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Realist Landscape Drawings and Watercolors

REALIST STYLE

Realist art attempts to portray its subject matter without artifice. Similar to naturalism, authentic realist paintings and prints see an integration of true-to-life colors, meticulous detail and linear perspectives for accurate portrayals of the world. 

Work that involves illusionistic techniques of realism dates back to the classical world, such as the deceptive trompe l’oeil used since ancient Greece. Art like this became especially popular in the 17th century when Dutch artists like Evert Collier painted objects that appeared real enough to touch. Realism as an artistic movement, however, usually refers to 19th-century French realist artists such as Honoré Daumier exploring social and political issues in biting lithographic prints, while the likes of Gustave Courbet and Jean-François Millet painting people — particularly the working class — with all their imperfections, navigating everyday urban life. This was a response to the dominant academic art tradition that favored grand paintings of myth and history. 

By the turn of the 20th century, European artists, such as the Pre-Raphaelites, were experimenting with nearly photographic realism in their work, as seen in the attention to every botanical attribute of the flowers surrounding the drowned Ophelia painted by English artist John Everett Millais.

Although abstraction was the guiding style of 20th-century art, the realism trend in American modern art endured in Edward Hopper, Andrew Wyeth and other artists’ depictions of the complexities of the human experience. In the late 1960s, Photorealism emerged with artists like Chuck Close and Richard Estes giving their paintings the precision of a frame of film.

Contemporary artists such as Jordan Casteel, LaToya Ruby Frazier and Aliza Nisenbaum are now using the unvarnished realist approach for honest representations of people and their worlds. Alongside traditional mediums, technology such as virtual reality, artificial intelligence and immersive installations are helping artists create new sensations of realism in art.

​​Find authentic realist paintings, sculptures, prints and more art on 1stDibs.

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Style: Realist
'New Mexico Mission Church', by John B. Aragon, Watercolor Painting on Paper
Located in Oklahoma City, OK
John B. Aragon's Watercolor Painting on Paper of the exterior of a New Mexico Mission Church measures 10-1/2 x 14-1/2 inches. The matting and framing bring the total dimensions to 17...
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20th Century Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Half-timbered house and old tree
Located in Frankfurt am Main, DE
Carl August Walther (1880 Leipzig - 1956 Dresden): Half-timbered house and old tree, 1912, Pencil Technique: PencilCharcoal on Paper Inscription: Signed and dated lower left: "CW 1...
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20th Century Realist Landscape Drawings and Watercolors

Materials

Paper

St George's Fountain and Town Hall in Rothenburg ob der Tauber
Located in Frankfurt am Main, DE
Carl August Walther (1880 Leipzig - 1956 Dresden): St George's Fountain and Town Hall in Rothenburg ob der Tauber, 20th century, Charcoal Tec...
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20th Century Realist Landscape Drawings and Watercolors

Materials

Paper

Landscape near Jenbach in Tyrol with snow-covered peaks
Located in Frankfurt am Main, DE
Carl August Walther (1880 Leipzig - 1956 Dresden): Landscape near Jenbach in Tyrol with snow-covered peaks, 1930, Pencil Technique: Pencil on Transparent paper Inscription: Monogra...
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20th Century Realist Landscape Drawings and Watercolors

Landscape near Jenbach in Tyrol
Located in Frankfurt am Main, DE
Carl August Walther (1880 Leipzig - 1956 Dresden): Landscape near Jenbach in Tyrol, 1930, Pencil Technique: Pencil on Transparent paper Inscription: Insc...
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20th Century Realist Landscape Drawings and Watercolors

Piazza del Popolo in Todi
Located in Frankfurt am Main, DE
Carl August Walther (1880 Leipzig - 1956 Dresden): Piazza del Popolo in Todi, 20th century, Pencil Technique: Pencil on Paper Inscription: lower left with estate stamp Date: 20th ...
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20th Century Realist Landscape Drawings and Watercolors

Materials

Paper

Notre-Dame de Paris
Located in Frankfurt am Main, DE
Carl August Walther (1880 Leipzig - 1956 Dresden): Notre-Dame de Paris, 1909, Pencil Technique: Pencil on Paper, mounted on Cardboard Inscription: Dated, inscribed and signed "Pari...
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20th Century Realist Landscape Drawings and Watercolors

Materials

Paper

Italian city with bridge arch
Located in Frankfurt am Main, DE
Carl August Walther (1880 Leipzig - 1956 Dresden): Italian city with bridge arch, 20th century, Charcoal Technique: Charcoal over Pencil on Paper Inscription: lower left with estat...
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20th Century Realist Landscape Drawings and Watercolors

Materials

Paper

Dead tree
Located in Sempach, LU
An old tree already dead overgrown with moss in the forest thicket. The tree trunk has already been eaten by a bug, and its picturesque texture with a variety of tonal nuances attracted me as a researcher. I watch...
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Early 2000s Realist Landscape Drawings and Watercolors

Materials

Magazine Paper, Charcoal

Feel The Beat, realistic figurative charcoal on paper of girls dancing - Framed
Located in Dallas, TX
"Feel The Beat" is a dynamic and unique charcoal on paper. McArthur captures the movement of the female figures running in nature perfectly, and the monochromatic palette makes this ...
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2010s Realist Landscape Drawings and Watercolors

Materials

Charcoal, Archival Paper

Evening Cottage Scene / - Somewhere in Nowhere -
Located in Berlin, DE
Arthur Claude Strachan (1865 Edinburgh - 1954 Minehead), Evening Cottage Scene. Watercolor on paper, mounted, 28 x 46 cm (visible size), 48 x 65 cm (fra...
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Early 1900s Realist Landscape Drawings and Watercolors

Materials

Paper

“The Old Horse Cart”
By Ogden Pleissner
Located in Southampton, NY
Original watercolor on archival paper attributed to the very well known American realist artist Ogden Pleissner. Signed bottom right on unfinished watercolor verso. Unfinished wat...
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1960s Realist Landscape Drawings and Watercolors

Materials

Watercolor, Archival Paper

Watercolor of Atlantic City Beach with Lucy the Elephant By E.D. Lewis
Located in Philadelphia, PA
Edmund Darch Lewis (American, 1835–1910) Atlantic City Beach Scene with Elephant, 1884 Watercolor on grey paper, 8 x 18 1/2 inches(sight); Framed: 16 x 26 inches This view of the beach near Atlantic City features Lucy the Elephant...
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1880s Realist Landscape Drawings and Watercolors

Materials

Paper, Gouache, Watercolor

The Ruins of St. Clement's Church in Visby, Sweden / - Real romanticism -
Located in Berlin, DE
Otto Günther-Naumburg (1856-1941), The Ruins of St. Clement's Church in Visby, Sweden. Watercolor and ink, heightened with white, on sand-colored paper, mounted on cardboard, 33 x 24...
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Early 20th Century Realist Landscape Drawings and Watercolors

Materials

Paper

Shady hollow way - Into the heart of the forest -
By Hans Dvoràk
Located in Berlin, DE
Hans Dvořák (19th century). Shady hollow way in a sunny forest. Watercolour and pen-and-ink drawing, 58.5 x 43 cm (visible size), 70 x 55.5 cm (frame), signed and dated "Hans Dvořák ...
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1880s Realist Landscape Drawings and Watercolors

Materials

Watercolor

Worcester College, Oxford watercolour by Bernard Cecil Gotch
Located in London, GB
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Category

20th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

Raft Landscape in Sweden / - Temporary structures -
Located in Berlin, DE
Otto Eglau (1917 Berlin - 1988 Kampen), Raft Landscape in Sweden, 1956. Watercolor and ink on paper, 45 x 60 cm, signed in his own hand lower right with "Eglau" and dated "[19]56". - somewhat darkened Exposé as PDF - Temporary structures - About the artwork A wide river landscape stretches out before us, its horizon line running across the upper part of the picture, creating the impression of enormous depth. The depth is further extended by the dark tree trunks, most of which spill into the picture, and at the same time rhythmized by their different positions. This sequence of movements gives the landscape a strong dynamic moment. Indeed, the landscape seems to be "fleeing" from beneath us. To keep the gaze on the foreground alone requires a real visual effort. By looking at the foreground, we have already arrived at the background. Therefore, we cannot speak of pictorial grounds in the classical sense. Rather, we are confronted with a structurally rhythmic continuum of space, the dynamics of which are further accelerated by the cut tree trunks in the foreground and the upright trunks in the background, which function as target marks. Since the narrow strip of sky has the same white tonality as the ice, this area also fits seamlessly into the spatial structure, so that a deserted "structural landscape" unfolds before us. The structure, however, is not - as in the case of Piet Mondrian - completely abstract and thus something that exists independently of itself, removed from the time of natural space. The structures that Otto Eglau discovered in nature remain bound to it, which is why they exhibit a temporality that corresponds to the 'course of things'. Even if they correspond to an architecture of nature brought to representation, the structures are not substantial, but contingent. Artistically uncovered, they present themselves to Eglau at the very moment he captures them. In nature itself, these structures will never be repeated in the same way. Panta rhei - everything flows, even if the flow of time is frozen by his artistic representation and the image, for all its dynamism, radiates calm at the same time. "The structures I put behind things, and the lines that hold my paintings, are signs of transient life. They are random like the trace a wave leaves in the sand, blurred like the border between sea and land, ephemeral like the life of a shell I hold in my hand." - Otto Eglau About the artist After his release from captivity in 1947, Otto Eglau studied at the Hochschule für Bildende Künste in Berlin. He was a student of Oskar Nerlinger, Max Kaus and Wolf Hoffmann. From 1953 he taught free drawing for architects at the Technical University of Berlin. In the years that followed, Eglau undertook numerous study trips that took him to Scandinavia, the Arab world, the Far East and even Macau. During these travels he cultivated the technique of watercolour, which allowed him to work quickly in the open air, while retaining a strong painterly quality. Scholarships enabled Eglau to stay in Japan from 1962 to 1963 and in Naples in 1970. From 1969 to 1976 Eglau was professor of etching at the International Summer Academy of Fine Arts in Salzburg. Between 1983 and 1988 Eglau worked simultaneously in his Berlin studio at Lietzensee, which had its own printing press, and in his studio in Kampen on the island of Sylt. Otto Eglau's work has been shown in more than 100 solo exhibitions worldwide and in more than 120 group exhibitions. "I love the vastness of the island. The mudflats off Kampen are my treasure trove; here I discover new shapes and colors every day. Without Sylt, I would be like a fish without water." - Otto Eglau Selected Bibliography Hanns Theodor Flemming: Otto Eglau. Das graphische Werk, Flensburg 1966. Heinrich Seemann (Einführung): Otto Eglau. Inselskizzen, Hamburg 1982. Heinrich Seemann (Einführung): Otto Eglau. Japan, Nepal, Sylt. Aquarelle. Zeichen und Strukturen. Einführung von Heinrich Seemann, Hamburg 1986. Otto Eglau: Watt-Tagebuch. Ausgewählte Aquarelle aus den Skizzenbüchern Otto Eglaus. Kampen 1996. GERMAN VERSION Otto Eglau (1917 Berlin – 1988 Kampen), Floßlandschaft in Schweden, 1956. Aquarell und Tusche auf Papier, 45 x 60 cm, unten rechts eigenhändig in Blei mit „Eglau“ signiert und mit „[19]56“ datiert. - etwas nachgedunkelt Exposé als PDF - Temporäre Strukturen - zum Werk Vor uns erstreckt sich eine weite Flusslandschaft, deren Horizontline im oberen Bereich des Bildes verläuft, wodurch der Eindruck einer enormen Tiefenerstreckung entsteht. Die Tiefe wird von den dunklen, zumeist ins Bild hineinfluchtenden Baumstämmen zusätzlich geweitet und – durch ihre verschiedenartigen Lagen – dabei zugleich rhythmisiert. Durch diese Bewegungsabfolge weist die Landschaft ein starkes dynamisches Moment auf. Und tatsächlich stellt sich der Eindruck ein, als ob die Landschaft unter uns ‚hinwegfluchten‘ würde. Den Blick einzig im Vordergrund zu halten, verlangt regelrecht eine visuelle Anstrengung. Auf den Vordergrund schauend sind wir bereits im Hintergrund angelangt. Daher kann gar nicht von Bildgründen im klassischen Sinne gesprochen werden. Vielmehr steht hier ein strukturell rhythmisiertes Raumkontinuum vor Augen, dessen Dynamik von den angeschnittenen Baumstämmen vorne und den als Zielmarken fungierenden aufgerichteten Stämmen hinten zusätzlich beschleunigt wird. Da der schmale Himmelstreifen dieselbe Weißtonalität wie die Wasserlandschaft aufweist, fügt sich auch dieser Bereich bruchlos in das Raumgefüge ein, so dass sich vor uns eine menschenleere ‚Strukturlandschaft‘ ausbreitet. Die Struktur ist aber nicht – wie dies bei Piet Mondrian der Fall ist – gänzlich abstrakt und dadurch etwas eigenständig für sich Bestehendes, das der Zeit des Naturraums enthoben ist. Die von Otto Eglau in der Natur entdecken Strukturen bleiben an diese zurückgebunden, weshalb sie eine dem ‚Lauf der Dinge‘ entsprechende Temporalität aufweisen. Auch wenn sie einer zur Darstellung gebrachten Architektur der Natur entsprechen, sind die Strukturen nichts Substanzielles, sondern kontingent. Künstlerisch aufgedeckt, bieten sie sich Eglau in eben jenem Moment dar, den er festhält. In der Natur selbst werden diese Strukturen niemals in derselben Art wiederkehren. Panta rhei – alles fließt, auch wenn sich der Fluss der Zeit durch seine künstlerische Darstellung verfestigt hat, wodurch das Bild – trotz aller Dynamik – zugleich auch Ruhe ausstrahlt. „Die Strukturen, die ich hinter die Dinge setze, und die Linien, die meine Bilder halten, sind Zeichen des vergänglichen Lebens. Sie sind zufällig wie die Spur, die eine Welle im Sand hinterlässt, unscharf wie die Grenze zwischen Meer und Land, vergänglich wie das Leben einer Muschel, die ich in der Hand halte.“ - Otto Eglau zum Künstler Nach seiner Entlassung aus der Kriegsgefangenschaft 1947 nahm Otto Eglau ein Studium an der Hochschule für Bildende Künste in Berlin auf. Dort war wer Schüler von Oskar Nerlinger, Max Kaus und Wolf Hoffmann. Ab 1953 unterrichtete er freies Zeichnen für Architekten an der Technischen Universität Berlin. In den Folgejahren unternahm Eglau zahlreiche Studienreisen, die ihn nach Skandinavien, in den arabischen Raum, nach Fernost und bis nach Macau führten. Auf diesen Fahrten kultivierte er die Technik des Aquarellierens, die eine zügige Bildschöpfung im Freiraum erlaubt und dennoch eine stark malerische Qualität aufweist. Stipendien ermöglichten es Eglau, sich von 1962 bis 1963 in Japan aufzuhalten und 1970 länger in Neapel zu verweilen. Von 1969 bis 1976 hatte Eglau die Professur für Radierung an der Internationalen Sommerakademie für Bildende Kunst in Salzburg inne. Zwischen 1983 und 1988 war Eglau parallel in seinem Berliner Atelier am...
Category

1950s Realist Landscape Drawings and Watercolors

Materials

Watercolor

Sea 1989. Paper, watercolor, 15x20 cm
Located in Riga, LV
Sea 1989. Paper, watercolor, 15x20 cm Landscape with sea and clouds The watercolor painting depicts a serene seascape, showcasing the artist's interpretation of the sea and clouds. The artist skillfully uses watercolor...
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1980s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

At the sea. 2020, Watercolor, paper, 62, 5 x 85 cm
Located in Riga, LV
At the sea. 2020, Watercolor, paper, 62,5 x 85 cm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collections in Latvia, ...
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2010s Realist Landscape Drawings and Watercolors

Materials

Watercolor, Paper

Clarendon Building and Sheldonian Theatre, Oxford watercolour by Bernard Gotch
Located in London, GB
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Category

1930s Realist Landscape Drawings and Watercolors

Materials

Watercolor

Jules Lessore - 19th Century watercolour of The Ducal Palace, Venice
Located in London, GB
JULES LESSORE (1849-1892) The Ducal Palace, Venice Signed l.r.: Jules Lessore Watercolour Framed 24.5 by 17 cm., 9 ¾ by 6 ¾ in. (frame size 44.5 by 36.5 cm., 17 ½ by 14 ½ in.) Provenance: With Duncan Miller Fine Art, London. Jules Lessore was born in Paris and initially studied under his father, the painter, printmaker and ceramic artist, Emile Lessore...
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Late 19th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

High Moorland Landscape in the fog - The world as a transcendent phenomenon -
Located in Berlin, DE
Charles Edward Brittan Jr (1870 Plymouth - 1949). High moor landscape in the fog. Gouache, signed at lower left "Charles E. Brittan", 18 x 34.5 cm (passepartout), 45 x 62 cm (frame)....
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Early 20th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

At Baltic sea. 2020. Watercolor, paper, 63x94 cm
Located in Riga, LV
At Baltic sea. Watercolor, paper, 63x94 cm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private ...
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2010s Realist Landscape Drawings and Watercolors

Materials

Watercolor, Paper

University of Oxford Botanic Garden watercolour by Margaret Waller
Located in London, GB
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Category

20th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

Red blooming war landscape with dead soldier - Bleeding flowers -
Located in Berlin, DE
Johannes Friedrich Heinrich Hänsch (1875-1945), Red blooming war landscape with dead soldier, 1918. Watercolor and gouache on paper, 15 x 24.5 cm (image), 27 x 37 cm (sheet size / frame), monogrammed and dated "19JH18" at lower left. - Paper slightly darkened About the artwork Despite the relatively small format, the watercolor with an internal frame depicts a panoramic view of a flat landscape stretching to the horizon. As far as the eye can see, the poppies bloom in flaming red. The flowers are not rendered individually, however, creating an almost cohesive red surface. The bright red is interspersed with vegetal green. A complementary contrast that creates an intense color effect. In this color contrast, a white area breaks through from the middle ground, widening towards the foreground and surrounding a brown hole. Next to it, in blue, is the actual protagonist of the painting, the first thing that catches the eye: a dead soldier. Next to him is his helmet, revealing the empty interior. The brown, hollow shape corresponds to the hole in the ground. A shell funnel is surrounded by bright ash, which, like the inverted helmet, becomes a sign of death. The soldier's arms point to the funnel, while the empty helmet paraphrases the calotte of the skull and, like the funnel, thematizes the empty darkness of death. The soldier's body, however, is intact and not - as in Otto Dix's triptych "The War" - a dismembered corpse. Instead, Johannes Hänsch activates the landscape, especially the color, to illustrate a blooming landscape of death that extends from the shell funnel in the foreground to the rising column of smoke on the horizon. If the soldier's body is intact, the tangle of barbed wire emblematically placed over the empty helmet also appears tattered. On the right side of the picture, the barbed wire even seems to stretch its arms to the sky in horror. Against the background of this allegory, the content of the bright red also becomes clear: the landscape is drenched in blood, literally a sea of blood, and the single unknown soldier stands pars pro toto for all those who died on the battlefield. Dying in war is not dying in community, but in solitude. In order to emphasize the isolation in death, Johannes Hänsch has set the blue of the soldier in the axis given by his body in the middle ground of the picture into the red sea. A master of landscape painting, Hänsch succeeds in creating a natural-looking landscape allegory that illustrates the horror and death of war, without depicting the brutality of war itself. This singular 'war memorial' of the unknown soldier is the opposite of heroization and yet the dignity of the deceased soldier is preserved through the integrity of his body. About the artist As the son of the sculptor Adolf Haensch, the young Johannes received his first artistic training in his father's Berlin studio. However, he eventually decided to become a painter, and in 1897 he entered the Berlin Academy of Arts. He initially studied under Paul Vorgang and Eugen Bracht, and was particularly influenced by Bracht's increasingly colourful landscape painting. In 1901 he moved to the class of Friedrich Kallmorgen, with whom he spent several weeks on excursions into nature. In 1905 he became a master pupil of Albert Hertel, who taught him watercolour painting. From 1903 to 1933 he exhibited annually at the Great Berlin Art Exhibition, the exhibitions of the Berlin Artists' Association and the Munich Glaspalast. In 1905 he was awarded the Carl Blechen...
Category

1910s Realist Landscape Drawings and Watercolors

Materials

Watercolor

Wettersteinkamm - The blue of the mountains -
Located in Berlin, DE
Adalbert Holzer (1881 Munich - 1966 Munich). Wettersteinkamm. Watercolour, 29 x 34.5 cm (visible size), 37.5 x 43 cm (frame), signed and dated at lower right 'ADALBERT HOLZER [19]23'. Framed behind glass. Frame shows signs of wear. - The blue of the mountains - About the artwork The Wetterstein ridge is revealed to the viewer from a gentle, snow-covered hill. In contrast to conventional depictions of mountains, the painting is composed entirely of shades of blue, which condense into the blue-grey of the rock or fade into the white of the snow. As a complementary colour to the blue, Holzer virtuously activates the ochre ground. The uniform yet exciting polarity of the colours emphasises the massive majesty of the mountains and at the same time underlines the special character of the Wetterstein ridge. Holzer transferred the translucency of glass painting, in which he was originally trained, to watercolour and developed a pictorial language related to the art of Ferdinand Hodler, which earned him the nickname 'Master of Blue' and led to the appreciation of his watercolours in particular. About the artist After an apprenticeship as a stained glass painter at the Kunstgewerbeschule, Adalbert Holzer studied at the Munich Art Academy under Carl von Marr...
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1920s Realist Landscape Drawings and Watercolors

Materials

Watercolor

Mountains 1989. Paper, watercolor, 11x21 cm
Located in Riga, LV
"Mountains" is a watercolor artwork created in 1989 on paper. The dimensions of the artwork are 11x21 cm. The painting focuses on depicting a scene of majestic mountains. Watercolo...
Category

1980s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

River 1970, paper/watercolor/pencil, 14x20 cm
Located in Riga, LV
River 1970,paper/watercolor/pencil, 14x20 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military ...
Category

1970s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Azure Clouds, Cyanotype Diptych Skyscape on Paper, Springtime Blue Clouds
Located in Barcelona, ES
Exclusive limited edition cyanotype diptych. Details: + Title: Azure Clouds + Year: 2024 + Edition Size: 20 + Stamped and Certificate of Authenticity provi...
Category

2010s Realist Landscape Drawings and Watercolors

Materials

Photographic Film, Monotype, Emulsion, Watercolor, C Print, Dye Transfer...

Trinity College, Cambridge, Great Court watercolour by Wilfred Pettitt
Located in London, GB
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Category

20th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

Magdalen Tower, Magdalen College, Oxford watercolour by Fred Taylor
Located in London, GB
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Category

20th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

Batumi. 1987, paper, watercolor, 18x30.5 cm
Located in Riga, LV
Batumi. 1987, paper, watercolor, 18x30.5 cm The watercolor painting portrays a landscape scene of Batumi, a city in Georgia. The artist skillfully uses watercolor techniques to depi...
Category

1980s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Blustery Clouds, Stormy Sky Landscape, Blue Tones, Extra Large Cyanotype, Paper
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...
Category

2010s Realist Landscape Drawings and Watercolors

Materials

Photographic Film, Lithograph, Emulsion, Ink, Watercolor, Photographic P...

Mountains 1989. Paper, watercolor, 11x21 cm
Located in Riga, LV
Mountains 1989. Paper, watercolor, 11x21 cm The snowy mountains in watercolor evoke a sense of awe, peace, and the serene grandeur of nature. The delicate and transparent qualities ...
Category

1980s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Wild Affection, animal art, lion art, original art, affordable art
Located in Deddington, GB
Graphite artwork entitled 'Wild Affection', showing male lion affectionately licking female lion. David Truman artist offers original paintings and limited edition prints exclusivel...
Category

2010s Realist Landscape Drawings and Watercolors

Materials

Paper, Graphite

Mountains 1989. Paper, watercolor, 10x14 cm
Located in Riga, LV
Mountains 1989. Paper, watercolor, 10x14 cm Landscape with orange mountains. "Mountains" is a captivating watercolor painting that showcases the artist's skill in capturing the c...
Category

1980s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Batumi. View of the harbor 1987, paper, watercolor, 18.5x30.5 cm
Located in Riga, LV
"Batumi. View of the Harbor" is a watercolor artwork created in 1987 on paper. The dimensions of the artwork are 18.5x30.5 cm. The painting portrays a scenic view of the harbor in B...
Category

1980s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Paquebot à Boulogne Sur Mer, late 19th Century French Marine Drawing
Located in Cotignac, FR
Late 19th century drawing on paper of a French marine scene by noted French artist Georges Ricard-Cordingley. Carrying the atelier stamp to the bottom left and with full annotation a...
Category

Late 19th Century Realist Landscape Drawings and Watercolors

Materials

Paper, Pencil

Cobblestone Passage with Flowers, Original Watercolor by Peruvian Artist
Located in Doylestown, PA
The artwork is a 22 x 30 inches, original watercolor painting of a cobblestone passage, adorned by brightly colored, overgrowing flowers. This stunning and charming townscape was painted by Peruvian artist...
Category

21st Century and Contemporary Realist Landscape Drawings and Watercolors

Materials

Watercolor, Archival Paper

Venetian Lagoon, 1899, Venice, Italy, Realist, Watercolor
Located in Wiscasset, ME
Born in Lower Austria in 1844, Rudolf Bernt was a painter and architect. He studied at the Vienna Technical University as an architect, and at the Academy of Fine Arts in Vienna unde...
Category

Late 19th Century Realist Landscape Drawings and Watercolors

Materials

Watercolor

Landscape 1967, paper/watercolor, 23x43.5 cm
Located in Riga, LV
Landscape 1967, paper/watercolor, 23x43.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military ...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Field 1967, paper/watercolor, 20.5x29.5 cm
Located in Riga, LV
Field 1967, paper/watercolor, 20.5x29.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military co...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Glacier by Rudolf Reschreiter - Gouache on paper 35x50 cm
Located in Geneva, CH
Gouache work on paper New natural wooden Frame Total size with frame is 52,5 x 67,5 cm
Category

Early 1900s Realist Landscape Drawings and Watercolors

Materials

Paper, Gouache

Landscape 1961, paper/watercolor, 20x23.5 cm
Located in Riga, LV
Landscape 1961, paper/watercolor, 20x23.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military ...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Watercolor, Paper

The village 1964, paper/watercolor., 20.5x29.5 cm
Located in Riga, LV
The village 1964, paper/watercolor., 20.5x29.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Watercolor, Paper

Sitges beach Barcelona Spain charcoal drawing
Located in Barcelona, Barcelona
Francesc Ferret Farreras ”Bruno” (1921-2000) - Sitges Beach - charcoal Measurements drawing 44x59 cm. Frame measures 65x79 cm.
Category

1950s Realist Landscape Drawings and Watercolors

Materials

Charcoal

The factory 1961, paper/watercolor, 28.5x40.5 cm
Located in Riga, LV
The village 1964, paper/watercolor., 20.5x29.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Ice breaker 1965, paper/watercolor, 16x21 cm
Located in Riga, LV
Ice breaker 1965, paper/watercolor, 16x21 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military ...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

The village 1964, paper/crayons/pencil., 14x19 cm
Located in Riga, LV
The village 1964, paper/crayons/pencil., 14x19 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Crayon, Color Pencil, Paper

Evening Watercolor on paper, 23, 5x28 cm
Located in Riga, LV
Evening Watercolor on paper, 23,5x28 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military cours...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Winter 1969, paper/watercolor, 29x40.5 cm
Located in Riga, LV
Winter 1969, paper/watercolor, 29x40.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military cou...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Landscape with mountains 1965, paper/watercolor, 17.5x18.5 cm
Located in Riga, LV
Landscape with mountains 1965, paper/watercolor, 17.5x18.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian a...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Landscape 1967, paper/watercolor, 29.5x35.5 cm
Located in Riga, LV
Landscape 1967, paper/watercolor, 29.5x35.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many militar...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

The coast 1969, watercolor on paper, 20.5x28.5 cm
Located in Riga, LV
The coast 1969, watercolor on paper, 20.5x28.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Winter landscape 1965, paper/watercolor., 20.5x27.5 cm
Located in Riga, LV
Winter landscape 1965, paper/watercolor., 20.5x27.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Color Pencil

Hill 1969, paper/watercolor, 17.5x25 cm
Located in Riga, LV
Hill 1969, paper/watercolor, 17.5x25 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School o...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Cargo ship 1965. paper/watercolor., 8x22.3 cm
Located in Riga, LV
Cargo ship 1965. paper/watercolor., 8x22.3 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Winter 1967, double-sided, paper/watercolor, 20x27.3 cm
Located in Riga, LV
Winter 1967, double-sided,paper/watercolor, 20x27.3 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many...
Category

1960s Realist Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Color Pencil

Realist landscape drawings and watercolors for sale on 1stDibs.

Find a wide variety of authentic Realist landscape drawings and watercolors available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape drawings and watercolors created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Carl August Walther, Frank Girard, Kind of Cyan, and Tom Perkinson. Frequently made by artists working with Paint, and Watercolor and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Realist landscape drawings and watercolors, so small editions measuring 3 inches across are also available. Prices for landscape drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $985,000, while the average work sells for $1,170.

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