Paul Emile Pissarro

Tribute to Cezanne : The Old Pines - Original watercolor painting - Signed

Pink Sky on the Beach Maurice Genis Original watercolor, gouache, and ink painting Handsigned in ink On paper, 31,5 x 48 cm (c. 12,4 x 18,8 inch) Excellent condition

Impressionist Tropical Scenery Maurice Genis Original watercolor, gouache, and ink painting Handsigned in ink On paper, 16,5 x 19 cm (c. 6,4 x 7,4 inch) Excellent condition

Maurice Genis Tropical Dream Original watercolor, gouache and ink painting Handsigned in ink On paper, 33 x 26,5 cm (c. 12,9 x 10,4 inch) Excellent condition

Calming Nature Scenery Maurice Genis Original watercolor, gouache, and ink painting Handsigned in ink On paper, 27,5 x 47,5 cm (c. 10,8 x 18,7 inch) Excellent condition

Gustave Poetzsch (1870-1950) Study for a Celebration Menu Original watercolor and pencil drawing Signed in pencil Stamp of the Estate auction sale on the back on vellum 31 x 21 cm ...

Gustave Poetzsch (1870-1950) The Lake During Winter Original charcoals and watercolor drawing Stamp of the Estate auction sale on the back on cream vellum mounted on board 41 x 32 ...

Vintage Mixed Media Cityscape Illustration c.1960s Late Fall or early Winter scene of an urban environment with figures, buildings, barren trees i...

Paris: City Winter Scene by Henri Miloch (1898-1979) watercolour and gouache painting with charcoal on artist's paper, unframed Sheet: 9.75 x 13.5 inches Intriguing painting by the...

An Enlightening Afternoon Near Oregonia - Watercolor Landscape on Paper A cool pond and walking trail sprawl below an autumn canopy of trees in complementary reds and purples accent...

"Our Model T Garage" - Watercolor Landscape on Paper A rust-red barn sits below an autumn canopy of trees with contrasting blue background. Cool hues cast deep, brooding shadows opp...

BRITISH SCHOOL (Circa 1900) Venice Indistinctly signed l.r.: Wm A M**** Watercolour Unframed 19.5 by 26.5 cm., 7 ¾ by 10 ½ in. (mount size 36.5 by 39.5 cm., 14 ½ by 15 ½ in.)

Golden fields, a turn of the 19th century watercolor landscape by John Varley (British, 1778-1842), c.1800. Indistinct signature lower center left. Artwork has been professionally restored. Presented in archival matting. Unframed. Image size, 5"H x 7.13"W. With a letter from Jacob (Jack) Isaacs (1896-1973) on verso notating a John Varley watercolor circa 1800. Jacob Isaacs was born in 1896. He was educated at the Grocers' Company's School, Hackney Downs. He began his career in the civil service from 1912-1916. During the First World War he was involved in active service in France and held the rank of lieutenant (Territorial Army) as part of the Royal Garrison Artillery from 1916-1918. In 1919 Isaacs began his academic career by studying at Exeter College, Oxford, where he achieved a 1st Class Honours degree in English. From 1921-1924 he was an assistant lecturer in English at the University College of North Wales, Bangor and was later an assistant lecturer in English at King's College, University of London, 1924-1928. He progressed up to the position of lecturer in English from 1928-1942 and the moved to a position in Palestine as first Montefiore Professor of English in the Hebrew University of Jerusalem from 1942-1945. Isaacs returned to England in 1945 and was Chair of English Language and Literature at Queen Mary College, University of London from 1952-1964. In 1964 Isaacs retired from his position as Chair of English Language and was appointed Professor Emeritus. John Varley (17 August 1778 - 17 November 1842) was an English watercolour painter and astrologer, and a close friend of William Blake. They collaborated in 1819-1820 on the book Visionary Heads, illustrated by Blake and written by Varley, who was the elder brother of Cornelius Varley. John Varley was born at the Old Blue Post Tavern, Hackney, on 17 August 1778. His father, Richard Varley, born at Epworth in Lincolnshire, had settled in London after the death of his first wife in Yorkshire. For a brief time John Varley was employed by a portrait painter in Holborn and then, at the age of 15 or 16, he became a pupil of Joseph Charles Barrow (fl. 1789-1802), who had an evening drawing school twice a week at 12 Furnival's Inn Court, Holborn. It was Barrow who took Varley on a sketching tour to Peterborough from which he emerged as a professional painter. In 1798 he exhibited a highly regarded sketch of Peterborough Cathedral...