Patricia Smith

Dissolution Drift (Gowanus)

watercolor, charcoal, graphite, ink on paper 19"x25" available framed Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates ou...

28"x34" (graphite and charcoal on paper) available unframed From the series: "The Hundred Acre Wood" Ragsdale’s process begins with sketches of places and things from his past...

Plot Plan No. 10616 Potentially Materialized Triple Chamber Confinement Study This ink and watercolor, work on paper is from Patricia Smith's newly released series: "Shelter in...

Plot Plan No. 13821 For Proposed Positive Aspect Containment Strategy, watercolor and ink on paper, signed on reverse by the artist and presentd framed in a high quality shadowbox fr...

Plot Plan No. 170518 Self-Generating Polarization Structure With Pronounced Left Hemisphere Compartmentalization This ink and watercolor, work on paper is from Patricia Smith's newl...

Ink and watercolor on paper, signed on reverse. Presented floated in a finely crafted hardwood frame. Titled as: "Plot Plan No. 178521 Leftist Hemisphere Disintegration Study Gerry...

'Second Mesa (Hopi Pueblo, Arizona)' is a watercolor, ink, and charcoal on paper by Bert Van Bork (1928-2014). Signed by the artist in the lower right co...

Gift, 2020, watercolor, oil pastel, pink, orange, ink, fantasy, rabbit.

Anthemusa, 2020, watercolor, oil pastel, green, landscape, ink, fantasy.

Hopeful Spring, 2020, watercolor, oil pastel, green, landscape, fantasy, trees.

New Nostalgias is a new work on paper by Turkish artist Yasemin Kackar Demirel. This architectural inspired artwork is watercolor, block print and grap...

"Santa Maria della Salute I" is a watercolor painting of the Santa Maria della Salute church and minor basilica in Venice, Italy. This work features hues of blue, orange, green and yellow. This piece is 14.5 by 17.75 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...