Peter Ghent RCA

Peter Ghent RCA (1857-1911) - Late 19th Century Watercolour, Cottage by a Stream

Unknown

An impressive large English School watercolour depicting figures outside a water mill, with some body colour, scratched highlights and gum Arabic. Presented in a gild frame...

An impressive 19th century English School watercolour, attributed to Alfred H. Green (fl. 1844-1878), with a monogram to the lower right which fits other monograms on record for this...

Watercolour, gouache and pastel are combined to create an incredibly intricate depiction of an early morning in Abbeville, France. Signed and inscribed. Well presented in a highly or...

A verdant and expansive watercolour showing a leafy view of the lush green valley of the Rosedale Ravine in Toronto. The artist has signed and dated to the lower left corner and the ...

A large and beautiful topographical view of Ludlow Castle from the banks of the river. Cattle drink from the water and a father and son fish on the opposite bank. The artist has sign...

A fine pastoral landscape depicting a farm beside a ford. Two figures talk secretively over a fence to the right of the composition. Presented in a white double mount and a distresse...

"Flat Lands" is an original mixed media on paper by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. Th...

"Plains Indian Camp" is an original mixed media on paper by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

[CHINESE SCHOOL]. Two Watercolour Scenes. Possibly Canton ca.1820]. Very impressive large scale watercolours of Chinese scenes, presumably executed for the Western market by an an...

The idyllic atmosphere of this local dock scene falls within a couple of styles one being regionalism, an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting scenes of rural and small-town America primarily in the Midwest and frequently associated with Grant Wood and Thomas Hart Benton. The other style is romanticism wherein the scene depicted is a more desired or dramatic version of what actually is. “Untitled (Dock Scene)” is typical of a small town dock scene from Michigan where Culver lived or from places as far away as Maine, but what makes it important is its easy familiarity: water, gulls or terns, slanting wood shanties, scruffy dirt patches and course grasses. It is not idealized, but does set the tone of fresh air, the scream of birds and the sun on water. This piece has been professionally reframed with acid-free matting and museum glass. In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.” Charles Culver...

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Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended th...