shoulder strap falling off one of her shoulders, caused such an uproar that his career in France was seriously compromised. As a result of the controversy surrounding "Madame X,"Sargent left Paris in 1886, settling permanently in London. He subsequently flourished in the English capital, becoming the leading portrait painter to the upper classes. Those who shared Sargent's sense of refinement and sophistication, as well as his international viewpoint, were especially drawn to his fashionable French style. In addition to patronage from such prominent British families as the Wertheimers and the Marlboroughs, Sargent received an equal number of American commissions, many of them secured by artists and architects he had met during his student days in Paris, among them painters J. Carroll Beckwith and Julian Alden Weir and architect Stanford White. On a painting tour to America during 1887-1888, he portrayed members of notable families from Boston and New York, including Mrs. Jacob Wendell and Elizabeth Allen...

J. Wilson. English ( fl.1837 - 1870 ). Looe Town & Harbor, Cornwall. Watercolor. Monogramed. Image size 6.5 inches x 10.4 inches ( 16.5cm x 26.5cm ). Frame size 12.6 inches x 16.7 i...

Charles William Adderton. English ( b.1866 - d.1944 ). Norwegian barques at anchor, Lyme Bay, English Channel. Watercolor. Signed. Image size 10.6 inches x 14.4 inches ( 27cm x 36.5cm ). Frame size 16.6 inches x 20.1 inches ( 42cm x 51cm ). Available for sale; this original painting is by Charles Adderton and dates from around the turn of the 19th and 20th centuries. The watercolor is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using conservation materials and behind glass. The watercolor is signed lower left. This antique painting is in very good condition, commensurate with its age. It wants for nothing and is ready to hang and display. Charles Adderton was an accomplished landscape painter in watercolour. He was born in Nottingham in 1866, but spent periods of his life living in Nottinghamshire, Derbyshire and Yorkshire. He studied at the Scarborough School of Art under Albert Strange and had a studio in Scarborough in 1894, later living in Robin Hood’s Bay. In 1920 he was again in Nottingham where he exhibited a total of 226 paintings in the Nottingham City Art Gallery. Adderton had a reputation far beyond the Midlands however and he also exhibited in the leading London galleries from 1890, including 7 paintings at the Royal Academy, and others at the Royal Society of British Artists British Academy and the Royal Institute. He was a keen yachtsman and his landscapes included many coastal scenes. This original watercolor is a study in blues! It depicts two Norwegian sailing vessels, or barques, at anchor a short distance from the Lyme Bay coastline. The nearest vessel is flying the Norwegian flag...