Robert Trenaman Back

British 20th C painting of a moody seascape by maritime artist Trenaman Back

Gabriel Van Schnell (Dutch fl. 1908/1947) The Sudden Shower Signed, inscribed and dated ‘Gabriel 1946. SUDDEN SHOWER. / SUNSHINE. WIND AND RAIN’ (lower edge) 5 x 5 in. (12.7 x 12.7...

Jean Dufy (French, 1888 – 1964) Vue de port du Havre, circa 1925 Watercolour on paper Signed ‘Jean Dufy’ (lower right) and inscribed on the reverse 19.1/4 x 23.1/4 in. (48.5 x 59 cm....

Sir William Rothenstein (British, 1872-1945) Mountain landscape Signed and dated `W. Rothenstein 22’ (lower right) Gouache 20.3/8 x 15 in. (51.8 x 38 cm.) Provenance: Christie’s London, Modern British Paintings, 31 October 1996, lot 2 The English portrait artist Sir William Rothenstein was born January 29, 1872, near Bradford, Yorkshire. William Rothenstein was the son of Moritz Rothenstein, who came to England from Hanover in 1859, and the brother of Charles Lambert Rutherston, the collector, and Albert Daniel Rutherston, the artist. William Rothenstein studied for one year at the Slade School in London under Alphonse Legros, after which he spent four years in Paris, where he attended the Académie Julian. While in Paris, Rothenstein met many of the important artists of the time; he was particularly influenced by James Whistler, Edgar Degas, and Henri Fantin-Latour. After his return to England in 1893, Rothenstein was commissioned by John Lane...

Fred Bottomley (British, 1883-1960) St Ives harbour Gouache and watercolour Signed `F. Bottomley.’ (lower right) 9.1/8 x 13.1/8 in. (23.2 x 33.4 cm.)

John Doyle MBE, PPRWS (British, b. 1928) San Marco, Venice, circa 1986 Acrylic and watercolour on paper Monogrammed (lower right) 6.1/4 x 9.7/8 in. (15.8 x 25 cm.) Provenance: The C...

John Doyle MBE, PPRWS (British, b. 1928) Sunset, Sienna, circa 1986 Acrylic and watercolour on paper 7.3/8 x 11.1/2 in. (18.8 x 29.5 cm.) Provenance: The Catto Gallery, London John Doyle was born in Siddenham Hill, though apparently conceived in Venice. John Ward, a lifelong friend took him to Venice and stuck him in front of Maria della Salute at 5 o’clock in the morning and said ‘paint that!’. On returning to England he placed three pictures in the Academy which all sold immediately. After 18 years at the Royal Watercolour Society, he was elected President in 1997. He used to show with Anthony Spink in St. James’, London. He has had many personal exhibitions in London, and four in the Chapter House of Canterbury Cathedral...

Signed lower right, 'DeMartis' for James Joseph DeMartis (American, 1926-1996) and dated 1964. Born in Queens, New York, James Joseph DeMartis s...

Signed lower right, 'DeMartis' for James Joseph DeMartis (American, 1926-1996) and painted circa 1965. Born in Queens, New York, James Joseph DeMartis served with distinction in World War II and was decorated at the Battle of the Bulge. He subsequently attended painting classes at New York's Museum of Modern Art (1946-47) and, later, at the Art Students League of New York. He then enrolled at the California School of Fine Arts in Santa Monica, California until 1949, before leaving t study in Europe in 1950. He settled in Florence, Italy where he attended L’Accademia di Belle Arti di Firenze (1950-54). While continuing to study painting, he participated in several group and one-man shows in Italy and Switzerland. In 1956, DeMartis returned to New York at the height of the American Abstract Expressionist movement. He settled with his new family in Brooklyn and, after participating in a series of grass-roots galleries opened with fellow artists, he opened the Armory Gallery and studio in Manhattan. He also exhibited in other Manhattan galleries and at the National Arts Club. In 1961, De Martis was awarded the prestigious Emily Lowe Award for Painting. This led to to shows at the Ward Egglestone, ROKO, Pierantonio and Artemis West galleries from 1962-68. He then returned to Europe to participate in a group show in Florence. Upon his return, he opened the Brownstone Gallery in the Park Slope section of Brooklyn, where he exhibited his own and others’ works until 1988. James De Martis exhibited widely and with success including at one-man shows in Tokyo, Brooklyn, New York, Sarasota, Florida, San Francisco and Santa Fe. Select Exhibitions: 1953 Brodighera, Italy 1954 Galerie an der Reuss, Lucerne, Switzerland 1955 La Casa di Dante, Florence, Italy 1956 Walden School, New York, New York 1957 Bottega 57 Gallery, Brooklyn, New York 1960, 61 Hicks Street Gallery, Brooklyn New York 1960 Heights Casino, Brooklyn, New York 1961 Ward Eggleston Gallery, New York, New York 1962 Ray Gallery, Brooklyn New York 1962 Pietroantonio Gallery, New York, New York 1962,3,5,7 Armory Gallery, New York, New York 1965 Brooklyn Arts Gallery, Brooklyn, New York 1966,9 Brooklyn Heights Association 1967 Roko Gallery, New York, New York 1970,3,4,5,8,9,83 Brownstone Gallery, Brooklyn, New York 1972 Artemis East Gallery, New York, New York 1975 Brooklyn Museum, Brooklyn, New York 1977 Marcoleo Gallery, New York, New York 1978 Long Island University, Brooklyn, New York 1989,91,92 Gallery Gion Tokyo, Japan 1994 Private show, Sarasota, Florida 1995 Private show, San Francisco, California 1995 Private show, Copake, New York 1996 Washington and Jefferson College, Washington, Pennsylvania May, 2018 Retrospective show, Ashawagh Hall...

'Notre Dame de Paris', gouache on paper, by Lucien Génin (circa 1930s). An absolutely charming and now, historic depiction from the 1930s, of the most famous cathedral in France. It is one of the most widely recognised symbols of the city of Paris and the French nation. As the cathedral of the Archdiocese of Paris, Notre-Dame contains the cathedra of the Archbishop of Paris. Approximately 12 million people visit Notre-Dame annually, making it the most visited monument in Paris. While undergoing renovation and restoration, the roof of Notre-Dame caught fire on the evening of 15 April 2019. Burning for around 15 hours, the cathedral sustained serious damage. The government of France hopes the reconstruction can be completed by Spring 2024, in time for the opening of the 2024 Summer Olympics in Paris. Unlike the actual cathedral, this artwork is in good condition, is newly framed and glazed and signed by the artist in the lower left hand corner. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

'Notre Dame de Paris II', gouache on paper, by Lucien Génin (circa 1930s). One of two paintings of Notre Dame by this artist held by our gallery, it is also an absolutely charming and now, historic depiction from the 1930s, of the most famous cathedral in France. This version uses more exaggerated brushstrokes with strong colours attesting to its expressionist roots. Notre Dame is one of the most widely recognised symbols of the city of Paris and the French nation. As the cathedral of the Archdiocese of Paris, Notre-Dame contains the cathedra of the Archbishop of Paris. Approximately 12 million people visit Notre-Dame annually, making it the most visited monument in the city. While undergoing renovation and restoration, the roof of Notre-Dame caught fire on the evening of 15 April 2019. Burning for around 15 hours, the cathedral sustained serious damage. The government of France hopes the reconstruction can be completed by Spring 2024, in time for the opening of the 2024 Summer Olympics in Paris. Unlike the actual cathedral, this artwork is in good condition, is newly framed and glazed and signed by the artist in the lower right hand corner. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

'Small Boat and Bather in Dinard', gouache and charcoal on art paper, by French artist, Jean Pons (1961). Painted in a naïve style, the piece dep...

'Le Pont Neuf', gouache on fine art paper, by Lucien Génin (circa 1930s). The Pont Neuf is the oldest standing bridge across the river Seine in Paris, France. It stands by the western point of the Île de la Cité, the island in the middle of the river that was, between 250 and 225 BC, the birthplace of Paris. It is called 'The New Bridge' because at the time of its inauguration (built 1578-1607), it embodied a very modern look compared to other bridges which spanned the Seine. Lucien Génin has captured its beauty in this lively depiction from the 1930s. Just before the bridge is a 'Bateau Mouche' an open excursion boat that provides visitors with a view of the city from along the river. The artwork is in good overall condition commensurate with age and medium used. It has been newly frame with anti-reflective glass. Please enjoy the photos accompanying this listing. Signed by the artist in the lower left hand. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...