Items Similar to Tickets/ Coney Island, colorful detailed cut paper, urban New York graphic
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Philomena MaranoTickets/ Coney Island, colorful detailed cut paper, urban New York graphic 2006
2006
About the Item
Color Aid paper, Paint, Contemporary collage
Hand cut color-aid paper
Worked with Robert Indiana
Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare,” as Ann Aptaker describes, through the prints and cut-paper collage in her “American Dream-land” series (1979-). These colorful, graphic style works evoke the energy and amusement of Coney Island through depictions of the rides, the boardwalk, clowns, and food vendors. Many are large-scale papier collé installations, a technique Marano learned from Robert Indiana in whose studio she formerly assisted. In conjunction with “American Dream Land,” in 1981 Marano and Richard Eagan co-founded the Coney Island Hysterical Society, which undertakes projects such as restoring old rides in response to the alarming rate at which they were shutting down in the fabled amusement park of their childhood.
Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster competition, and is a master of papier collé, the elegant cut paper technique she learned as a studio assistant to preeminent artist Robert Indiana.
Marano’s acclaimed series, “American- Dream-Land,” a decades-spanning project of papier collé originals and limited edition prints, penetrates the soul of Coney Island to reveal its twin promises of candy-colored paradise and gritty raw excitement. Her ornate compositions are cut out of “color-aid” paper - a type of paper coated with vibrant screen printers ink, the same paper which Romare Bearden frequently incorporated into his collages.
Marano’s work has been exhibited by Tabla Rasa Gallery, ACA Galleries, by Prince Street Gallery, Smart Clothes Gallery, the Municipal Art Society, the Museum of the City of New York, the Bronx Museum of the Arts, and the Coney Island Museum among others in the New York area and at the George Krevsky Gallery in San Francisco and are also represented in private, corporate and museum collections including the Brooklyn Museum.
“American Dream-Land” and Marano’s work as a co-founder (with artist Richard Eagan) of the Coney Island Hysterical Society were featured in Charles Denson’s award-winning book “Coney Island Lost and Found” (Ten Speed Press, Berkeley/Toronto, 2002). Additional publications featuring Marano and “American Dream-Land” include Amusing the Zillion, 24/7 Magazine, the New York Times, the Daily News and others.
Her current work expands into the larger city, exposing elements of urban life: the underappreciated grace of an out-of-the-way tire shop; the disquieting lure of an exit sign at night. In addition to creating papier collé images for this examination of the city’s overlooked beauty, she is also working on a cut-paper animation, “Take Me There,” a fantasy inspired by both her early train rides to Coney Island and a proposal for the Franklin Avenue subway. The ”Take Me There” trailer is posted for viewing on You Tube.
Born in Brooklyn, NY
Lives & works in Brooklyn, NY
and in Sarasota, Florida
- Creator:Philomena Marano (1952, American)
- Creation Year:2006
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU133915702071
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2005
1stDibs seller since 2020
84 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Sarasota , FL
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Florentine Birch, trees, nature, over classically patterned paperBy Audrey Frank AnastasiLocated in Brooklyn, NYEven though recognizable as trees, the artist considers the birch works to be process-oriented abstractions. "I am interested in the interplay between the abstract markings and the s...Category
2010s American Modern Mixed Media
MaterialsMixed Media, Acrylic
- Obscura, face w birch trees, nature, monochromaticBy Audrey Frank AnastasiLocated in Brooklyn, NYStarting with observational drawings from life, these works evolve through a series of variations, modifying tonality and forest elements.Even though recognizable as trees, the artis...Category
2010s American Modern Mixed Media
MaterialsCharcoal, Mixed Media, Acrylic
- headwind, female figure w beach umbrella beach blue ocean sandBy Stephen BassoLocated in Brooklyn, NYOil on canvasCategory
2010s American Modern Landscape Drawings and Watercolors
MaterialsCanvas, Oil
- Luna's Tire Shop, hand cut collage bright limited colorBy Philomena MaranoLocated in Brooklyn, NYCollage: Hand cut color-aid paper on gessoed heavyweight watercolor paper framed in a flat gray painted wood frame with plexi. Philomena is a daughter of Brooklyn. She holds a BFA fr...Category
2010s Hard-Edge Landscape Drawings and Watercolors
MaterialsArchival Paper, Watercolor
- Feminine Devine, figure within landscape of birch trees gold tones natureBy Audrey Frank AnastasiLocated in Brooklyn, NYPaper paint color pencil ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...Category
2010s Contemporary Landscape Drawings and Watercolors
MaterialsPaint, Paper, Color Pencil
- One, Two, mixed media female, mystery, symbols, numbers, black and white,By Audrey Frank AnastasiLocated in Brooklyn, NYPaper paint charcoal collage ABOUT the artist: Audrey Frank Anastasi is a prolific feminist artist, working in painting, drawing, collage, mixed media, & printmaking. She is also curator, gallerist, educator and arts advocate. Most of Ms. Anastasi's figurative works are painted with her non-dominant left hand. She has created large bodies of works of birds, animals and birch trees. She has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2020 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson...Category
2010s Contemporary Landscape Drawings and Watercolors
MaterialsPaint, Graphite, Paper
You May Also Like
- "Elkhorn Slough" - Cyanotype / Watercolor LandscapeBy Cheryl TrotterLocated in Soquel, CASoft watercolor accents add to the beauty of this cyanotype and watercolor titled "Elkhorn Slough" by Cheryl Trotter (American, 20th century), c.1980's....Category
1980s American Modern Mixed Media
MaterialsWatercolor, Laid Paper, Photographic Paper
- Windmill on the Plains, 1940s Watercolor and Ink Mixed Media Modernist PaintingBy Jenne MagafanLocated in Denver, CO'Windmill on the Plains' is watercolor and ink on paper painting by Jenne Magafan. Depicting a large windmill on a 1940s Colorado farm scene with sheds and a fencing in the backgroun...Category
1940s American Modern Landscape Drawings and Watercolors
MaterialsPaper, Ink, Watercolor
- Second Mesa (Hopi Pueblo, Arizona), Multicolored Southwest Mixed Media LandscapeLocated in Denver, CO'Second Mesa (Hopi Pueblo, Arizona)' is a watercolor, ink, and charcoal on paper by Bert Van Bork (1928-2014). Signed by the artist in the lower right co...Category
1980s American Modern Landscape Drawings and Watercolors
MaterialsCharcoal, Archival Ink, Watercolor, Archival Paper
- 1964 San Francisco Construction Site Large Gouache and Pastel LandscapeBy Gloria DudfieldLocated in Arp, TXGloria Dudfield Tractor at Work 6-10-64 Gouache and Oil Pastel on Paper 36"x32 1/2" Unframed Signed and dated lower right in crayon Very Good Condition - Minor wear consistent with ...Category
1960s American Modern Mixed Media
MaterialsPaper, Oil Pastel, Gouache
- Jan Matulka VIEW OF THE BRONX Watercolor American Modern NYC 20th CenturyBy Jan MatulkaLocated in New York, NYVIEW OF THE BRONX Watercolor American Modern Modernism NYC 20th Century Drawing. Jan Matulka (1890 – 1972) "View of the Bronx," 15 x 20 inches. Watercolor on paper, c. 1920s. Signed lower Right. In 1907, he came to the Bronx, New York where he had a poverty-ridden childhood with a mother who tried to raise a family by herself. From 1908 to 1917, he studied at the National Academy of Design, and in 1917, received the first Pulitzer Traveling Scholarship with which he traveled and painted in the Southwest and Florida. His work from this period showed a turning towards a more abstract style, replacing his earlier realism. In 1919, he first went to Paris and then returned in 1927 on a scholarship from the National Academy. In Paris, he was exposed to Cubism, and his painting after that seemed always to carry that influence. He had his first one-man exhibit in New York City in 1925, and by 1930, he and Davis were experimenting with their version of Cubism. Concurrently for New Masses, a communist magazine, he did satiric illustrations expressing his sympathy for the working classes, and from 1929 to 1931, he taught at the Art Students League where he inspired emerging modernists such as David Smith, Dorothy Dehner, and I Rice...Category
1920s American Modern Landscape Drawings and Watercolors
MaterialsWatercolor, Graphite, Paper
- Hopi Village on First Mesa, Arizona, Red, Blue, and Orange Mixed Media LandscapeLocated in Denver, COWatercolor, ink, and charcoal on paper titled 'Walpi #9 (Hopi Village on First Mesa, Arizona)' by Bert Van Bork (1928-2014). Painted in saturated shades ...Category
1990s American Modern Landscape Drawings and Watercolors
MaterialsCharcoal, Ink, Watercolor
Recently Viewed
View AllMore Ways To Browse
New York Drawings
New York City Drawings
Detailed Art Work
Graphic Drawing
New York Graphic Art
New York Graphic
Large Graphic
Large Graphic Art
New York Train
Shopping In New York
Old New York City Painting
New York City Large Framed
Private Island
New Clothes
Subway New York
Shopping In New York City
Paper Cut Outs
Paper Cut Out